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    Movie Review

    Black Panther an early contender for best movie of 2018

    Alex Bentley
    Feb 15, 2018 | 1:53 pm
    Black Panther an early contender for best movie of 2018
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    Movies in the Marvel Cinematic Universe have been enormously successful, if not universally beloved, because they tend to follow a certain formula. Introduce a particular hero, add in a certain level of snark, pair him with one or more other heroes, challenge him with the villain of the month, and repeat.

    The problem with this style is that it's repetitive and there's very little at stake. While most of the previous 17 MCU films are fun, few of them have anything remotely comparable to real emotion. They merely contain cartoon figures whose job is to entertain us, and nothing more.

    Black Panther changes all that. No longer does a hero have to be a loner who joins up with others only when necessary. Instead, T'Challa/Black Panther (Chadwick Boseman) relies on a whole host of people from his home country of Wakanda to be the leader and hero he is.

    Notably, that group is composed mostly of women, including his stoic mother, Ramonda (Angela Bassett); spy and ex-girlfriend, Nakia (Lupita Nyong'o); tech wizard and little sister, Shuri (Letitia Wright); and leader of the Dora Milaje, an all-female warrior group, Okoye (Danai Gurira).

    The plot of the film is also very personal. Following the death of his father in Captain America: Civil War, T'Challa is on the hunt for Ulysses Klaue (Andy Serkis). Klaue has a long history of running afoul of Wakanda, constantly trying to steal the ultra-valuable vibranium from them. Klaue is now being helped by the mysterious Erik Killmonger (Michael B. Jordan), whose link to Wakanda has him on a unique mission.

    Writer/director Ryan Coogler (Fruitvale Station, Creed) and co-writer Joe Robert Cole have crafted about as perfect a superhero movie as one could imagine. They refuse to cut any corners, fleshing out the story of every significant character so that it's clear this is not a one-man show for Black Panther. The action scenes are not just an excuse for random mayhem; they serve a clear narrative purpose each and every time.

    The filmmakers also don't shy away in the slightest from making this a truly African film. From the costumes to the hairstyles to the tribal customs, every detail is designed to immerse the audience in the world of Wakanda, and to pay homage to African people in general.

    Most importantly, the film actually has something to say about the real, non-movie world. Yes, it's a work of fiction, but it's very much grounded in the realities of the world we live in. The plight of Africans, African-Americans, and people of color around the world is at the heart of the plot. To not only acknowledge racial inequities but to make them the driving force sets Black Panther apart from other superhero films in an astonishing way.

    Despite having played a trio of real-life African-American heroes, T'Challa might be Boseman's best role to date. There's no legacy to uphold, so he's free to play the character however he wants, and he makes it one of Marvel's most relatable heroes to date.

    He's helped immensely by the main quartet of women, especially Nyong'o, Wright, and Gurira. Nyong'o and Gurira demonstrate just as much strength and skill as Boseman despite their characters not being artificially enhanced. And Wright steals the movie every time she's on screen with her effervescent spirit.

    Black Panther feels altogether different from anything Marvel has ever made, and that's a great thing. It's deserving not only of high praise, but of being put into early consideration for best movie of the year.

    Chadwick Boseman in Black Panther.

    Chadwick Boseman in Black Panther
    Photo courtesy of Marvel Studios
    Chadwick Boseman in Black Panther.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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