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    ACM Awards Recap

    ACM Awards close weekend in Dallas with superstar luster and hometown pride

    Teresa Gubbins
    Apr 20, 2015 | 9:02 am

    Texas loomed large at the 50th Academy of Country Music Awards on Sunday night, including the night's big winner, Texas native Miranda Lambert, who took home the most awards, for album, song and female vocalist of the year.

    Lambert joined a superstar lineup of performers that also included George Strait, Alan Jackson, Garth Brooks, Kenny Chesney, Brooks & Dunn and Reba McEntire. Taylor Swift was one of five acts who received Milestone awards, along with Strait, Brooks & Dunn, McEntire and Brooks.

    Swift, whose award was presented by her mother, Andrea Finlay, was the only Milestone winner who did not perform. The entire list of winners is here.

    Held at AT&T Stadium in Arlington, the awards followed a weekend of ACM-related events including a charity party on Friday night at the Omni Dallas hotel. The awards had a Dallas-centric theme: There were Dallas Cowboys cheerleaders onstage, and Dallas Cowboys quarterback Tony Romo threw a football pass to co-hosts Luke Bryan and Blake Shelton. Dallas-based cosmetics company Mary Kay handed out bracelets that glowed and changed colors.

    A number of performers directed their comments to Dallas. Only Cole Swindell, who won for new artist of the year, addressed the fact that the stadium was not, in fact, in Dallas. "Thank you from Dallas – or Arlington, Texas," he said, falteringly.

    Cowboys owner Jerry Jones, Gov. Greg Abbott and CBS head Les Moonves announced that a record had been set with 70,252 in attendance.

    "We're so proud to have the ACMs here, I just have to pinch myself," Jones said. "It's an honor, but it's one that we just want to do such a great job. If we do a good job, then we'll have the opportunity to do this and many other things.

    "That's what Gene and I had in mind when we were thinking about building this stadium."

    The evening's success helped dispel the memory of the Super Bowl held at the stadium in 2011, a weekend ruined by ice and snow. This time, it was blue skies for a red carpet at the stadium preceding the awards, covered by local and national press including Glamour, Billboard, People and US Weekly. Walkers included Stephen Jones, Troy Aikman, Jason Witten, Scotty McCreery, Kellie Pickler, Montgomery Gentry, Deana Carter, Montel Williams and local acts like Casey Donahew Band and Josh Abbott Band.

    The night featured a pair of odd combinations, including Nick Jonas guesting with country duo Dan & Shay, and a pairing between Christina Aguilera and Rascal Flatts, who sang "Shotgun."

    Offbeat presenters included Miss America 2015 Kira Kazantsev; Dr. Phil McGraw; actresses Reese Witherspoon and Sophia Vergara, who introduced Miranda Lambert; Chris Kyle's wife, Tara, who introduced Garth Brooks; and Steven Tyler, who presented the Entertainer of the Year award to winner Luke Bryan.

    Kelly Clarkson presented Reba with her Milestone award, calling her "the coolest mother-in-law." Clarkson is married to McEntire's stepson, Brandon Blackstock, with whom she recently had a baby.

    After the show, Lambert choked up over her hometown roots.

    "I was proud in general of the show being here, all the artists and all the fans get to see exactly what we're about in Texas," she said. "The crowd was so warm and so excited. It made me happy because I'm from around here."

    ---

    Alex Bentley contributed to this story.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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