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    Live from Arlington

    5 essential things to know before you go to Texas Live in Arlington

    Stephanie Allmon Merry
    Aug 10, 2018 | 6:31 pm
    Texas Live Arlington
    Rock on in Arlington.
    Photo courtesy of Texas Live

    After much fanfare, Texas Live, the Arlington mega complex, has finally arrived. Much has already been written, but with the August 9 grand opening now behind us, here are the 5 most important takeaways you need to know.

    1. Tips for parking
    The complex sits on what still looks like a giant construction site (a planned hotel has a ways to go) between AT&T Stadium and Globe Life Park. Texas Live shares parking lots with Globe Life Park. Nearby Lot B — just east on Randol Mill Road and Stadium Drive — is where they want you to park.

    On days when there are not public events at either venue, parking for Texas Live guests is free in Lot B. Things get more complicated and expensive on event days. While parking specifics are not yet posted on the Texas Live website, here's what the City of Arlington says:

    • When the Rangers have a home night game, Texas Live guests can park in Lot B for free until 3 pm. After 3 pm, they'll be be charged the event parking rate.
    •When the Rangers have a home day game, Texas Live guests can park in Lot B for the event parking rate until the end of the game; then complimentary parking is available.
    • On event days at AT&T Stadium and/or public non-baseball events at Globe Life Park, Texas Live guests can park in Lot B for the price being charged for the event. This price may vary per event, and the price will be announced.

    A shuttle or fleet of golf carts or pedi bikes running between Texas Live and the sports venues or outer parking lots would be useful, but no word on that. No matter where you park, wear comfortable shoes because ...

    2. It's a sprawling place, but easy to navigate
    If photos make Texas Live look like a shopping mall, the comparison's not too far-fetched. You walk into a giant central atrium, of sorts, which has the 90-foot screen for game watching. (The picture and sound system are home run-quality.) The restaurants and bars — Pudge's Pizza, Troy's, Lockhart Smoke House, Arlington Sports & Social, Guy Fieri's Taco Joint, PBR Cowboy Bar and Miller Tavern — surround this "Live Arena" on two stories, and they offer plenty of views (and dozens of their own screens) for game-watching, too.

    Out back is the concert venue called Arlington Backyard. (This is also where you can belly up to the Balcones Whiskey Bar.) The 5,000-capacity venue has a few levels. If you snag a spot on the highest level, you get a bar stool and great views of the sunset and nearby sports venues. Mercifully, the whole thing is covered, and giant ceiling fans create a breeze overhead (another reason to head for the top floor).

    Just know when you're thirsty ...

    3. Expect sticker shock on drinks and food
    Drink prices are a little nuts. One Revolver Brewing Blood & Honey on draft ($13), plus one glass of chardonnay ($10, poured from a tiny plastic bottle), plus tax and a 1 percent "facility fee" at the PBR Cowboy Bar will set you back $25 and some change. Specialty cocktails there are $15, and $20 if you want them in a blinky, light-up plastic boot.

    Food is plentiful but pricey, too. For example, one order of carne asada tacos (three to a basket) and a Jarritos soda from Guy Fieri's Taco Joint is about $16.

    But ...

    4. Boy, are those margaritas at Troy's tasty
    Turns out, Troy Aikman knows margaritas. Or at least he's attached his name to a restaurant that shakes up pretty fine ones. Made fresh behind the bar at Troy's, they're as colorful as they are yummy. Try the purple-hued blackberry marg. Or take a teammate and splurge on the larger "Ocho" (eight, like Troy's Cowboys jersey number, get it?), which is so stout that it's meant for two people to share. Enjoyed best at a table under the trees in the pretty courtyard.

    And last but not least, ugh ...

    5. There are scantily clad women
    No, it's not a strip club (despite a comment overheard at the entrance), but PBR Cowboy Bar is another in a line of Hooters-type places that has females dressed like strippers. They wear chaps over teeny tiny red undies that expose an R-rated amount of "thuttox." These are not sporty, cheerleader types and they're not necessarily servers, who themselves wear midriff-baring plaid shirts and Daisy Duke-short shorts. These are female dancers who wiggle around on a stage and platforms throughout the bar, merely to be looked at.

    In these #MeToo days, it's irksome and disappointing, and it should be noted that men who work there wear full-length jeans, regular-fitting T-shirts, and cowboy hats. The bar — which opens to Backyard Live and has a steady stream of indoor-outdoor-traffic — is described as "a powerhouse concept that brings an authentic country experience to Arlington." This authentic experience, apparently, must include objectifying women. Yee-freaking-haw.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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