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    Movie Review

    Joaquin Phoenix takes 3-hour Kafkaesque journey in ultra-weird Beau is Afraid

    Alex Bentley
    Apr 20, 2023 | 2:33 pm

    In writer/director Ari Aster’s relatively brief feature career, he has already established himself as a horror filmmaker of note, helming the acclaimed Hereditary in 2018 and the gonzo Midsommar in 2019. As creative and interesting as those films are, they have nothing on the out-there energy that inhabits every second of his new film, the three-hour long Beau is Afraid.

    Joaquin Phoenix plays Beau, an anxiety-ridden milquetoast who is barely capable of stepping out of his own apartment. He lives in a hellhole of a neighborhood where the streets are filled with unsavory characters, a naked man stabs people regularly, and a general feeling of danger pervades the area.

    When Beau receives news that his mom has died, his attempts at getting back for her funeral are repeatedly delayed, including encounters with Grace (Amy Ryan) and Roger (Nathan Lane), a well-meaning but strange couple; a theater troupe that lives in the woods; and more. All the while, Beau finds himself remembering and/or hallucinating about his childhood, his possible future, and the meaning of his life.

    The term “Kafkaesque” has be applied to a lot of different movies over the years, but Aster has made a film with the concept firmly at the front of the story. The absurdity of the world through which Beau lives and travels cannot be overstated. Some people seem relatively normal on the surface, but almost everyone acts in wholly unnatural manners, as if the off-the-wall things taking place around them aren’t actually happening.

    The film is so packed with bizarre sights and occurrences that you can almost forgive its inordinate length. Weird stuff happens constantly, making for a highly entertaining story that’s also enormously confusing. There are times when Aster keeps the camera stationary on Beau's face for what seems like minutes, and despite the slowness of these and other scenes, Aster has sufficiently conditioned the audience to patiently wait for the next crazy thing to occur.

    Anyone hoping for more horror from the burgeoning horror auteur is mostly left wanting. While much of what Beau experiences in the story is worthy of its own section in hell, very little qualifies as something that would scare modern audiences. There is way more comedy in the film, as it's next to impossible to witness all the inexplicable spectacles it has to offer and not laugh, despite the occasional tragic event that happens.

    Phoenix is uniquely suited for this role, as he’s shown the ability to be a chameleon throughout his career. The sad-sack nature of Beau comes through in almost everything he does, and the bewilderment he expresses makes him the ideal avatar for the audience. Also great are Ryan, Lane, Parker Posey, Zoe Lister-Jones, and, in a late but crucial role, Patti Lupone. A special note should be made of finding Phoenix doppelganger Armen Nahapetian to play the young Beau; the fact that he’s real and not a CGI creation is perhaps one of the strangest things in the film.

    It takes a certain level of patience to stick with Beau is Afraid all the way through, but those who do will be rewarded with an imaginative story that never stops being thought-provoking, even if you’re not entirely sure what Aster is trying to say.

    ---

    Beau is Afraid opens in theaters on April 21.

    Joaquin Phoenix in Beau is Afraid

    Photo courtesy of A24 Films

    Joaquin Phoenix in Beau is Afraid.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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