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    Movie Review

    The Long Walk mines early Stephen King novel for a modern-day message

    Alex Bentley
    Sep 11, 2025 | 3:23 pm
    Cast of The Long Walk

    Cast of The Long Walk, including stars Cooper Hoffman and David Jonsson (center).

    Photo by Murray Close/Lionsgate

    2025 has been an impressively prolific year as far as Stephen King adaptations go. The year has already brought the horror film The Monkey (based on a 1980 short story) and the sentimental The Life of Chuck (based on a 2020 short story). Now comes The Long Walk, another film that digs deep into King’s prolific archive, with the original book (under King's pseudonym, Richard Bachman) coming out in 1979.

    In the world of the film, young men from all 50 states volunteer for a lottery to compete in a competition called The Long Walk for a chance to win a large cash prize. The catch is it’s not a race, but rather a feat of endurance, as every participant must maintain a speed of at least 3 miles per hour until only one person remains. Those who are unable to do so are given a series of three warnings until they are finally - and brutally - shot.

    Among the participants are Raymond Garraty (Cooper Hoffman), who happens to come from the state where the competition starts; Peter McVries (David Jonsson), an affable and confident guy; Gary Barkovitch (Charlie Plummer), who seems to antagonize everybody he meets; and Hank Olson (Ben Wang), a mouthy kid who teams up with Raymond and Peter. All the while, the group is urged on by The Major (Mark Hamill), who seems to take great pleasure in their suffering.

    Directed by Francis Lawrence and written by JT Mollner, the film mostly consists of conversations between the participants in the competition, with the occasional killing underscoring the intensity of what they’re doing. Much of the dialogue is between Raymond and Peter, who become fast friends and share thoughts that are both practical and philosophical. The walk literally never stops, so there’s a natural propulsiveness to the story even during scenes that feature nothing but talking.

    The details of the story can be a tad confusing, though. The film is clearly set at some point in the mid-20th century, as all of the vehicles come from that era and the young men all wear clothes and shoes that are far from modern. But they also live in a dystopian, financially-strapped world where every young man feels he has no choice but to enter a lottery for a competition in which he will most likely die. The alternate universe reality takes some time to get used to.

    Lawrence, who has directed every Hunger Games film, is right at home pitting a group of young people against each other in a televised spectacle that can feature graphic violence. If you so choose, the film is easy to read as a commentary on the current state of the world, where the themes of the story lie closer to reality than perhaps even King could predict.

    In a short career that has included films like Licorice Pizza and Saturday Night, Hoffman has already proved himself as a worthy successor to his late father, Philip Seymour Hoffman. He has a natural empathy in his acting that draws you in, and a talent that pulls the most out of every line. Jonsson is his equal and perhaps even more compelling here, as the English actor uses a mumbly voice and squinty face to great effect.

    There’s not much to The Long Walk other than walking, talking, and killing, but it still makes for an intense experience that rises above its simplicity. It’s difficult to classify a film like this as “entertainment,” but the performances of Hoffman, Jonsson, and others make it a great watch despite the cruelty.

    ---

    The Long Walk opens in theaters on September 12.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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