Theater Critic Picks

Dallas-Fort Worth theater critics bestow honors on 2015-16 standouts

Members of the Dallas-Fort Worth Theater Critics Forum convened on September 3 for their annual volley of voting, determining who deserves recognition for the 2015-16 season.

In categories covering new works to stellar performances, the six critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites to pop up in those end-of-year lists.

Dallas Theater Center had a stellar year, as did Stage West and Undermain Theatre. Some artists scored both on and off the stage, earning nods for their performances as well as directing and design contributions. Without further ado, here are the awards:

Outstanding Direction

Akín Babatundé, Bootycandy, Stage West, and The Mountaintop, Dallas Theater Center
Emily Scott Banks, The Big Meal, WaterTower Theatre
David Lozano, Blood Wedding, Cara Mía Theatre Company
Katherine Owens, Long Day’s Journey Into Night, Undermain Theatre
Artie Olaisen, The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
Len Pfluger, Grand Hotel, Lyric Stage
Susan Sargeant, Play, WingSpan Theatre Company
Ryan Mathieu Smith, Trainspotting, L.I.P. Service
Garret Storms, The Nether, Stage West
Regina Washington, Harriet Jacobs, African American Repertory Theater

Outstanding New Play or Musical

Clarkston by Samuel D. Hunter, Dallas Theater Center
Deferred Action by David Lozano and Lee Trull, Cara Mía Theatre Company and Dallas Theater Center
Faust by Michael Federico, Lydia Mackay, and Jeffrey Schmidt, The Drama Club
Stacy Has a Thing for Black Guys by Ruben Carrazana, The Tribe
Temple Spirit by Susan Felder, Echo Theatre

Outstanding Touring Production

Alan Cumming Sings Sappy Songs, AT&T Performing Arts Center Off-Broadway on Flora Series
Beautiful: The Carole King Musical, AT&T Performing Arts Center Broadway Series
Eric Bogosian’s Bitter Honey: The Best of 100 (Monologues), AT&T Performing Arts Center Off-Broadway on Flora Series
Cabaret, AT&T Performing Arts Center Broadway Series
A Gentleman’s Guide to Love and Murder, AT&T Performing Arts Center Broadway Series
Ghost Quartet, AT&T Performing Arts Center Off-Broadway on Flora Series
The Sound of Music, Dallas Summer Musicals and Performing Arts Fort Worth

Outstanding Performance by an Actor

Christopher J. Deaton, Grand Hotel, Lyric Stage
Bruce DuBose, The Night Alive, Undermain Theatre
Hassan El-Amin, A Christmas Carol, Dallas Theater Center, and The Mountaintop, Dallas Theater Center
Ivan Jasso, Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
Jason Leyva, The Whale, L.I.P. Service
Barry Nash, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
Alex Organ, Constellations, Dallas Theater Center
Brandon Potter, Richard III, Shakespeare Dallas and Shakespeare in the Bar
Garret Storms, The Big Meal, WaterTower Theatre
Terry Vandivort, The Fantasticks, Theatre Three

Outstanding Performance by an Actress

Emily Scott Banks, Jacob Marley’s A Christmas Carol, Stage West
Jessica Cavanagh, Outside Mullingar, WaterTower Theatre
Amber Devlin, Picnic, Theatre Three
Frida Espinosa-Muller, Blood Wedding, Cara Mía Theatre Company and Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
Tiana Johnson, The Mountaintop, Dallas Theater Center
Jenny Ledel, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
Denise Lee, Lady Day at Emerson’s Bar and Grill, Jubilee Theatre
Janelle Lutz, End of the Rainbow, Uptown Players, and Miracle on 34th Street, Dallas Children’s Theater
Karen Parrish, Blackberry Winter, Kitchen Dog Theater
Allison Pistorius, Constellations, Dallas Theater Center
Joanna Schellenberg, Long Day’s Journey into Night, Undermain Theatre
Diane Worman, The Thrush and the Woodpecker, Kitchen Dog Theater

Outstanding Performance by an Ensemble Cast

The Big Meal, WaterTower Theatre
Bootycandy, Stage West
Faust, The Drama Club
Grand Hotel, Lyric Stage
Long Day’s Journey into Night, Undermain Theatre
The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
The Nether, Stage West
Play, WingSpan Theatre Company
The Toxic Avenger, Uptown Players
Under the Skin, Circle Theatre

Outstanding Design or Creative Contribution

Jeffrey Colangelo, fight choreography, Christina Valentine, fight assistant, and Bobby Garcia, martial arts consultant, Animal vs. Machine, PrismCo
Design team, Faust, The Drama Club
Design team, Jonah, Undermain Theatre
Jay Dias, musical direction and orchestration restoration, Anything Goes, Lyric Stage
John M. Flores, sound design, The Thrush and the Woodpecker, Kitchen Dog Theater
Richard Gwozdz, orchestra conducting, Women on the Verge of a Nervous Breakdown, Artes de la Rosa
Kyle Igneczi, puppet design and direction, Hershel and the Hanukkah Goblins, Amphibian Stage Productions
Benjamin Lutz and Dillon White, video design, Trainspotting, L.I.P. Service
Lynn Mauldin and Rebekka Koepke, properties design, The Adventures of Flo and Greg, Echo Theatre
Scott Osborne, set design, The Fantasticks, Theatre Three
Karen Perry, costume design, Dreamgirls, Dallas Theater Center
Gil Pritchett, musical direction, Harriet Jacobs, African American Repertory Theater
Ryan Rumery, original music and sound design, Constellations, Dallas Theater Center
Garret Storms and Nate Davis, set design, The Nether, Stage West

Special Citations

Rose Pearson, co-founder of Circle Theatre, for a lifetime of visionary leadership of professional theater in Fort Worth and support of female theater artists.
Kurt Kleinmann, for his creation of Pegasus Theatre’s Living Black & White productions and 30 years as bumbling noir detective Harry Hunsacker.
Dallas Children’s Theater for providing sensory friendly performances for kids with special needs.

Critics

Lindsey Wilson, CultureMap
Nancy Churnin, Dallas Morning News
Martha Heimberg, TheaterJones.com and Dallas Weekly
Arnold Wayne Jones, Dallas Voice
Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
Punch Shaw, Fort Worth Star-Telegram

Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 50 or more productions per season (September 1-August 31) and are not practicing theater artists.

The joint production between Dallas Theater Center and Cara Mía Theatre Company, Deferred Action, was one of the year's best new works.

Deferred Action at Dallas Theater Center

Photo by Karen Almond

The joint production between Dallas Theater Center and Cara Mía Theatre Company, Deferred Action, was one of the year's best new works.

theater awards

Season Announcement

Echo Theatre introduces Dallas audiences to a season of strangers in 2026

Photo by Julieta Cervantes

'The Roommate' was recently on Broadway.

It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

You Must Wear a Hat runs February 27-March 14, 2026.

The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

echo theatre podcasts world premieres echo reads the roommate play theater