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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Aug 26, 2021 | 6:00 am

    Music will be the order of the weekend in and around Dallas. There will be five great concerts to attend, ranging from country music royalty new and old to a rising blues/rock star. You can also see two fantastic comedians, shop for a good cause, partake in food and wine in a classical music venue, or get one final glimpse at a unique art exhibition.

    Below are the best ways to spend your precious free time this weekend.

    Thursday, August 26

    Marty Stuart in concert
    Country music legend Marty Stuart has been releasing albums for over 40 years, but it wasn't until the late 1980s and early '90s that he hit his heights thanks to hits like "Hillbilly Rock," "Little Things," "Tempted," "Burn Me Down," and "This One's Gonna Hurt You." He hasn't been as prolific in the 2000s, but he just released his first new album in nine years, Songs I Sing in the Dark. He'll play at The Kessler on both Thursday and Friday.

    Improv Arlington presents Mark Normand
    Through his relentlessly punchy writing and expert delivery, Mark Normand is quickly becoming one of the most talked about comedians on the scene. He most recently self-released a one-hour special, Out To Lunch, on YouTube. A veteran of the late night shows, Normand also has his own podcast, Tuesdays with Stories. He'll perform five times through Saturday at Improv Arlington.

    Dwell with Dignity presents Thrift Studio
    Dallas-based nonprofit Dwell with Dignity will present its annual fundraiser and month-long pop-up store, Thrift Studio. Thrift Studio, taking place through September 25, features donated, high-end furniture, housewares, and accessories sold at significant discounts, with 100 percent of sales benefitting DwD’s mission. Shoppers will find vignettes created by leading designers, showrooms, and retailers, showcasing donated home decor items.

    Friday, August 27

    The Dallas Symphony Wine & Food Festival
    Instead of classical music, the Dallas Symphony will serve up its inaugural Wine & Food Festival this weekend. The event, taking place through Sunday at the Meyerson Symphony Center, will feature wines from around the world, champagnes, craft brews, locally distilled spirits, plus some favorite tastes and small plates from celebrated Dallas chefs and restaurants. For the exact listing of activities, visit the event website.

    Jim Gaffigan: The Fun Tour
    Comedian Jim Gaffigan is as relatable a celebrity as you'll ever find. His popularity has stemmed from bits involving his struggles as the father of five kids, marriage in general, and his love/hate relationship with Hot Pockets. His latest special, The Pale Tourist, premiered on Amazon Prime Video in December 2020. He'll bring his stand-up tour to The Pavilion at Toyota Music Factory in Irving.

    Saturday, August 28

    Luke Bryan in concert
    The only thing that could keep country singer Luke Bryan away from the Dallas-Fort Worth area was the pandemic. Bryan is as consistent a performer as they come, appearing somewhere in the area every year — except last year — since at least 2012. He'll be back at Dos Equis Pavilion to play in support of his 2020 album, Born Here Live Here Die Here. He'll be joined by opening acts Dylan Scott and Runaway June.

    Jonathan Tyler in concert with Jeremy Pinnell
    Jonathan Tyler is a Dallas-based musician who has received national attention, opening for major acts like Erykah Badu, Leon Russell, Deep Purple, The Black Crowes, Kool and the Gang, and more. Tyler and his band, the Northern Lights, have released three studio albums in their career, including 2015's Holy Smokes. He'll perform at The Kessler, with Jeremy Pinnell as the opening act.

    Sunday, August 29

    Dallas Museum of Art presents "Curbed Vanity: A Contemporary Foil by Chris Schanck" closing day
    Sunday will be the final day to view "Curbed Vanity: A Contemporary Foil by Chris Schanck" at the Dallas Museum of Art, the Dallas native's first museum commission and solo museum presentation. Schanck created a contemporary work inspired by the late-19th century Martelé dressing table in the DMA’s collection. Made of found objects from the immediate neighborhood of the artist’s Detroit studio, Schanck’s dressing table is coated in resin and aluminum foil, a reference to the Dallas aluminum factory where, along with his father, Schanck worked when he was young. The two dressing tables are presented together to form a conversation about craftsmanship, material, and the vanity that drives them.

    Turtle Creek Chorale presents Songs of Strength and Survival
    The healing power of live music, and especially choral music, is something that was absent as we made our way through the trials of a global pandemic over this last year. Turtle Creek Chorale will present a small ensemble concert at Cathedral of Hope Dallas designed to remind the audience how powerful, intimate, and up close choral music can be. It will include a selection of songs designed to inspire and spark a flame of strength in all of us.

    Gary Clark Jr. in concert
    If it weren't for that pesky pandemic, Austin native Gary Clark Jr., who's known for blending blues, rock and soul music with hip hop, would have had a lot to celebrate this past year. His third album, 2019's This Land, was his most successful one yet, earning him four Grammy nominations and three wins for Best Contemporary Blues Album, Best Rock Performance, and Best Rock Song. He'll play nightly through Tuesday, now at House of Blues Dallas after a venue change from The HiFi Dallas.

    Marty Stuart will play at The Kessler on August 26 and 27.

    Marty Stuart
    Photo by David McClister
    Marty Stuart will play at The Kessler on August 26 and 27.
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    Movie Review

    Remake of Schwarzenegger classic The Running Man stumbles

    Alex Bentley
    Nov 13, 2025 | 2:21 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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