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Season Announcement

Dallas' Cara Mia Theatre plants seeds of transformation with 2022 season

Lindsey Wilson
Dec 17, 2021 | 3:45 pm
Virginia Grise
Playwright-in-residence Virginia Grise.
Photo by Netza Moreno

With its 2022 season, titled Seeds of Transformation, Cara Mía Theatre is celebrating 25 years of Latinx theater in Dallas.

On the schedule are three mainstage productions, plus the return to local touring and Jodi Voice Yellowfish and playwright-in-residence Virginia Grise's second year of her Siembra Fewllowship.

"Our 2022 season marks our first year as a resident theater of the Latino Cultural Center for the next 25 years," says executive artistic director David Lozano. "Through collaborations with local, national, and international theater leaders and activists, this season will take us one step closer to becoming a national destination for Latinx theater while investing in communities and neighborhoods throughout Dallas."

The season begins in January 2022 with the Dallas premiere of Luchadora!, written by Alvaro Saar Rios and directed by Gloria Vivica Benavides.

Filled with original music by Cara Mía company member Armando Monsivais and classic lucha libre wrestling choreographed by veteran luchador "Aski, the Mayan Warrior" (whom you might recognize from Prism Movement Theater’s Lucha Teotl), this is an inspiring story of a young girl who pursues her dreams of becoming a lucha libre wrestler, contrary to the norms of Latinx women in the 1960s.

The acting ensemble will feature Dallas' Tatiana Lucia Gantt and Los Angeles-based Cara Mía ensemble member Rodney Garza. It runs January 29-February 13, 2022.

In April 2022, Cara Mía Theatre will present the world premiere of Orígenes/Origins in association with the Laboratorio de la Máscara from Mexico City.

A mythic journey through the history of immigration from Mexico and Latin America to the United States, Orígenes/Origins is created by Mexican director Alicia Martínez Álvarez, Cara Mía company members David Lozano and Frida Espinosa Müller, and Sorany Gutierrez, a core team member of the Artstillery performing arts group.

Obie Award-winning New York playwright Caridad Svich will collaborate with the two companies on writing the script.

Featuring trademark production values from both companies, Orígenes/Origins utilizes masks, movement, and live music, celebrating 18 years of collaboration between Cara Mía Theatre and the Laboratorio de la Máscara. It runs April 22-May 8, 2022.

A third mainstage production will be announced early next year and will be performed in June at the Latino Cultural Center.

Frida Espinosa Müller's solo performance about the border crisis through the eyes of a child, Ursula, or let yourself go with the wind, will have local performances in the Dallas neighborhoods of Pleasant Grove, Oak Cliff, and Bachman Lake in 2022.

Playwright-in-residence Virginia Grise will build on her previous collaborative projects with Pleasant Grove activists and artists as part of her Siembra Fellowship, which provides a paid commission for up to two years for BIPOC (Black, Indigenous, People of Color) individuals working in Dallas that will strengthen their art making, activism, and/or community-building practices.

Grise will facilitate a performance lab called Da Grove: Un Taller for Dreaming that will include workshops by innovative guest artists whose work is deeply rooted in community and liberation as a life practice, including Sharon Day, Marguerite Angelica Monique, Chas (chaz) Jewett, Omi Osun Joni Jones, and Kristiana Rae Colón.

In the second year of her Siembra Fellowship, Jodi Voice Yellowfish will expand her Reclamation Talking Circles series.

These circles are founded on principles of Native culture and wisdom with the objective of reclaiming one’s life from the chaos of the Western world, and will gather local and national artists to guide multi-generational participants through this process.

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DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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