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    Theater Critic Picks

    Dallas-Fort Worth theater critics applaud the best of 2016-17 season

    Lindsey Wilson
    Sep 12, 2017 | 8:29 am

    Bucking the national trend of diminishing arts coverage, attendance at the annual Dallas-Fort Worth Theater Critics Forum was actually up this year. Nine professional critics gathered to nominate, vote for, and debate our favorites from the 2016-17 season — and was there ever debate.

    In categories spanning new works to stellar performances, the nine critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites not included here to pop up in those end-of-year lists.

    It was a strong year for women, with female directors earning six of the eight nods (way up from last year's four out of 10). Kitchen Dog Theater had a stellar showing, as did Stage West and Dallas Theater Center, and the majority of theaters stepped up their community involvement thanks to the pioneering spirit of performer, producer, and activist Denise Lee. Some artists scored both on and off the stage, earning nods for their performances as well as directing and/or design contributions.

    Without further ado, here are the awards:

    Outstanding Direction

    • Robin Armstrong, Ripcord, Circle Theatre
    • Emily Scott Banks, Stupid Fucking Bird, Stage West; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord, WaterTower​ Theatre
    • Cheryl Denson, Angels in America, Part One: Millennium Approaches, Uptown Players
    • Marianne Galloway, Stiff, Risk Theater Initiative (Festival of Independent Theatres)
    • Kevin Moriarty, Electra, The Tempest, and Inherit the Wind, Dallas Theater Center
    • Jeffrey Schmidt, The Minotaur, Theatre Three
    • Joanie Schultz, Hit the Wall, WaterTower Theatre
    • Christie Vela, 'night, Mother, Echo Theatre; Straight White Men, Second Thought Theatre

    Outstanding New Play or Musical

    • Br'er Cotton by Tearrance Arvelle Chisholm, Kitchen Dog Theater
    • Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn
    • The Necessities, by Blake Hackler, Second Thought Theatre
    • Stiff by Sherry Jo Ward, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Touring Production

    • An American in Paris, Dallas Summer Musicals and Performing Arts Fort Worth
    • The Curious Incident of the Dog in the Night-Time, AT&T Performing Arts Center Broadway Series
    • Hedwig and the Angry Inch, AT&T Performing Arts Center Broadway Series
    • Into the Woods, AT&T Performing Arts Center Broadway Series
    • Tina Packer's Women of Will, Eisemann Center Presents

    Outstanding Performance by an Actor

    • Christopher Carlos, Paper Flowers, Kitchen Dog Theater
    • Cameron Cobb, Trevor, Kitchen Dog Theater
    • Blake Hackler, Richard III and Measure for Measure, Trinity Shakespeare Festival; so go the ghosts of méxico, part one: a brave woman in méxico, Undermain Theatre
    • Selmore Haines III, Thurgood, Jubilee Theatre
    • Max Hartman, Trevor, Kitchen Dog Theater
    • Bob Hess, La Cage aux Folles, Uptown Players
    • Alex Organ, The Tempest, Dallas Theater Center
    • Randy Pearlman, Funnyman, Circle Theatre
    • Thomas Ward, Straight White Men, Second Thought Theatre

    Outstanding Performance by an Actress

    • Deborah Brown, Ripcord, Circle Theatre
    • Whitney LaTrice Coulter, The Submission, Proper Hijinx Productions
    • Steph Garrett, The Great Dictator, Audacity Theatre Lab (Festival of Independent​ Theatres); Waiting for Lefty, Upstart Productions
    • Julie Johnson, Mame, Lyric Stage
    • Jenny Ledel, Grounded, Second Thought Theatre
    • Kelsey Milbourn, Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Sally Nystuen Vahle, Electra and A Christmas Carol, Dallas Theater Center
    • Christie Vela, Paper Flowers, Kitchen Dog Theater; The Necessities, Second Thought Theatre
    • Sherry Jo Ward, Stiff, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Performance by an Ensemble Cast

    • Angels in America, Part One: Millennium Approaches, Uptown Players
    • Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Inherit the Wind, Dallas Theater Center
    • 'night, Mother, Echo Theatre
    • Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Stupid Fucking Bird, Stage West

    Outstanding Design or Creative Contribution

    • Design team, Br'er Cotton, Kitchen Dog Theater
    • Stefany Cambra, properties design, Feathers and Teeth, Kitchen Dog Theater
    • Jay Dias, music direction, Camelot, Lyric Stage
    • John M. Flores, sound design, Feathers and Teeth, Kitchen Dog Theater
    • Pam Holcomb-McLain, musical direction, The Light in the Piazza, Brick Road Theatre
    • Design team, Jesus Christ Superstar, Casa Mañana
    • Brian McDonald, set and sound design, Grounded, Second Thought Theatre
    • Aaron Johansen, lighting design, Grounded, Second Thought Theatre
    • Michael B. Moore, wigs and makeup design, La Cage aux Folles, Uptown Players
    • Lauren Morgan, a season of costume design for Stolen Shakespeare Guild
    • James Ortiz, puppet design, Stefano Brancato, associate puppet design, Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Design team, Trinity Shakespeare Festival
    • Sean J. Smith and Rhonda Jones, choreography, Fly, African American Repertory Theater
    • Trigg Watson, magic consultation, Midas, Prism Movement Theater

    Special Citations

    • Dallas Theater Center, for engaging the city with its Public Works production of The Tempest, which used 200 members of the community in its cast, and for committing to continue the program in future seasons.
    • Denise Lee, for starting Community Conversation, following the Dallas Police shootings, as an ongoing, free, inclusive program that gives theater audiences an opportunity to discuss tense issues and create fellowship across different cultures, races, orientations, and/or social-economic statuses in a safe, judgment-free setting. The program is held every fourth Monday at Dallas Children's Theater, alternates every other month at Circle Theatre and Stage West in Fort Worth, and has been offered after Second Thought Theatre's Straight White Men, Kitchen Dog Theater's Br'er Cotton, and WaterTower Theatre's Hit the Wall.

    Participating Critics
    Lindsey Wilson, CultureMap
    Alexandra Bonifield, CriticalRant.com
    Nancy Churnin, Dallas Morning News
    Jan Farrington, TheaterJones.com
    Janice Franklin, TheaterJones.com
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 45 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.

    Kieran Connolly, Liz Mikel, and Ace Anderson in Dallas Theater Center's Inherit the Wind
    Photo by Karen Almond
    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.
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    Theater Critic Picks

    What to see onstage in Dallas-Fort Worth now: 11 openings for December

    Lindsey Wilson
    Dec 1, 2025 | 6:36 pm
    Uptown Players presents Star of Wonder: A Carol Ann Christmas
    Photo courtesy of Uptown Players
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    Whether you're seeking holiday nostalgia, family-friendly fun, or show-stopping spectacle, theaters across DFW are ready to deliver. Keep in mind that a lot of holiday shows opened last month and play well into December, so these entries are in addition to those.

    Here are 11 shows opening at Dallas-Fort Worth theaters in December, listed in order of start date:

    All is Calm: The Christmas Truce of 1914
    Stage West Theatre, December 3-21
    On Christmas Eve 1914 in the cold trenches of World War I, something miraculous happened. A lone soldier stepped into no man’s land, lifted his voice in song and began this remarkable true story. In that no-longer-silent night, troops from both sides laid down their weapons for an extraordinary holiday celebration of music, feasting, and camaraderie.

    Black Nativity
    Bishop Arts Theatre Center, December 4-21
    This reimagined production follows a family coming together to celebrate the holiday season while carrying the weight of a recent loss. Guided by the wisdom of their ancestors and interwoven with the timeless story of the birth of Jesus, the heartfelt retelling offers both reflection and joy.

    The Lion in Winter
    Theatre Three, December 4-28
    Set during Christmas in the court of 12th-century England, The Lion in Winter follows King Henry II as he reunites his estranged queen and their sons for the holidays, igniting a battle over succession. The play examines family conflict, shifting alliances, and the pursuit of power.

    A Christmas Story: The Musical
    Broadway at the Bass, December 5-7
    From Benj Pasek and Justin Paul, the songwriting team behind Dear Evan Hansen and The Greatest Showman, A Christmas Story: The Musical brings the classic 1983 movie to hilarious life onstage.

    Forever Plaid: Plaid Tidings
    Lyric Stage, December 5-21
    At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world. Sprinkled among the Christmas offerings are audience favorites, like their riotous three-minute-and-eleven-second version of The Ed Sullivan Show — this time featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir, as well as a Plaid Caribbean Christmas that puts the "Day-O" in Excelsis.

    Star of Wonder: A Carol Ann Christmas
    Uptown Players, December 5-14
    In this festive world premiere, Carol Ann Knipple — Uptown’s hilariously misguided theatrical dreamer from When Pigs Fly — returns with a new holiday spectacular. After her beloved Melody Barn burns to the ground, Carol Ann heads to Dallas to mount the show of her dreams … at a theater she doesn’t quite understand.

    A Winter's Cabaret
    Amphibian Stage, December 12-13
    The annual cabaret returns for an evening of cozy nostalgia, laughter, and a touch of holiday magic. The event will celebrate two local talents: Amber Marie Flores (last seen at ‘Phib' in Juan Garcia), and Zak Reynolds. Under the music direction of Vicky Nooe, the one-hour performance blends humor, tenderness, and song into a feel-good celebration of the season.

    Disney's Beauty and the Beast
    Broadway Dallas, December 16-January 4
    Disney’s 30th anniversary production is a breathtaking musical filled with the romance and grandeur. The enchanting and timeless tale has been brought to life like never before, with spectacular new sets and dazzling costumes. The show boasts the Oscar-winning and Tony Award-nominated score, including the classic songs “Be Our Guest” and “Beauty and the Beast.”

    Leslie Odom, Jr.: The Christmas Tour
    AT&T Performing Arts Center, December 20
    This festive concert features holiday classics, originals from Odom's Christmas albums, and special performances of songs from Hamilton, the Broadway phenomenon that earned him a Tony for his iconic role as Aaron Burr.

    Sarah Brightman: A Winter Symphony
    AT&T Performing Arts Center, December 21
    Soprano Sarah Brightman, of Phantom of the Opera fame, comes to Dallas with her new Christmas spectacle featuring an orchestra, choir, special guests, and Brightman performing many of her holiday classics and greatest hits.

    Mrs. Doubtfire
    Broadway at the Center, December 26-28
    Out-of-work actor Daniel Hillard will do anything for his kids. After losing custody in a messy divorce, he creates the kindly alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.

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