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    Movie Review

    F9: The Fast Saga takes series' absurdity to new heights

    Alex Bentley
    Jun 24, 2021 | 9:00 am
    F9: The Fast Saga takes series' absurdity to new heights
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    At this point in the Fast & Furious franchise, which has improbably reached nine films plus one spin-off, all semblance of logical storytelling and real-world physics has long been thrown out the window. The filmmakers know what fans want, and that is action sequences where people and cars accomplish impossible feats, with any actual storytelling coming in a distant second or third.

    The previous entry, The Fate of the Furious, found the franchise fully changing into a comic book style, and F9 (technically called F9: The Fast Saga) goes even further, straight up acknowledging the ridiculousness of what they’re presenting on screen and inviting the audience to laugh along with them.

    Since family in its many forms has been the theme of the franchise since the beginning, it’s no surprise it’s at the center of this film as well. Dom (Vin Diesel), raising his son with now-wife Letty (Michelle Rodriguez) off the grid, is brought back into the, let’s say, spy game when his group of friends – which includes Roman (Tyrese Gibson), Tej (Chris “Ludacris” Bridges), and Ramsey (Nathalie Emmanuel) – get a message from Mr. Nobody (Kurt Russell) that a plane carrying something very important has crashed in Mexico.

    Macguffin now in place, the group races into action, only to discover that another person is after the same mysterious object. Spoiler: It turns out to be Dom’s heretofore unknown brother, Jakob (John Cena), whom we come to learn has been at odds with Dom ever since their father died in a race car crash 30 years ago. Now, he’s teamed up with Otto (Thue Ersted Rasmussen), the son of a billionaire, and a captured Cipher (Charlize Theron) to use the device to … oh, who cares?

    All that’s important is that framework allows writer/director Justin Lin and co-writer Daniel Casey to put the characters and their vehicles in all manner of fantastical situations, ones that involve … (checks notes) … a rickety rope bridge, a stealth bomber, super-powered magnets, and a space-bound Pontiac Fiero. The action finds the characters – and their cars – hopping around the world as easily as you or I would cross the street. Anyone trying to follow the progression of the plot would do better beating their head against a wall, because none of it makes sense.

    Let’s be clear: F9 is not a good movie. But the filmmakers aren’t trying to make a “good” movie, at least not in the traditional sense. They’re trying to up the ante on all the stunts that have come in the previous films, and appeal to the base instincts of moviegoers, many of whom just want to be entertained without thinking. And the film certainly succeeds on those counts. Every other action movie that has been called “over-the-top” must now bow down in reverence to this one, which is sure to be topped by the forthcoming 10th installment.

    In addition to the main group, the film brings back fan favorites like Twinkie (Shad Moss, aka Bow Wow), Sean (Lucas Black), and Han (Sung Kang), each of whom played a part in the series’ third entry, Tokyo Drift. And not including Theron, who shows up in a handful of scenes in one location and probably put in one day’s work, there are cameos by Helen Mirren, reprising her role from Hobbs & Shaw, and – why not? – Cardi B, Bad Bunny, and podcaster Bill Simmons.

    Anyone willingly going to see F9 knows exactly what type of movie they’re going to get, and it ain’t high art. But the actors know exactly how to play their roles amid all the insane action sequences, and the filmmakers are in on the joke, so it’s best to just sit back and let the absurdity wash over you.

    ---

    F9: The Fast Saga opens in theaters on June 25.

    Vin Diesel in F9: The Fast Saga.

    Vin Diesel in F9: The Fast Saga
    Photo courtesy of Universal Pictures
    Vin Diesel in F9: The Fast Saga.
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    Movie Review

    Alexander Skarsgård commands the bold, offbeat drama Pillion

    Alex Bentley
    Feb 20, 2026 | 11:45 am
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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