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    TV Hot Take

    Bravo cuts off Real Housewives of Dallas' 'Jesus juice' after 5 overserved seasons

    Stephanie Allmon Merry
    Aug 23, 2021 | 5:02 pm

    The Real Housewives of Dallas are cordially uninvited back to the party. Bravo has switched off the show after five seasons.

    "There are currently no plans to bring The Real Housewives of Dallas back next year, and beyond that, nothing official has been decided," Bravo said in a statement.

    That leaves the door slightly cracked for a return, perhaps to stream on NBC's Peacock, as The Real Housewives of Miami is doing after being canceled in 2013.

    But as Newsweek points out, even a return in the digitalsphere would likely take a fan campaign, which — with a paltry 337,000 viewers for the Season 5 premiere and 578,000 for the season finale in May, one-quarter of the show's New York and Atlanta franchise viewership — isn’t likely to happen. Especially not in Dallas, which pretty universally face-palmed the show, or flipped it the bird altogether.

    CultureMap was all in when RHOD launched in spring 2016 as buzzy bubble-gum TV — turn off your brain, grab your favorite carbs and a bottle of wine, and spend an hour spotting DFW hot spots and laughing as the rich Dallas women dissed Plano. In the first few episodes, we learned the fun new terms “Jesus juice” (white wine) and “charity world” and raised a Botoxed eyebrow or two at the amount of childish “poop and pee” talk we were subjected to. (Pour more Jesus juice! We’re having a good time!)

    Despite low ratings, RHOD got another season, then another and another. Cast members came and went. On screen, they fought like cats and accused each other’s husbands of cheating like dogs; threw parties and threw glasses; drank too much and refused to eat weird food; took trips to Austin and trips to Mexico.

    Off screen, the Dallas “Bravo-lebrities” launched beauty products and jewelry lines, and even a brand of pink dog food.

    There were some beautiful and meaningful moments, like LeeAnne Locken’s State Fair proposal and glittery but heartfelt wedding. Stephanie Hollman shared her gut-wrenching experiences with suicidal ideation. Brandi Redmond let viewers along on her infertility and adoption journeys.

    But by the final season — filmed and aired amid the COVID-19 pandemic, economic crisis, racial reckonings, and deeply divided political landscape — the show had gone off the rails in ways it couldn’t really recover from.

    In a world experiencing so many harsh realities, this reality TV show didn’t provide the fun, carb-loaded, Jesus juiced-up distraction it could have. Instead it became a laborious exercise in who could out-"racism" and "non-racism" and "anti-racism" who, which carried over from the screen to social media.

    In a year when nonprofits in the Dallas “charity world” were desperate for funds and local businesses were desperate for shoppers, the show threw one long, indulgent birthday party for one cast member and had the women stupidly spanking each other with charcuterie boards on a shopping expedition to a local business.

    And in an economy where so many workers lost jobs and struggled to care for their kids at all, viewers were expected to sympathize with a doctor-"housewife," who is married to a kajillionaire, about the guilt she felt for wanting to stay home more so she could take her kids to the family’s hotel for tea parties.

    Viewers were practically screaming, "Look, lady. Stay home or don't stay home. Make up your mind. You have a choice, K? BRB, headed to the food bank for pickup."

    And then: So. Much. Fighting.

    Mother-daughter fighting, tequila-shot fighting, dim-sum fighting, who's-the-bigger-bully fighting, who's-the-better-Christian fighting, secret-crickets-on-pizza fighting, you-insulted-Bigfoot-hunter fighting ... fighting is as much a part of Real Housewives franchises as designer bags, but for the love of Birkin, there'd already been enough fighting on the nearby cable news stations every night since early 2020. During the pandemic-slash-election season, they could have zipped their unmasked lips and done something interesting.

    It seemed, more and more, like this once-fun, fancy-Dallas-people "fantasy" was just fake drama being put forth as throwaway entertainment in a world — and a city — that had moved on to more valuable investments. By the last season, RHOD wasn't a feel-good escape; it was a cringey crash-and-burn.

    So, raise a glass of Jesus juice to the fun that was the first few episodes, and hope the next Dallas-set show treats charcuterie boards with a bit more kindness.

    LeeAnne, Rich, and castmates at their 2019 wedding, which played out on the show.

    LeeAnne Locken, Rich Emberlin, Real Housewives wedding
    Photo by Thomas Garza
    LeeAnne, Rich, and castmates at their 2019 wedding, which played out on the show.
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    Movie Review

    Zootopia 2 Disney is an OK sequel that keeps the fun of the original

    Alex Bentley
    Nov 25, 2025 | 3:31 pm
    Nick (Jason Bateman) and Judy (Ginnifer Goodwin) in Zootopia 2
    Photo courtesy of Walt Disney Animation Studios
    Nick (Jason Bateman) and Judy (Ginnifer Goodwin) in Zootopia 2.

    When Zootopia came out in 2016, Walt Disney Animation Studios was in the midst of a great run of original films, including Wreck-It Ralph, Frozen, Big Hero 6, and finally Moana. Their output since then has not been as good, including three mediocre sequels, three so-so originals, and only one truly great film, Encanto.

    All of which is to say that the odds for Zootopia 2 breaking that trend were low even before they started working on it. The odd couple pair of rabbit Judy Hopps (Ginnifer Goodwin) and fox Nick Wilde (Jason Bateman) are now officially detectives in the Zootopia Police Department, but they still have a penchant for not following the orders of Chief Bogo (Idris Elba). Such mischievous behavior doesn’t sit well with the other detective teams, which include pairs of zebras, hippos, hogs, and goats.

    Still, their slightly insubordinate ways put them on the path toward discovering the infiltration of Gary De’Snake (Ke Huy Quan), the first reptile to be seen in Zootopia in a long time. He’s trying to steal a book that would prove that his relative was the rightful inventor of a weather technology that gives all animals in Zootopia an ideal climate. But the high-powered Lynxley family, including father Milton (David Straithairn) and son Pawbert (Andy Samberg), lay claim to the idea and won’t give it up easily.

    Written and directed by Jared Bush, and co-directed by Byron Howard, the film retains the fun of the first film if not the consistently interesting story. Though Judy and Nick get along much better than they did previously, they still don’t see eye-to-eye on everything. It’s Judy who takes more risks this time around, with Nick’s rule-breaking ways seeming to have rubbed off on her, a nice twist that leads to some ironic situations.

    The filmmakers struggle to make the story as easily coherent this time around, with the new characters a decidedly mixed bunch. The Lynxleys are supposed to be the bad guys of the film, but they’re not featured enough to drum up any enmity for them. The detective duos are fun comic relief, especially the two who refer to themselves as the Ze-bros, but none of them factor very much in the actual story.

    Instead, the filmmakers fall back on things like cameos from small characters from the first film and a flurry of groan-worthy animal puns. While it’s fun to see the sloth Flash (Raymond S. Persi), sheep Bellwether (Jenny Slate), and Gazelle (Shakira), their appearances are too brief to carry the movie overall. The visuals are as fantastic as expected of Disney films, especially the myriad fur/hides/scales of the different creatures, but the film is not designed to necessarily wow in that respect.

    Both Goodwin and Bateman prove again that they were cast perfectly for their respective roles, as Goodwin fully embodies Judy’s relentless enthusiasm and Bateman brings the wry tone to his street smart character. If you know them, it’s fun to have people like Samberg, Straithairn, Quinta Brunson, and Patrick Warburton in supporting roles, but no one but Warburton and his distinctive voice elevates the film.

    Like most of Disney’s recent sequels, Zootopia 2 is a pleasant enough movie that lets fans revisit some favorite characters. But when a bar is set high with the first film as it was with Zootopia, it takes more outside-of-the-box thinking to have the second one measure up in any significant way.

    ---

    Zootopia 2 opens in theaters on November 26.

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