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    Ambient News

    Acclaimed French band Air will do a Moon Safari tour with stop in Dallas

    Teresa Gubbins
    Mar 5, 2024 | 10:28 am
    Air French band

    AIR live in Vienna by Chérie Hansson

    Chérie Hansson

    Legendary French duo AIR will go on an extensive North American tour to celebrate the 25th anniversary of their debut album Moon Safari, which includes a stop at Music Hall at Fair Park in Dallas on October 29

    They'll also stop in Austin at Moody Amphitheatre on October 30.

    Tickets will be available for presale on March 7 at 10 am, while general tickets are on sale on March 8 at 10 am. The ticket link is here.

    Similar to their recent European tour, which sold out in record time, AIR will be playing their widely celebrated album in its entirety for the first time ever. The band released the demo version of "New Star In The Sky" ahead of the digital release of the 25th anniversary deluxe album on March 15, featuring over 10 cherry-picked Moon Safari audio rarities.

    Since Nicolas Godin and Jean-Benoit Dunckel formed the band in 1995, the prolific duo has released six albums in addition to their acclaimed EP Premiers Symptômes, which was followed by the release of the aforementioned classic Moon Safari along with two soundtracks that all together sold millions of copies.

    AIR garnered an extensive list of worldwide accolades for their unique brand of downtempo electronic music that not only sculpted the sound for the next generation of electronic-influenced pop music but also was able to withstand the test of time in its own right.

    On January 16th 1998, AIR released Moon Safari, an album which catapulted Nicolas Godin and Jean-Benoit Dunckel to the uppermost rung of electronic music's ladder. Their sound - Fender Rhodes trills, loping basslines, and sensual-yet-playful vocal hooks, all woven into a texture as fine and luxe as chiffon — conjured the sensation of a space-age cocktail designed to be sipped at a leisurely pace. It's not challenging to see how this curious little record became a global sensation.

    While AIR's precise alchemy and absence of geographical anchoring placed Moon Safari outside the grip of temporality or trend, the album happened to be an orbiting satellite which intersected with the world below's revolutions at precisely the right moment.

    Through Moon Safari, AIR transfixed some of the great visionaries of the late 20th century — David Bowie, Madonna, Beck — as well as influencing preeminent aesthetes of the incoming age - including Charlotte Gainsbourg Kevin Parker, and Sofia Coppola, whose creative relationship with AIR became as synergetic as that of Angelo Badalamenti and David Lynch. AIR helped fan the flames of a rare Francophilia which surging through the typically nativist British charts in 1998.

    Moon Safari birthed three hit singles in "Kelly Watch The Stars," "All I Need" and "Sexy Boy," shifted over half a million copies in the UK, and pushed AIR into headline contention at banner festivals such as Glastonbury. This in turn brought American, European and even hesitant French audiences and critics in line, a ripple effect which continued into the mid-2000s, with a string of successive top 10 albums for AIR, at home and abroad.

    North American tour dates are as follows:
    *Not a Live Nation Date

    9/25 - Vancouver, BC @ Queen Elizabeth Theatre
    9/27 - Seattle, WA @ Benaroya Hall
    9/29 - Los Angeles, CA @ Orpheum
    9/30 - Los Angeles, CA @ Orpheum
    10/2 - San Francisco, CA @ The Masonic
    10/4 - Denver, CO @ Bellco Theater
    10/6 - Minneapolis, MN @ State Theatre
    10/8 - Chicago, IL @ Auditorium Theatre
    10/10 - Detroit, MI @ Fox Theatre
    10/12 - Toronto, ON @ Massey Hall
    10/13 - Montreal, QC @ Place Bell
    10/15 - Boston, MA @ MGM Music Hall at Fenway
    10/17 - Philadelphia, PA @ The Met
    10/18 Washington DC @ The Anthem*
    10/21 - New York, NY @ Beacon Theatre
    10/24 - Atlanta, GA @ Tabernacle
    10/26 - Miami Beach, FL @ Fillmore Miami Beach
    10/29 - Dallas, TX @ Music Hall at Fair Park
    10/30 - Austin, TX @ Moody Amphitheatre

    musicconcerts
    news/entertainment

    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

    ---

    The Invite is now playing in theaters.

    moviesfilm
    news/entertainment

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