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    Theater Preview

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for May

    Lindsey Wilson
    May 3, 2016 | 9:05 am

    May brings with it fresh weather and fresh theater. From world premieres to beloved classics, local debuts to touring hits, this month's dramatic offerings run the gamut.

    Here are the 12 shows in order by start date:

    Under the Skin
    Circle Theatre, through May 21

    Michael Hollinger's new play asks what it means to literally give a piece of yourself to someone else. In this case it's a kidney, which Raina must decide if she wants to give to her estranged father, Lou.

    Memphis
    Theatre Three, through May 22

    This Tony-winning musical is notable for a few reasons, but the main one is that it wasn't based on a movie, book, or even band's song catalog. To be fair, though, Bon Jovi keyboardist Daid Bryan did write the score, but he did so in keeping with the style and sound of 1950s R&B and rock-and-roll. The story follows a white DJ who falls in love with a black singer, and how their passion for music attempts to unite their friends and family.

    Broadway Our Way
    Uptown Players, May 5-8

    This raucous fundraiser is in its 14th year and promises to be more fabulous than ever. Big theater names from around DFW (including Janelle Lutz and David Lugo) sing songs from current and classic musicals that may not otherwise end up on their resumes. B.J. Cleveland is back to write and direct, with music arrangements from Adam C. Wright and choreography by Jeremy Dumont.

    Intergalactic Nemesis
    Off Broadway on Flora, May 12-14

    AT&T Performing Arts Center is bringing a "live-action graphic novel" to the stage at Dallas City Performance Hall. Radio drama-style sci-fi is translated it into a pulp magazine-inspired mashup of Twilight Zone-esque plotlines, cosplay characters, and skilled foley artists.

    The Last Five Years
    Brick Road Theatre, May 12-22

    DFW just can't get enough of Janelle Lutz, as she's back to star in this two-person exploration of what it's like to fall in and out of love. Perhaps you saw the movie with Anna Kendrick and Jeremy Jordan?

    Blackberry Winter and The Thrush & The Woodpecker
    Kitchen Dog Theater, May 20-June 26

    Both plays by popular playwright Steve Yockey are part of KDT's New Works Festival, and they are receiving their rolling world premieres thanks to the National New Play Network. Though running concurrently at Kitchen Dog's new temporary home at Undermain Theatre, each play has its own cast. Blackberry Winter explores how one woman is handling her mother's descent into Alzheimer's, while the The Thrush & The Woodpecker promises a "modern revenge tale" when a misbehaving son turns up at his mother's doorstep after being expelled from boarding school.

    Bright Half Life
    WaterTower Theatre, May 21-June 12

    Garret Storms directs this Discover Series play in WaterTower's studio space, featuring actors Kelsey Leigh Ervi and Kenneisha Thompson. In Pulitzer Prize nominee Tanya Barfield's romantic play, we see decades of Erica and Vicky's relationship in a "kaleidoscopic" way of storytelling.

    Ragtime
    Dallas Summer Musicals, May 24-June 5

    This all-new, scaled-down tour of the Tony Award-winning musical looks like it will focus less on gargantuan sets and more on Stephen Flaherty and Lynn Ahrens' sweeping score. And that's a great thing. Terrence McNally's adaptation of E.L. Doctorow's iconic novel about America at the turn of the century tells many stories in many different voices, and the musical ones are stunning in their complexity.

    Cabaret
    AT&T Performing Arts Center, May 25-June 5

    Sam Mendes' 1998 reimagining of the Kander and Ebb musical, set on the eve of the Nazi takeover of Germany, was so successful it was revived intact on Broadway two years ago. Darker, grittier, and sexier, this version literally draws you into the seedy Kit Kat Klub as American writer Cliff meets British nightclub singer Sally Bowles, and the devilish Emcee looks on.

    Wait Until Dark
    Stage West, May 26-June 26

    You might be familiar with the film version of Frederick Knott's play, in which Audrey Hepburn plays a blind woman who's terrorized in her home by intruders. But the premise is even more chilling live.

    The Colored Museum
    Soul Rep Theatre Company, May 28

    This one-night-only presentation honors George C. Wolfe's groundbreaking play, which premiered 30 years ago. The satirical look at race and black culture is separated into 11 "exhibits" that provide a probing look at what it was — and sometimes still is — to be black in America.

    Kenneisha Thompson and Kelsey Leigh Ervi star in Bright Half Life at WaterTower Theatre.

    WaterTower Theatre presents Bright Half Life
    Photo by Karen Almond
    Kenneisha Thompson and Kelsey Leigh Ervi star in Bright Half Life at WaterTower Theatre.
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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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