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    Actor Spotlight

    Dallas actor Akron Watson channels '70s funk for Fortress of Solitude

    Lindsey Wilson
    Mar 10, 2014 | 8:43 am

    Even if you've never read The Fortress of Solitude, the title might sound familiar. Dallas Theater Center is adapting the popular coming-of-age novel into a stage musical (which Time.com noted as one to watch), and author Jonathan Lethem visited the DMA last month to talk about the process of bringing his story from the page to the stage.

    Likewise, even if you don't immediately recognize the name Akron Watson, chances are you've seen his work. The Dallas native last graced the DTC stage in Kevin Moriarty's reimagined A Christmas Carol as Bob Cratchit, and he was in 2011's To Kill a Mockingbird. But he's also popped up on practically every Dallas-Fort Worth stage from Theatre Three to Lyric Stage to Casa Mañana.

    Add on a featured role in the TV series Friday Night Lights and a controversial appearance on American Idol, and Watson is a memorable performer.

    Catch him in The Fortress of Solitude at Dallas Theater Center through April 6, and stay late after the show as he moderates a talk-back with the audience. Watson recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Akron Watson

    Role in The Fortress of Solitude: Subtle Distinction. I wish I could say more.

    Previous work in the DFW area: So many shows I am proud of. A few are The Shipment, Undermain Theatre; Bengal Tiger at the Baghdad Zoo, Theatre Three; Diary of a Worm, Dallas Children's Theater; and Fences, African American Rep.

    Hometown: Right here in Dallas. Pleasant Grove, to be specific.

    Where you currently reside: Old East Dallas

    First theater role: Tiny Tim in A Christmas Carol at my church

    First stage show you ever saw: An original piece about the story of David and Goliath at my elementary school

    Moment you decided to pursue a career in theater: I don't recall a specific moment. A number of people and places helped me decide — the exceptional educators at Collin County Community College, playing Mercutio in a re-envisioned version of Romeo & Juliet and super supportive parents.

    Most challenging role you've played: Tom Robinson in To Kill a Mockingbird at Dallas Theater Center. He had such a beautifully simple mind and such a pivotal role in an American classic story.

    Special skills: Um, singing? You can't tell from this, but I'm a pretty great writer. I'll prove that one day.

    Something you're REALLY bad at: I plead the fifth!

    Current pop culture obsession: Instagram! Facebook! Basically my cellphone.

    Last book you read: I'm going to name drop real quick: The Actor and the Target, given to me by DTC Resident Acting Company member and SMU professor Michael Connolly. Great guy, great book.

    Favorite movie(s): Epics and sci-fi, anything Marvel, all the new Batmans, Gladiator

    Favorite musician(s): John Legend

    Favorite song: "All of Me"

    Dream role: Coalhouse in Ragtime

    Favorite play(s): Tempest, All My Sons, Top Dog/Underdog, all things August Wilson

    Favorite food: Salmon

    Must-see TV show(s): I never watch TV.

    Something most people don't know about you: People don't know those things for a reason.

    Place in the world you'd most like to visit: London, Australian, Russia — all to audition.

    Pre-show warm-up: "Trinida and the big Mississippi, and the town Honolulu, and the Lake Titicaca, the popacatapital is not in Canada, rather in Mexico Mexico Mexico, Canada, Malaga, Remedy Brendesey, Tibet, Tibet Tibet ..."

    Favorite part about your current role: The dancing. The feeling of moving to a vibe of the '70s: funk!

    Most challenging part about your current role: The dancing!

    Most embarrassing onstage mishap: Once I wore boxers in a scene without a button. It was a very intimate black box theater full of family and friends. It was a really long scene. Many times in the scene I was blocked to walk downstage toward the audience and just stand and deliver. I could literally feel the eyes ... smh ...

    Career you'd have if you weren't a performer: Math teacher or accountant

    Favorite post-show spot: A booth with the cast, with a table covered in Mexican food and tequila

    Favorite thing about Dallas-Fort Worth: The space, the job market, the prices and DTC

    Most memorable theater moment: Breaking down into tears during a rehearsal of To Kill A Mockingbird as Tom Robinson. All the pressure and power of representing a man, a family and an entire race wrapped in such a simple set of answers. The complex nature of his disposition: innocent but filled with guilt, terrified but just brave enough, tortured. It was a breakthrough for me as an actor and as a black man to find Tom Robinson and live as him onstage.

    Now he's on the left. Keep up.

    "The Fortress of Solitude" at Dallas Theater Center
    Photo by Karen Almond
    Now he's on the left. Keep up.
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    Dance of all Kinds

    New TITAS/Dance Unbound season brings international debuts to Dallas

    Alex Bentley
    Apr 20, 2026 | 12:15 pm
    Hervé Koubi dance company
    Photo by Sharen Bradford
    The 2026-2027 TITAS/Dance Unbound season will include 10 performances, including French company Hervé Koubi.

    The 2026-2027 TITAS/Dance Unbound season will once again have an international feel, featuring nine companies from four different countries that will include four Dallas debuts.

    Now entering its fifth decade, TITAS strives to showcase diverse, exciting, and unexpected dance work from around the world.

    According to a release, the 10-performance season will kick off with a co-production from Broadway at the Center's recently-announced season, Dance Me - The Music of Leonard Cohen from Ballets Jazz Montréal.

    Developed with the personal blessing of singer/songwriter Leonard Cohen, Dance Me is a translation of a legend’s soul into physical form. Through movement, they capture the mood and essence that made Cohen such an icon.

    There will be three performances on September 18 and 19, 2026 at Moody Performance Hall.

    November brings the return of Pilobolus, last seen in Dallas in a 2023 outdoor performance at Nasher Sculpture Center.

    This visit, taking place on November 6 and 7, 2026 at Moody Performance Hall, will be with Trips, featuring a journey through gravity-defying feats, explosive athleticism, physical poetry, and sly humor.

    Alonzo King Lines Ballet pays an encore visit to Dallas on December 19, 2026 at Winspear Opera House.

    Choreographer King infuses classical ballet with new expressive potential, and draws on a diverse set of deeply rooted traditions and cultural collaborations to create something fresh, powerful, and unforgettable.

    Making its Dallas debut will be Step Afrika!, coming to Moody Performance Hall on January 15 and 16, 2027.

    Stepping started in the early 1900s on historically black college campuses, and Step Afrika! has drawn on that tradition in their jaw-dropping, creative, and joyful performances.

    Next up will be Alan Lake Factori(e), presented as part of the TITAS/Unfiltered series on February 5 and 6, 2027 at Moody Performance Hall.

    The Canadian company will perform Orpheus, in which choreographer Lake, explores the redemptive power of art through an immersive world where image, movement, light, and physical materials all come together.

    The TITAS/Unfiltered series features bold, progressive work that challenges expectations, enthralls audiences, and sparks conversation.

    Another company making its Dallas debut will be Argentina's Social Tango Project, performing at Moody Performance Hall on February 26 and 27, 2027.

    With 10 dancers, five musicians, and the meaningful participation of local tango communities in every city they visit, Social Tango celebrates not just the beauty and complexity of tango, but the heart and spirit behind it.

    The French company Hervé Koubi will present What the Day Owes to the Night on March 27, 2027 at Winspear Opera House.

    Koubi’s signature work blends capoeira, martial arts, urban dance, and contemporary movement into something entirely its own, featuring 12 male dancers flipping, flying, and seemingly defying gravity - and expectations - at every turn.

    The U.S.-based Yue Yin Dance Company will makes its Texas debut on April 2 and 3, 2027 at Moody Performance Hall.

    Founder Yue Yin uses a movement vocabulary she calls the "FOCO Technique," a contemporary dance language rooted in Chinese classical and folk traditions and shaped by the layered influences of the immigrant experience.

    Wrapping up the season will be the Dallas debut of Philadanco! on May 8, 2027 at Winspear Opera House.

    Founded in 1970 by Joan Myers Brown, The Philadelphia Dance Company - aka Philadanco! - is celebrated for its creativity and fresh ideas, bringing people together through dance.

    Additionally, TITAS/Dance Unbound will put on their annual Command Performance on April 24, 2027 at Winspear Opera House.

    The special event features artists from leading companies and commissioned works created specifically for this gala performance by some of the world’s leading choreographers.

    Throughout the season, TITAS will make direct-access learning available to the public through pre- and post-performance Q&As, master classes, lecture/demonstrations, student matinees and Big Barre outdoor dance classes.

    Season subscriptions, which range from $213-$760, are on sale now and can be purchased by phone at 214-880-0202 and online at attpac.org/titas.

    Subscribers receive special perks, including a 20 percent discount on single tickets, free ticket insurance, discounted parking rates, and seat assurance all season long.

    Single tickets for TITAS/Dance Unbound, ranging from $14-$140 at Winspear Opera House and $30-$80 at Moody Performance Hall, will go on sale on a TBD date in summer 2026.

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