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    Theater Critic Picks

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for September

    Lindsey Wilson
    Sep 3, 2018 | 10:02 am

    We've got two world premieres and several established favorites this month, which include a few from movies-turned-musicals and shows that later inspired movies. Singing newsboys, meddling matchmakers, scheming villains, and plays that tackle important issues both current and historical are all waiting in the wings.

    Here are the 12 shows to see, in order by start date:

    Fort Worth Fringe Festival
    Texas Nonprofit Theatres, Inc. and the Fort Worth Community Arts Center, September 7-8
    Featuring 17 different acts ranging from lesser-produced theater, dance, burlesque, puppetry, poetry, and more, the festival welcomes performers from all over the state of Texas and beyond.

    Hurricane Diane
    Echo Theatre, September 7-22
    Greek god Dionysus comes back to Earth disguised as a permaculture specialist named Diane, and she's pretty upset to find how we have been treating Mother Nature. So she plants seeds of seduction in a quiet little cul-de-sac to launch her ultimate plan: destroy our cookie-cutter, HGTV-obsessed America. Cindee Mayfield, Angela Davis, Whitney Holotik, Stephanie Butler, and Octavia Y. Thomas star in this play by Madeleine George, the scribe behind Echo's hit Precious Little.

    Hello, Dolly!
    Casa Mañana, September 8-16
    Beloved local actor David Coffee celebrates his 50th year performing at Casa, this time taking on the role of the curmudgeonly businessman who's the focus of matchmaker Mrs. Dolly Gallagher Levi. Broadway performer Jacquelyn Piro Donovan stars as Dolly in Jerry Herman and Michael Stewart's 1964 hit.

    The Cuban and the Redhead
    Pegasus Theatre, September 13-30
    This new musical by Robert Bartley and Danny Whitman is about cultural icons Desi Arnaz and Lucille Ball. Escaping bloodshed in Cuba, a young man sets sail on a turbulent journey that leads him all the way to Hollywood and into the arms of a fiery, redheaded movie star named Lucille Ball. They put their egos and dreams of stardom on the line in a gamble to save one thing — their marriage — and risk it all on an untested and floundering new medium called television.

    Once
    Theatre Three, September 13-October 7
    Based on the popular film, Once centers around a Dublin street musician who's about to give up on his dream when a beautiful young woman takes an interest in his haunting love songs. The 2012 Tony-winning musical by Glen Hansard, Markéta Irglová, and Enda Walsh features an ensemble of actor/musicians who play their own instruments onstage, with direction by Marianne Galloway and music direction by Scott A. Eckert.

    How is it That We Live or Shakey Jake + Alice
    Undermain Theatre, September 13-October 7
    The world premiere from longtime Undermain collaborator Len Jenkin traces the lives of two lovers through the years, from the first kiss to the last goodbye and everything in between.

    Othello
    Shakespeare Dallas, September 19-29
    The Bard's classic drama about a noble general whose life and marriage are sabotaged by theater's most infamous villain stars Jamal Sterling and Caitlin Glass. Shakespeare Dallas' rendition is set amid war and palace intrigue in the early 20th-century Mediterranean region.

    WET: A DACAmented Journey
    Cara Mía Theatre Co., September 20-30
    Written and performed by L.A.'s Alex Alpharaoh, this one-man show explores what it means to be an American in every sense of the word except one: on paper. Based on a true story, WET chronicles one DACA recipient's ongoing battle of living all but his first three months of life in the United States as an undocumented citizen. The production is performed in the Theatre Too space at Theatre Three.

    Newsies
    Lyric Stage, September 21-23
    Based on the 1992 motion picture and inspired by a true story, Newsies features a Tony Award-winning score by Alan Menken and Jack Feldman and a book by Tony Award winner Harvey Fierstein. Set in turn-of-the century New York City, it's the rousing tale of Jack Kelly, a charismatic newsboy who rallies newsies from across the city to strike against the unfair conditions of publishing titans Joseph Pulitzer and William Randolph Hearst.

    Angels in America, Part Two: Perestroika
    Uptown Players, September 28-October 7
    The entire original cast from Uptown's production of Millennium Approaches reunites for the conclusion of one of the greatest plays of the 20th century. The award-winning play explores gay culture, race, political injustice, inequality, and the future of America through the lens of the AIDS crisis of the 1980s. This "Gay Fantasia on National Themes" raises the stakes, with characters confronting the real, the ethereal, and themselves, with the conclusion taking place five years after our introduction to these memorable characters.

    Steel Magnolias
    Dallas Theater Center, September 28-October 21
    Every Southern woman knows there are few institutions on earth more important than the town beauty parlor. At Truvy Jones' salon in Chinquapin, Louisiana, neighborhood women gather to swap stories, share gossip, and, of course, style their hair. But when tragedy strikes, the community comes together in a bond more powerful than 10 coats of hairspray in Robert Harling's play, which was the basis for the popular movie.

    Nina Simone: Four Women
    Jubilee Theatre, September 28-October 28
    September 16, 1963: The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama, which led Nina Simone to shift her career from artist to artist-activist. Christina Ham's play with music uses the framework of one of her most blistering songs, "Four Women," to give voice to a group of women who suffered from self-hatred due to the different hues of their skin.

    Hurricane Diane blows into Echo Theatre.

    Hurricane Diane
    Photo courtesy of Echo Theatre
    Hurricane Diane blows into Echo Theatre.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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