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    Count Your Blessings

    Why we should give thanks for the Dallas-Fort Worth theater scene

    Lindsey Wilson
    Nov 28, 2013 | 12:00 am

    It's not the same as posting daily on Facebook or saying what you're thankful for around the dinner table, but it's no less important that we give thanks this year for DFW's vibrant theater scene.

    Seriously, whenever November/December rolls around and it's time to start making year-end, best-of lists, it's astonishing to realize how much visceral, challenging and beautiful theater this city produces. Let us bow our heads and give thanks for these nine reasons why our theater scene rocks.

    1. We have troupes that delight in taking risks.
    Dead White Zombies performs original plays in former stash houses and abandoned warehouses. Ochre House produces truly unique shows — utilizing everything from flamenco to puppets — that spring from the inimitable mind of Matthew Posey. Second Thought Theatre challenges its audiences with intimate, often dark and controversial works.

    You can only appreciate the lightness of Neil Simon and Rodgers and Hammerstein when you have something to balance them against, and companies like these are doing an excellent job of pushing their audiences to explore and question.

    2. We believe in nourishing the next generation's love of the arts
    Michelle Obama recently presented Dallas Theater Center with the National Arts and Humanities Youth Program Award for its youth theater program, Project Discovery. Since 1986, Project Discovery has helped more than 265,000 students and teachers study and experience live theater (more than half for the first time in their lives).

    Kitchen Dog Theater, as part of the New Works Festival, partners every year with the local youth organization Junior Players to produce PUP Fest, a playwriting workshop and afternoon of staged readings written and performed by DFW high-schoolers.

    We've talked a lot about Fun House Theatre and Film before, and with good reason. By treating its young actors (and designers) like adult professionals, the company emerges with productions that are impressively high-quality. Adorable, of course, but also thought-provoking and resonant.

    WaterTower Theatre's upcoming The Adventures of Tom Sawyer will lead a double life as the Tom Sawyer Project. DISD high-schoolers auditioned for WaterTower's production, and now they will produce their own version of the show while the professional cast and crew act as mentors.

    In addition, organizations like Dallas Children's Theater, Theatre Britain and Pocket Sandwich Theatre all stage performances designed to engage and encourage kids to love live theater. And let’s be honest, throwing popcorn and hissing at the villain is just as much fun for adults as it is for the little ones.

    3. We have a lot of critics.
    Trust us, this is a good thing. With a profession that's shrinking by the minute, Dallas has somehow managed to maintain a healthy number of professional theater critics. This is great for so many reasons, chief among them that educated, experienced opinions are harder and harder to come by in today's Yelp culture.

    We may not all be full-time in pay, but we are full-time in spirit and commitment. To have this many varied voices, all passionate about the vast amount of theater Dallas is producing, is a valuable thing.

    4. We have the largest arts district in America.
    Not only is it big, but it's also gorgeous. Nestled in among world-class museums, the AT&T Performing Art Center is an architectural gem. The visually interesting façade and endlessly moveable interior of the Wyly Theatre encourage artists to have some fun, while the ruby-red prow of the Winspear Opera House juts toward the highway, beckoning passersby to enter and experience something amazing.

    5. We're a big tour stop.
    Between Dallas Summer Musicals, Lexus Broadway Series and Performing Arts Fort Worth at Bass Hall, we get just about every big musical and play that crisscrosses the country. You can't ever say that we're left out of the conversation.

    6. We are finally starting to get national cred.
    Not only are we in the conversation, sometimes we are the conversation. Earlier in the year, Dallas hosted the Theatre Communications Group's national conference. This was a big deal not only to the hardcore arts community, but it was a chance to show big-name companies from across the country the awesome work our own organizations have been doing.

    In addition, shows that have premiered or been workshopped in Dallas have gone on to play in New York (Broadway included!).

    7. We love our festivals.
    Festivals are great not only for allowing smaller, newer works to be seen, but also because they also bring with them a sense of camaraderie. From Uptown Players Pride Festival to WaterTower Theatre's Out of the Loop Fringe Festival to the Festival of Independent Theatres, there's plenty to choose from.

    8. We have a lot of big companies. We also have a lot of small and mid-sized companies.
    There seems to be room for everyone in Dallas. From established, long-running theaters like Theatre Three (founded in 1961) and Dallas Theater Center (going since 1959) to newer, more compact troupes like Dallas Actors Lab (behind the intense ensemble play Jailbait) and Upstart Productions (its production of The Aliens was pitch-perfect), everyone is allowed to flourish.

    9. We have some incredible talent.
    Onstage and off, Dallas is home to a wildly talented bunch of actors, directors, designers and producers. In 2014, we can't wait to see what you guys will come up with next.

    Lynley Glicker in Daffodil Girls at Fun House Theatre and Film.

    Lynley Glicker as Dana in "Daffodil Girls" at Fun House Theatre and Film
    Photo by Chuck Marcelo
    Lynley Glicker in Daffodil Girls at Fun House Theatre and Film.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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