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    Count Your Blessings

    Why we should give thanks for the Dallas-Fort Worth theater scene

    Lindsey Wilson
    Nov 28, 2013 | 12:00 am

    It's not the same as posting daily on Facebook or saying what you're thankful for around the dinner table, but it's no less important that we give thanks this year for DFW's vibrant theater scene.

    Seriously, whenever November/December rolls around and it's time to start making year-end, best-of lists, it's astonishing to realize how much visceral, challenging and beautiful theater this city produces. Let us bow our heads and give thanks for these nine reasons why our theater scene rocks.

    1. We have troupes that delight in taking risks.
    Dead White Zombies performs original plays in former stash houses and abandoned warehouses. Ochre House produces truly unique shows — utilizing everything from flamenco to puppets — that spring from the inimitable mind of Matthew Posey. Second Thought Theatre challenges its audiences with intimate, often dark and controversial works.

    You can only appreciate the lightness of Neil Simon and Rodgers and Hammerstein when you have something to balance them against, and companies like these are doing an excellent job of pushing their audiences to explore and question.

    2. We believe in nourishing the next generation's love of the arts
    Michelle Obama recently presented Dallas Theater Center with the National Arts and Humanities Youth Program Award for its youth theater program, Project Discovery. Since 1986, Project Discovery has helped more than 265,000 students and teachers study and experience live theater (more than half for the first time in their lives).

    Kitchen Dog Theater, as part of the New Works Festival, partners every year with the local youth organization Junior Players to produce PUP Fest, a playwriting workshop and afternoon of staged readings written and performed by DFW high-schoolers.

    We've talked a lot about Fun House Theatre and Film before, and with good reason. By treating its young actors (and designers) like adult professionals, the company emerges with productions that are impressively high-quality. Adorable, of course, but also thought-provoking and resonant.

    WaterTower Theatre's upcoming The Adventures of Tom Sawyer will lead a double life as the Tom Sawyer Project. DISD high-schoolers auditioned for WaterTower's production, and now they will produce their own version of the show while the professional cast and crew act as mentors.

    In addition, organizations like Dallas Children's Theater, Theatre Britain and Pocket Sandwich Theatre all stage performances designed to engage and encourage kids to love live theater. And let’s be honest, throwing popcorn and hissing at the villain is just as much fun for adults as it is for the little ones.

    3. We have a lot of critics.
    Trust us, this is a good thing. With a profession that's shrinking by the minute, Dallas has somehow managed to maintain a healthy number of professional theater critics. This is great for so many reasons, chief among them that educated, experienced opinions are harder and harder to come by in today's Yelp culture.

    We may not all be full-time in pay, but we are full-time in spirit and commitment. To have this many varied voices, all passionate about the vast amount of theater Dallas is producing, is a valuable thing.

    4. We have the largest arts district in America.
    Not only is it big, but it's also gorgeous. Nestled in among world-class museums, the AT&T Performing Art Center is an architectural gem. The visually interesting façade and endlessly moveable interior of the Wyly Theatre encourage artists to have some fun, while the ruby-red prow of the Winspear Opera House juts toward the highway, beckoning passersby to enter and experience something amazing.

    5. We're a big tour stop.
    Between Dallas Summer Musicals, Lexus Broadway Series and Performing Arts Fort Worth at Bass Hall, we get just about every big musical and play that crisscrosses the country. You can't ever say that we're left out of the conversation.

    6. We are finally starting to get national cred.
    Not only are we in the conversation, sometimes we are the conversation. Earlier in the year, Dallas hosted the Theatre Communications Group's national conference. This was a big deal not only to the hardcore arts community, but it was a chance to show big-name companies from across the country the awesome work our own organizations have been doing.

    In addition, shows that have premiered or been workshopped in Dallas have gone on to play in New York (Broadway included!).

    7. We love our festivals.
    Festivals are great not only for allowing smaller, newer works to be seen, but also because they also bring with them a sense of camaraderie. From Uptown Players Pride Festival to WaterTower Theatre's Out of the Loop Fringe Festival to the Festival of Independent Theatres, there's plenty to choose from.

    8. We have a lot of big companies. We also have a lot of small and mid-sized companies.
    There seems to be room for everyone in Dallas. From established, long-running theaters like Theatre Three (founded in 1961) and Dallas Theater Center (going since 1959) to newer, more compact troupes like Dallas Actors Lab (behind the intense ensemble play Jailbait) and Upstart Productions (its production of The Aliens was pitch-perfect), everyone is allowed to flourish.

    9. We have some incredible talent.
    Onstage and off, Dallas is home to a wildly talented bunch of actors, directors, designers and producers. In 2014, we can't wait to see what you guys will come up with next.

    Lynley Glicker in Daffodil Girls at Fun House Theatre and Film.

    Lynley Glicker as Dana in "Daffodil Girls" at Fun House Theatre and Film
    Photo by Chuck Marcelo
    Lynley Glicker in Daffodil Girls at Fun House Theatre and Film.
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    news/arts

    Piano competition news

    Cliburn piano competition locks in 20-year commitment to Dallas and SMU

    Stephanie Allmon Merry
    Mar 5, 2026 | 10:00 am
    Shuan Hern Lee at 2019 Cliburn International Junior Piano Competition and Festival
    Photo by Ralph Lauer
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    The Fort Worth-based Cliburn is crossing county lines and making a long-term commitment to Dallas: The arts organization is entering a 20-year partnership with Southern Methodist University and the Dallas Symphony Orchestra for the next five editions of its Cliburn International Competition for Young Pianists.

    The next one will be contested June 10-19, 2027, in Dallas.

    Formerly the Cliburn International Junior Piano Competition and Festival, the contest welcomes top pianists aged 13 to 17 from around the world for both fierce competition and educational enrichment. The Dallas partnership will include an in-residence fellowship program on the campus of SMU consisting of masterclasses, workshops, artist conversations, performance opportunities, and other scheduled activities, a release says.

    “As the Cliburn continues to encourage the futures of the amazing young artists who participate in the Cliburn International Competition for Young Pianists, we must also invest in the future of the communities that make events like this possible,” says Cliburn president and CEO Jacques Marquis in the release. “By cementing the partnership with SMU and the Dallas Symphony Orchestra - true pillars of the Dallas artistic community - for the next 20 years, we are telling the people of Dallas that the Cliburn is here, and that we are committed to the development of the next generation of great artists.”

    'Cliburn Junior' history
    The inaugural Cliburn International Junior Piano Competition and Festival was held in June 2015 at Texas Christian University, with the Fort Worth Symphony Orchestra accompanying the finalists. The top three finishers in 2015 were from Kazakhstan, Russia, and China.

    Cliburn Junior Competition winners Cliburn Junior 2023 winner Seokyoung Hong (center) with second-place Yifan Wu (left), and third-place Jan Schulmeister. Photo by Ralph Lauer

    The competition for teens moved to Dallas and partnered with SMU and the DSO for the 2019 edition, attracting a new audience of piano enthusiasts on the east side of the Metroplex. (The Cliburn-experts at CultureMap Fort Worth published a guide to getting the most out of the competition in Dallas.)

    The move to Dallas marked the first time the organization, a crown jewel of Fort Worth culture, staged a major program outside namesake Van Cliburn’s adopted hometown since Cliburn competitions began in 1962.

    At the time, Marquis explained that, "One key to continuing the Cliburn’s strategic advancement is to continuously reach a broader community, both around the world and in our own backyard."

    The junior competition was held in Dallas again in 2023; Seokyoung Hong, a 15-year-old phenom from South Korea, took home the top prize.

    A few "Cliburn Junior" laureates have gone on to compete in the Van Cliburn International Piano Competition; notably, Tony Yike Yang, a Canadian pianist who competed in both the 2015 Cliburn junior and the 2017 Cliburn International, where he earned a spot in the semifinals. And Clayton Stephenson, who competed in the 2015 Cliburn Junior and returned for the 2022 Cliburn International, where he was a fan-favorite finalist (and brought the house down in Bass Hall with a performance of the Gershwin Piano Concerto.)

    Clayton Stephenson, 23, of the United States Clayton Stephenson competed in the 2015 Cliburn Junior Competition and returned for the 2022 Cliburn International Competition, where he was a finalist. Photo courtesy of The Cliburn

    The Cliburn also just announced its further stretch, to Houston, where the inaugural Cliburn International Competition for Conductors will take place in June 2028.

    Looking ahead to 2027
    For the 2027 young pianists' competition, per tradition, the Preliminary and Semifinal Rounds will be hosted on the campus of SMU, where participants will also reside throughout their time in Dallas.

    The Final Round will move to the Meyerson Symphony Center, where six young pianists will perform one concerto movement with the Dallas Symphony Orchestra under the direction of Maurice Cohn, music director of the West Virginia Symphony Orchestra and former assistant conductor of the Dallas Symphony Orchestra.

    The 2027 competition jury will be chaired by Sa Chen, the 2005 Van Cliburn International Piano Competition bronze medalist. Additional jurors will include:

    • Kenny Broberg, USA (2017 Cliburn silver medalist)
    • Lucille Chung, Canada/USA
    • Alessandro Deljavan, Italy (2009 & 2013 Cliburn jury prize winner who returns to DFW frequently for concerts)
    • Marie-Josèphe Jude, France
    • Alexander Korsantia, Georgia/USA
    • Alessandro Mazzamuto, Italy
    • Noriko Ogawa, Japan
    • Steven Osborne, Scotland

    Alessandro Deljavan Italian pianist and Cliburn alum Alessandro Deljavan will serve on the jury. Photo courtesy of Chamber Music Society of Fort Worth

    Pianists aged 13 to 17 are invited to apply by November 17, 2026. The Cliburn will invite 38 artists to participate as Piano Fellows; from this group, 24 pianists will be selected to compete for prizes. All applicants must have been born on or after June 7, 2010, and before June 19, 2014.

    More information can be found at the competition's website.

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