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    Actor Spotlight

    How Tom Hanks inspired Dallas' Michael Federico to become an actor

    Lindsey Wilson
    Nov 6, 2014 | 1:02 pm

    Michael Federico has spent his years in Dallas making a name for himself not only onstage, but also off. A company member at Kitchen Dog Theater, Federico also wrote the book for the local musical that took the city by storm, On the Eve. The time-traveling show won accolades from critics and audiences alike as it played first at Fair Park’s Magnolia Lounge, and later as part of the 2014 season at Theatre Three.

    Now Federico returns home to KDT in The Arsonists. A new translation by Alistair Beaton of Max Frisch’s 1953 play, The Arsonists is an absurdly funny parable about accommodating the very thing that will destroy you. Original music by Jon Schweikhard rounds out the experience, which runs November 7 through December 13 at McKinney Avenue Contemporary.

    Federico recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Michael Federico

    Role in The Arsonists: Eisenring

    Previous work in the DFW area: Mike in Barbecue Apocalypse (KDT), Ralph D in The Motherfucker with the Hat (KDT), Leo in Profanity (Undermain), Andrew in Becky Shaw (KDT), Konstantin in The Seagull (KDT), Ariel in The Pillowman (KDT)

    Hometown: I was born in Philadelphia, but I grew up in Plano.

    Where you currently reside: East Dallas

    First theater role: I played Pat Sajak and emceed my elementary school talent show. Does that count?

    First stage show you ever saw:Annie at the Dallas Summer Musicals or Something’s Afoot at Creed Repertory Theatre. I can’t remember which one was first.

    Moment you decided to pursue a career in theater: I owe my theatrical career to the Tom Hanks/Meg Ryan classic Joe Versus the Volcano. During my eighth grade year, I was deciding whether or not to take theater in high school. I went to see that movie, and during the scene in which Hanks is dancing on a raft made of luggage while “Come and Go with Me” plays, I was like, “I’m going to take theater in high school, and I’m going to be an actor.” Always a good idea to make major life decisions at 14.

    Most challenging role you’ve played: Konstantin in The Seagull

    Special skills: Singing ’80s-style metal. Growing a beard quickly.

    Something you’re REALLY bad at: Cooking

    Current pop culture obsession: The return of Twin Peaks

    Last book you read:If on a winter’s night a traveler by Italo Calvino

    Favorite movie(s):Back to the Future

    Favorite musician(s): Sigur Ros, Mogwai, Pixies, Pavement, New Order, Led Zeppelin

    Favorite song: “Ceremony” by New Order

    Dream role: Bottom in A Midsummer Night’s Dream

    Favorite play(s):Travesties by Tom Stoppard, A Midsummer Night’s Dream, The Seagull, The Threepenny Opera, Cloud Nine by Caryl Churchill, On the Verge by Eric Overmyer

    Favorite musical(s): Into the Woods, Assassins, Hedwig and the Angry Inch, Little Shop of Horrors

    Favorite actors/actresses: Frances McDormand, Julianne Moore, Tina Fey, Stanley Tucci, Brian Cox, and basically the entire cast of Party Down

    Favorite food: Fried chicken (preferably from Babe’s)

    Must-see TV show(s):Broad City, Mad Men, Parks and Recreation, Doctor Who, Veronica Mars, Breaking Bad, Gotham, Twin Peaks, The Office (BBC), Sports Night, Slings and Arrows, Party Down

    Something most people don’t know about you: I am terrified of crocodiles.

    Place in the world you’d most like to visit: Iceland

    Pre-show warm-up: I usually drink a 32-ounce Coke, listen to show-related music and then do the Kitchen Dog group warm-up.

    Favorite part about your current role: It’s fun to play someone who is amoral.

    Most challenging part about your current role: I think Eisenring is always a few steps ahead of everyone else, so trying to keep up with the crazy jumps in his thought process can be a challenge.

    Most embarrassing onstage mishap: Opening night of Charm at Kitchen Dog, a prop that plays a huge part in the end of the show got stuck in a weird pocket-within-a-pocket of my pants and I couldn’t get it out. I tried for what felt like three hours. The playwright was in the house.

    Finally, I just grabbed another random prop that was in my other pocket. Luckily, I was on stage with John Flores and Jeffrey Schmidt and they totally went with it, changed the scene on the fly, and somehow made it work.

    Career you’d have if you weren’t in theater: I’d like to say superstar point guard for the Dallas Mavericks, but I’ll go with English professor.

    Favorite post-show spot:Lakewood Landing

    Favorite thing about Dallas-Fort Worth: Most of my favorite people live here. And the Mavs.

    Most memorable theater moment: Opening night of On the Eve at the Magnolia Lounge.

    Becky Shaw at Kitchen Dog Theater.

    "Becky Shaw" at Kitchen Dog Theater
      
    Photo by Matt Mrozek
    Becky Shaw at Kitchen Dog Theater.
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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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