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    Theater Critic Picks

    Dallas-Fort Worth theater critics applaud the best of 2016-17 season

    Lindsey Wilson
    Sep 12, 2017 | 8:29 am

    Bucking the national trend of diminishing arts coverage, attendance at the annual Dallas-Fort Worth Theater Critics Forum was actually up this year. Nine professional critics gathered to nominate, vote for, and debate our favorites from the 2016-17 season — and was there ever debate.

    In categories spanning new works to stellar performances, the nine critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites not included here to pop up in those end-of-year lists.

    It was a strong year for women, with female directors earning six of the eight nods (way up from last year's four out of 10). Kitchen Dog Theater had a stellar showing, as did Stage West and Dallas Theater Center, and the majority of theaters stepped up their community involvement thanks to the pioneering spirit of performer, producer, and activist Denise Lee. Some artists scored both on and off the stage, earning nods for their performances as well as directing and/or design contributions.

    Without further ado, here are the awards:

    Outstanding Direction

    • Robin Armstrong, Ripcord, Circle Theatre
    • Emily Scott Banks, Stupid Fucking Bird, Stage West; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord, WaterTower​ Theatre
    • Cheryl Denson, Angels in America, Part One: Millennium Approaches, Uptown Players
    • Marianne Galloway, Stiff, Risk Theater Initiative (Festival of Independent Theatres)
    • Kevin Moriarty, Electra, The Tempest, and Inherit the Wind, Dallas Theater Center
    • Jeffrey Schmidt, The Minotaur, Theatre Three
    • Joanie Schultz, Hit the Wall, WaterTower Theatre
    • Christie Vela, 'night, Mother, Echo Theatre; Straight White Men, Second Thought Theatre

    Outstanding New Play or Musical

    • Br'er Cotton by Tearrance Arvelle Chisholm, Kitchen Dog Theater
    • Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn
    • The Necessities, by Blake Hackler, Second Thought Theatre
    • Stiff by Sherry Jo Ward, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Touring Production

    • An American in Paris, Dallas Summer Musicals and Performing Arts Fort Worth
    • The Curious Incident of the Dog in the Night-Time, AT&T Performing Arts Center Broadway Series
    • Hedwig and the Angry Inch, AT&T Performing Arts Center Broadway Series
    • Into the Woods, AT&T Performing Arts Center Broadway Series
    • Tina Packer's Women of Will, Eisemann Center Presents

    Outstanding Performance by an Actor

    • Christopher Carlos, Paper Flowers, Kitchen Dog Theater
    • Cameron Cobb, Trevor, Kitchen Dog Theater
    • Blake Hackler, Richard III and Measure for Measure, Trinity Shakespeare Festival; so go the ghosts of méxico, part one: a brave woman in méxico, Undermain Theatre
    • Selmore Haines III, Thurgood, Jubilee Theatre
    • Max Hartman, Trevor, Kitchen Dog Theater
    • Bob Hess, La Cage aux Folles, Uptown Players
    • Alex Organ, The Tempest, Dallas Theater Center
    • Randy Pearlman, Funnyman, Circle Theatre
    • Thomas Ward, Straight White Men, Second Thought Theatre

    Outstanding Performance by an Actress

    • Deborah Brown, Ripcord, Circle Theatre
    • Whitney LaTrice Coulter, The Submission, Proper Hijinx Productions
    • Steph Garrett, The Great Dictator, Audacity Theatre Lab (Festival of Independent​ Theatres); Waiting for Lefty, Upstart Productions
    • Julie Johnson, Mame, Lyric Stage
    • Jenny Ledel, Grounded, Second Thought Theatre
    • Kelsey Milbourn, Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Sally Nystuen Vahle, Electra and A Christmas Carol, Dallas Theater Center
    • Christie Vela, Paper Flowers, Kitchen Dog Theater; The Necessities, Second Thought Theatre
    • Sherry Jo Ward, Stiff, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Performance by an Ensemble Cast

    • Angels in America, Part One: Millennium Approaches, Uptown Players
    • Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Inherit the Wind, Dallas Theater Center
    • 'night, Mother, Echo Theatre
    • Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Stupid Fucking Bird, Stage West

    Outstanding Design or Creative Contribution

    • Design team, Br'er Cotton, Kitchen Dog Theater
    • Stefany Cambra, properties design, Feathers and Teeth, Kitchen Dog Theater
    • Jay Dias, music direction, Camelot, Lyric Stage
    • John M. Flores, sound design, Feathers and Teeth, Kitchen Dog Theater
    • Pam Holcomb-McLain, musical direction, The Light in the Piazza, Brick Road Theatre
    • Design team, Jesus Christ Superstar, Casa Mañana
    • Brian McDonald, set and sound design, Grounded, Second Thought Theatre
    • Aaron Johansen, lighting design, Grounded, Second Thought Theatre
    • Michael B. Moore, wigs and makeup design, La Cage aux Folles, Uptown Players
    • Lauren Morgan, a season of costume design for Stolen Shakespeare Guild
    • James Ortiz, puppet design, Stefano Brancato, associate puppet design, Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Design team, Trinity Shakespeare Festival
    • Sean J. Smith and Rhonda Jones, choreography, Fly, African American Repertory Theater
    • Trigg Watson, magic consultation, Midas, Prism Movement Theater

    Special Citations

    • Dallas Theater Center, for engaging the city with its Public Works production of The Tempest, which used 200 members of the community in its cast, and for committing to continue the program in future seasons.
    • Denise Lee, for starting Community Conversation, following the Dallas Police shootings, as an ongoing, free, inclusive program that gives theater audiences an opportunity to discuss tense issues and create fellowship across different cultures, races, orientations, and/or social-economic statuses in a safe, judgment-free setting. The program is held every fourth Monday at Dallas Children's Theater, alternates every other month at Circle Theatre and Stage West in Fort Worth, and has been offered after Second Thought Theatre's Straight White Men, Kitchen Dog Theater's Br'er Cotton, and WaterTower Theatre's Hit the Wall.

    Participating Critics
    Lindsey Wilson, CultureMap
    Alexandra Bonifield, CriticalRant.com
    Nancy Churnin, Dallas Morning News
    Jan Farrington, TheaterJones.com
    Janice Franklin, TheaterJones.com
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 45 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    Euan Morton rocked in the national tour of Hedwig and the Angry Inch.

    Euan Morton as Hedwig
    Photo by Joan Marcus
    Euan Morton rocked in the national tour of Hedwig and the Angry Inch.
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    Theater Critic Picks

    Dallas theaters light up November with fresh plays and holiday hits

    Lindsey Wilson
    Nov 10, 2025 | 2:30 pm
    The Outsiders' North American tour
    Photo by Matthew Murphy
    Corbin Drew Ross and Nolan White in 'The Outsiders' North American tour.

    We're well into November, and for Dallas theater buffs, that means three don't-miss shows that all end this week. From there, it's a segue to the beginning of holiday season with Christmas-themed productions starting to surface in the last half of the month.

    Here are 10 shows appearing in Dallas-Fort Worth theaters in November, listed in order of start date:

    Libro de Los Sueños Olvidados
    Ochre House Theater, through November 13
    Written and directed by artistic director Matthew Posey, and in collaboration with the 2025 Dallas Flamenco Festival, this fantasy Flamenco play is about two homely sisters who steal an enchanted book of spells called The Book of Forgotten Dreams to cast a spell that will make them glamorous movie stars. Instead, they conjure a fantasy world of magical creatures, witches, and the Moon King and Queen, who own The Book of Forgotten Dreams.

    Job
    Teatro Dallas, through November 16
    This psychological thriller zooms in on two careerists of different generations, genders, and political paradigms to examine what it means to be a citizen of the internet and our obligation to help the people who need it most.

    The Outsiders
    Broadway Dallas, through November 16
    Winner of the 2024 Tony Award for Best Musical, The Outsiders is adapted from S.E. Hinton's seminal novel and Francis Ford Coppola's iconic film. In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade, and their Greaser family of ‘outsiders’ battle with their affluent rivals, the Socs. Look out for Dallas' own 2023 HSMTA winner, Corbin Drew Ross, who plays Ponyboy's brother, Sodapop.

    The Voices of Donny Hathaway
    Jubilee Theatre, through November 30
    This powerful play, written by Robert King Jr., brings to life the music, struggles, and brilliance of an artist whose voice defined a generation. Through a rich tapestry of Hathaway’s most beloved songs, the story explores the beauty of his genius alongside the challenges he faced, painting an intimate portrait of a man whose art continues to inspire.

    Action
    Undermain Theatre, through December 7
    Four friends seek solace in each other's company by sharing a house over the Christmas holidays after a catastrophic event has thrown the world into chaos. This is considered to be among Sam Shepard’s most important works, and has been compared to the work of Samuel Beckett.

    & Juliet
    Broadway at the Bass, November 12-16
    & Juliet flips the script on the greatest love story ever told and asks: What would happen next if Juliet didn’t end it all over Romeo? Her new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone‚” “Roar,” “Baby One More Time,” “Larger Than Life‚” “That’s The Way It Is,“ and “Can’t Stop the Feeling!” Look out for Dallas' own multi-year HSMTA winner — and 2025 national winner — Fabiola Caraballo Quijada as Juliet.

    Goblin Market
    Theatre Three, November 13-December 7
    What lived under your bed when you were a kid? This original musical probes into the sexually charged fantasies of two sisters who relive their childhood experiences in an imaginary world peopled by seductive goblins. The production is in the Theatre Too space.

    A Christmas Story: The Musical
    Broadway at the Center, November 21-23
    From Benj Pasek and Justin Paul, the songwriting team behind Dear Evan Hansen and The Greatest Showman, A Christmas Story: The Musical brings the classic 1983 movie to hilarious life onstage.

    Rudolph the Red-Nosed Reindeer
    Casa Mañana, November 22-December 23
    Rudolph, Hermey the Elf, Yukon Cornelius, and the Abominable Snow Monster go on an unforgettable adventure that's filled with holiday hits like “A Holly Jolly Christmas,” “The Island of Misfit Toys,” “The Most Wonderful Day of the Year,” and “Rudolph the Red-Nosed Reindeer."

    A Christmas Carol
    Dallas Theater Center, November 28-December 27
    Black Hackler is this year's Ebenezer Scrooge in Kevin Moriarty's adaptation of Charles Dickens' classic tale. Follow Ebenezer Scrooge’s unforgettable journey from miserliness to generosity as he encounters the Ghosts of Christmas Past, Present, and Future — all in 90 minutes.

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