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    Enigma Wrapped Inside a Great Movie

    The Imitation Game shakes up WWII genre as smart spy thriller

    Alex Bentley
    Dec 23, 2014 | 3:31 pm
    The Imitation Game shakes up WWII genre as smart spy thriller
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    Whether we like it or not, movies about World War II continue to be popular for filmmakers because of the myriad stories that can be mined from such rich history. But because so many movies have been made about the period, even unique stories have a way of feeling similar to those that came before them.

    Fortunately, The Imitation Game doesn’t fall into that trap. It tells the story of Alan Turing (Benedict Cumberbatch), the brilliant but eccentric mathematician who was able to decode the seemingly unbreakable Enigma machine used by the Germans during the war.

    Director Morten Tyldum and writer Graham Moore construct the film as both a great character study and a tense thriller.

    As depicted in the film, Turing had a severe lack of social graces, viewing those who didn’t match his intellect as unworthy of his time. Despite his abruptness, he convinced the British military brass, including Winston Churchill, that he, along with his chosen team, would be able to accomplish what had long been thought impossible.

    But the film is much more than just a bunch of scientists sitting at desks and crunching numbers. Director Morten Tyldum and writer Graham Moore construct the film as both a great character study and a tense thriller.

    On the personal side, Turing’s outward demeanor collides with his inner turmoil as a gay man in a time when being homosexual was unacceptable on a societal level. Many of the moves he makes, both professionally and personally, can be viewed through that prism, and the film becomes richer for it.

    Even though the story takes place over many years, it works like a good spy thriller. It’s exciting to watch Turing and his team crack the Enigma, but what happens after they do intrigues even more. The cost of war is easy to see in films with actual battles, but it’s driven home just as hard with the decisions shown here.

    Cumberbatch’s role as Turing is not as showy as other Best Actor hopefuls this year, but it’s just as effective. He commands the screen with his turns of phrase rather than his movements, and his enrapturing voice makes his character more likable than he probably should be.

    He’s helped by solid supporting performances from the likes of Keira Knightley, Matthew Goode and Mark Strong, in roles that don’t feel tacked on. Knightley is especially good, making a case with this and Begin Again that she might finally be coming into her own as an actress.

    The Imitation Game shows that not all World War II movies are the same, and there might still be hope for a genre that seemed destined for mediocrity.

    Benedict Cumberbatch in The Imitation Game.

    Benedict Cumberbatch in The Imitation Game
    Photo courtesy of Lone Star Film Festival
    Benedict Cumberbatch in The Imitation Game.
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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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