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    Weekend Event Planner

    These are the 13 best things to do in Dallas this weekend

    Alex Bentley
    Mar 24, 2022 | 6:00 am
    Theatre Arlington presents Sister Act, March 25-April 16.
    Theatre Arlington presents Sister Act, March 25-April 16.
    Photo by Eric Younkin

    This weekend in and around Dallas is heavy on the arts, including three local theater productions, a classical music concert, a dance production, and two opera events. Other choices include a live event from a beloved sitcom, two well-known comedians, a film and music festival, a unique expo, and the closing of a traveling art exhibition.

    Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, March 24

    Dallas Symphony Orchestra presents All-Mozart Concert
    The Dallas Symphony Orchestra will pay tribute to one of the greatest composers of all time with this All-Mozart Concert, featuring conductor Bernard Labadie and pianist Benedetto Lupo. Selections for the concerts, which will have three performances through Saturday at Meyerson Symphony Center, will include Mozart's Chaconne from Idomeneo, Piano Concerto No. 23, and Symphony No. 41, “Jupiter.”

    Letterkenny Live!
    The makers of the sitcom Letterkenny are living the dream for a show that started on YouTube. Star/creator Jared Keeso and his team have taken it from those small roots in 2013 to a show that's now had 10 seasons and is distributed by Hulu. This show at Texas Trust CU Theatre at Grand Prairie will be a 90-minute comedy experience will feature nine of the cast members along with never-before-seen sketches and more.

    Thin Line Film and Music Fest
    Thin Line Fest is a blend of documentary film and multi-genre music that has been Texas' international documentary film festival since 2007 and one of Dallas-Fort Worth's largest music festivals since 2014. Taking place at Movie Tavern Denton and various Denton music venues through Sunday, the festival will feature over 50 documentaries and performances by over 50 bands.

    Friday, March 25

    Theatre Arlington present Sister Act
    Sister Act is the feel-good musical comedy smash based on the hit 1992 film. When disco diva Deloris Van Cartier witnesses a murder, she is put in protective custody in the one place the cops are sure she won’t be a found: a convent. Disguised as a nun, she finds herself at odds with both the rigid lifestyle and uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but, in doing so, blows her cover. Soon, the gang is giving chase, only to find them up against Deloris and the power of her newly found sisterhood. The production, featuring original music by Alan Menken, will run at Theatre Arlington through April 16.

    John Mulaney: "From Scratch"
    Comedian John Mulaney has, shall we say, a unique sense of humor, as anybody who has seen one of his hosting jobs on Saturday Night Live can attest. A former writer for SNL, Mulaney has had his own eponymous sitcom on Fox and starred on Broadway in Oh, Hello with Nick Kroll. He'll bring that same energy to his From Scratch tour, which will be at American Airlines Center.

    Richardson Theatre Centre presents Present Laughter
    At the center of his own universe sits matinee idol Garry Essendine: suave, hedonistic, and too old, says his wife, to be having numerous affairs. His line in harmless, infatuated debutantes is largely tolerated but playing closer to home is not. Just before he escapes on tour to Africa, the full extent of his misdemeanors is discovered. And all hell breaks loose. Noel Coward's Present Laughter will run at Richardson Theatre Centre through April 10.

    Dallas Theater Center presents The Sound of Music
    A country under attack. A family paralyzed by loss. And a woman who is afraid to love. Dallas Theater Center boldly reexamines The Sound of Music, one of the most exhilarating musical theater classics ever written. The inspirational story follows a young postulate who is dispatched to serve as governess for the seven children of an imperious naval captain, bringing joy and music to the household. But as the forces of Nazism take hold of Austria, Maria and the entire von Trapp family must make a moral decision. The production will run at Wyly Theatre through April 24.

    Saturday, March 26

    The Oddities and Curiosities Expo
    The Oddities and Curiosities Expo, featuring over 150 local and national vendors, is a "one part horror convention, one part dark arts" expo show will feature vendors and small businesses showcasing taxidermy, preserved animal specimens, original horror and Halloween-inspired artwork, antiques, handcrafted oddities, quack medical devices, creepy clothing, odd jewelry, skulls, bones, and funeral collectibles. The event takes place at Centennial Hall at Fair Park.

    Hyena's presents T.J. Miller
    T.J. Miller is driven by the altruistic mission statement that life is fundamentally tragic and the best thing he can do is provide an ephemeral escapism from that tragedy which permeates everyday life by doing comedy. Miller, best known for starring in Silicon Valley, the Deadpool series, and the How to Train Your Dragon series, will perform three times through Sunday at Hyena's Dallas.

    Dallas Black Dance Theatre presents "Dancing Beyond Borders - North"
    The dancers of Dallas Black Dance Theatre will travel north to Eisemann Center for the Performing Arts in Richardson for this special event. DBDT: Encore! dancers appear to levitate across the stage as they perform Opaque, a mysterious and majestic work choreographed by Nycole Ray. In Nineteenth, another Ray showpiece, the dancers portray a historic tug-of-war for power.

    American Baroque Opera Co. presents Acis & Galatea
    Acis & Galatea received its premiere in 1718 in the gardens at Cannons as a one-act pastorale, or semi-opera, with a cast of only five singers. It was later revived by Handel in 1732 for the Italian troupe in London, and again in 1739 with changes to the original version, creating the two-act English version known today. The story is drawn from Ovid’s Metamorphoses, and tells the story of the shepherd Acis, and his love, the nymph Galatea. The production will have two performances — one Saturday and one Sunday — at Wyly Theatre.

    The Dallas Opera presents Javier Camarena
    Internationally acclaimed Mexican tenor Javier Camarena will make a rare one-night-only appearance in Dallas in a special event for The Dallas Opera. The Mexican-born tenor superstar is just one of three singers in the last 70 years at the Metropolitan Opera to be called upon by audiences to give an encore of his aria during the opera. The program at Winspear Opera House will include beloved Neapolitan and Latin songs, and famous arias by composers including Verdi and Donizetti.

    Sunday, March 27

    "Michelangelo’s Sistine Chapel - The Exhibition" closing day
    Sunday will be the final day to view "Michelangelo’s Sistine Chapel - The Exhibition" at Irving Mall. This unique immersive event re-creates one of the world’s greatest artistic achievements, Michelangelo’s renowned ceiling frescoes from the Vatican’s Sistine Chapel, reproduced photographically and artfully displayed in their original size. Visitors are given a chance to engage with the artwork in ways that were never before possible: seeing every detail, every brushstroke, and every color of the artist’s 34 frescoes.

    Dallas Theater Center presents The Sound of Music, taking place at Wyly Theatre, March 25-April 24.

    Tiffany Solano in The Sound of Music
    Photo courtesy of Dallas Theater Center
    Dallas Theater Center presents The Sound of Music, taking place at Wyly Theatre, March 25-April 24.
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    Movie Review

    Glen Powell bumps off rich family in How to Make a Killing

    Alex Bentley
    Feb 19, 2026 | 12:45 pm
    Glen Powell in How to Make a Killing
    Photo courtesy of A24
    Glen Powell in How to Make a Killing.

    Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

    He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

    Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

    Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

    Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

    However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their - pardon the pun - execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

    It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

    How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

    ---

    How to Make a Killing opens in theaters on February 20.

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