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    Theater Critic Picks

    These are the 18 can't-miss shows in Dallas-Fort Worth theater for June

    Lindsey Wilson
    Jun 3, 2019 | 10:30 am

    For a quick second, I thought we'd broken a record with this month's lineup. Eighteen shows. And that's not even individually counting the several that comprise the Dallas Solo Festival. But alas, there is one previous roundup that featured more plays and musicals: June 2018. Must be something about early summer that makes DFW want to experience some culture.

    Here are the 18 shows to see in order by start date:

    The Producers
    Casa Mañana, June 1-9
    A down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers out of millions of dollars. Winner of a record 12 Tony Awards, the show skewers Broadway traditions and is based on Mel Brooks' classic cult comedy film.

    Summer and Smoke
    The Classics Theatre Project, June 1-22
    One of Tennessee Williams' most subtle and tender works, the Mississippi-set Summer and Smoke follows Alma (Gretchen Hahn), the minister's daughter, and John Buchanan (Evan Michael Woods), the doctor's son, who are magnetically drawn to each other. The spiritual and physical romance that almost blooms between them is among the most engaging, romantic, and heartbreaking love stories in Williams' canon.

    Drunk Enough to Say I Love You? and Here We Go
    Second Thought Theatre, June 5-29
    A double feature of two rarely produced Caryl Churchill plays, both of which are both directed by Alex Organ. The first is an examination of American identity through the characters of "Guy, a man" and his seducer, "Sam, a country." The second is a meditation on that most universal of human experiences: death.

    Penny Candy
    Dallas Theater Center, June 5-July 14
    DTC playwright-in-residence Jonathan Norton based this world premiere on his own childhood growing up in Pleasant Grove, where he helped his father run a candy store out of their rundown, one-bedroom apartment.

    Dallas Solo Fest
    Audacity Theatre Lab, June 6-16
    Eight unique one-person shows highlight the fifth year of this festival, which mix local solo performers with performers from around the country. The lineup includes Based On Actual Events by Jaye Lee Vocque; Brigham Mosley's Critical, Darling!; Cyrano A-Go-Go by Brad McEntire; Justin Lemieux's Girl Dad; Keeping Up With the Jorgensons by Jeremy Julian Greco; Carmel Clavin's The Marvelous Musical Mechanical Maiden; Melanie Moseley's Sexology: The Musical; and Who You Calling a Bitch!?! by Sacha Elie. Head here for a full schedule and lineup.

    Aladdin
    Dallas Summer Musicals, June 6-23
    The national tour of this Disney stage hit stars two DFW natives: Clinton Greenspan as Aladdin and Major Attaway as the Genie (he will be returning to the role on Broadway later this year). You'll also find the Academy Award-winning score by Alan Menken, Howard Ashman, and Tim Rice, as well as jaw-dropping dance numbers and even a flying carpet or two.

    Reykjavík
    Kitchen Dog Theater, June 6-30
    Steve Yockey's latest world premiere is the headliner of KDT's New Works Festival. In the city of Reykjavík, we eavesdrop on the intertwined lives of lovers, hospitality workers, partygoers, and even a really handsome bird or two. This frank exploration of honesty in relationships offers a glimpse into a cold, dark, magical, and sometimes violent world where everyone still hopes to find joy beneath the glow of the Northern Lights.

    The Armor Plays: Cinched and Strapped
    Theatre Three, June 6-30
    Two one-acts by another young female playwriting talent, Selina Fillinger, explore gender and rebellion by examining the past and exploring the future. The first is set during a 19th-century high-class dinner party. Fast forward several centuries to the second piece, which introduces hardened warriors in a dystopian future.

    The Ballad of Little Jo
    WaterTower Theatre, June 6-30
    After giving birth to a son out of wedlock, Josephine Monaghan makes the difficult decision to leave him in the care of her sister and head out west in search of a new life. She finds herself stranded in a small Idaho mining town, disguises herself as a man called "Jo," and quickly finds a job mining silver. Things start looking up for Jo as she finds success as a man, but the dream of a better life starts to crack when news from back home in Boston reaches her.

    Sweeney Todd
    Circle Theatre, June 6-July 13
    Stephen Sondheim's heart-pounding thriller is set on the seedy side streets of 19th-century London, telling the diabolical tale of an exiled barber's quest to avenge the wrongs done to him and his family by a lecherous judge.

    The Play That Goes Wrong
    AT&T Performing Arts Center Broadway Series, June 11-16
    Welcome to opening night of The Murder at Haversham Manor, where things are quickly going from bad to utterly disastrous. With an unconscious leading lady, a corpse that can't play dead, and actors who trip over everything (including their lines), this award-winning smash comedy was hit both on Broadway and in London.

    Shakespeare in Love and As You Like It
    Shakespeare Dallas, June 12-July 21
    From one of the Bard's most comedic romances to the fictional romance of the Bard himself, Shakespeare Dallas' summer season is both modern and classic. Shakespeare in Love performs Tuesdays, Saturdays, and Sundays, while As You Like It runs Wednesdays, Thursdays, and Fridays. Both are performed outdoors, so bring a blanket, sand chair, picnic, and beverages, if you're so inclined.

    The Man of La Mancha
    Lyric Stage, June 14-16
    Inspired by Miguel de Cervantes' 17th-century masterpiece Don Quixote, this Tony-winner by Dale Wasserman, Joe Darion, and Mitch Leigh is one of the most successful musicals in Broadway history.

    Beautiful: The Carole King Musical
    AT&T Performing Arts Center Broadway Series, June 18-23
    Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah. This inspiring true story follows King's remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history.

    Les Miserables
    Broadway at the Bass, June 25-30
    This new production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon comes direct from an acclaimed two-and-a-half-year return to Broadway. Set against the backdrop of 19th-century France, it tells an enthralling story of broken dreams and unrequited love, passion, sacrifice, and redemption.

    Second Thought Theatre is presenting two rarely produced Caryl Churchill plays: Drunk Enough to Say I Love You? and Here We Go.

    Drunk Enough to Say I Love You? and Here We Go
    Photo courtesy of Second Thought Theatre
    Second Thought Theatre is presenting two rarely produced Caryl Churchill plays: Drunk Enough to Say I Love You? and Here We Go.
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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