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    Weekend Event Planner

    Hadestown jazzes up the 13 best things to do in Dallas this weekend

    Alex Bentley
    Feb 27, 2025 | 6:00 am

    Performing arts will once again dominate the slate of events in and around Dallas this weekend, with five theater productions, two comedians, a chamber opera, a full-scale opera, and a dance production. There will also be two different festivals and a concert to celebrate a historic music venue.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, February 27

    Dallas Theater Center presents Primary Trust
    Kenneth lives in a small town in upstate New York. For 15 years his life has been the same: by day, he works at a bookstore, in the evening, he drinks mai tais with his friend Bert. When the bookstore shuts down, Kenneth is forced out of his comfort zone to face a world he has long avoided - with transformative and heartwarming results. Performances of Primary Trust, winner of the 2024 Pulitzer Prize for Drama, run through March 23 at Bryant Hall in the Kalita Humphreys Theater complex.

    Undermain Theatre presents Box
    Part magic show, part historical speculation, part romantic drama, Box explores the harrowing story of Henry Box Brown, the abolitionist lecturer and early magician who escaped slavery by mailing himself to freedom and went on to become a famed magician on the London stage. Using actual magic, the world premiere imagines an unwritten chapter in the story of one of history’s most overlooked folk heroes. The production runs through March 24 at Undermain Theatre.

    Broadway Dallas presents Hadestown
    Hadestown intertwines two mythic tales - that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone - as it invites the audience on a hell-raising journey to the underworld and back. Singer-songwriter Anaïs Mitchell’s beguiling melodies and director Rachel Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. The national tour of the jazzy Tony Award-winning musical runs through Sunday at the Music Hall at Fair Park.

    Live With Jake Shane
    Jake Shane is an influencer and comedian who became well-known for his viral TikTok videos featuring humorous re-enactments of historical events. In 2023, he was nominated for a Streamy Award and appeared on TikTok's inaugural LGBTQ+ Pride Visionary Voices List and on the Forbes 30 Under 30 list. He'll perform at Majestic Theatre.

    Friday, February 28

    North Texas Irish Festival
    The North Texas Irish Festival celebrates the best in music, dance, food and spirits, storytelling, art, and more originating in the Emerald Isle. The festival features 10 stages of live music, Irish step dancing, chef demonstrations and more. Guests will also enjoy beer and whiskey tastings, shopping, horse shows, sheepherding demonstrations, animal rescue groups, child-friendly entertainment, and arts and crafts for the kids. The festival takes place through Sunday at Fair Park.

    Verdigris Ensemble presents Song From The Uproar: The Lives And Deaths of Isabelle Eberhardt
    In Song From The Uproar: The Lives And Deaths of Isabelle Eberhardt, composer Missy Mazzoli brings to life the remarkable journey of Isabelle Eberhardt, a Swiss explorer who abandoned European privilege to roam the Sahara as a Sufi mystic. Through a blend of live instruments and electronics, the chamber opera illuminates the tensions between opposing forces - man and woman, water and sand, Europe and Africa. The production will have three performances through Sunday at Theatre Three.

    The Dallas Opera presents La bohème
    Hungry, cold, broke, and deliriously in love, the artists in Puccini’s masterpiece La bohème break hearts over and over again each time it is performed, with pulses quickening as Rodolfo lights Mimì’s candle anew. The Dallas Opera’s period production returns with a fresh cast of some of opera’s brightest rising stars, transporting audiences to the cafés and corridors of Paris’s Latin Quarter as tragedy hovers nearby. The production will have five performances through March 9 at Winspear Opera House.

    Teatro Dallas presents Nuevo Mundo (A New Directors Festival)
    The final weekend of Teatro Dallas' Nuevo Mundo, a festival that incubates new directors and playwrights, will feature a semi-devised premiere piece called In the Beginning, created by Gerald Taylor II under the mentorship of Lauren Leblanc. In a world where everything feels like it is ending, sometimes the answer lies at the start. The production, an exploration of several creation myths from around the world told by four storytellers, will have three performances through Sunday at Latino Cultural Center.

    Texas Ballet Theater presents International Woman
    In a celebration of female creativity and choreography, Texas Ballet Theater presents International Woman, an evening dedicated entirely to works by female choreographers. Highlights include Annabelle Lopez Ochoa's Shibuya Blues, an exploration of modern life and dance; Lamentation Variations, inspired by Martha Graham's elegy in movement; Martha Graham’s whimsical Maple Leaf Rag; and Natalie Weir’s vibrant Jabula, a celebration of motion and dance through the music of Hans Zimmer’s The Power of One. There will be four performances through Sunday at Wyly Theatre.

    Majestic Theatre presents Luenell
    Luenell is a force of nature best known for her role as the “hooker with the heart of gold” in Borat. She's also appeared in feature films like I Hate You Dad with Adam Sandler and Leighton Meester and Think Like a Man with Arielle Kebell and Meagan Good, as well as TV shows like The Middle and Always Sunny In Philadelphia. She'll perform for one night only at Majestic Theatre.

    Saturday, March 1

    Kitchen Dog Theater presents New Works Festival Staged Reading Series: Bad Books
    When a troubled teen is given a controversial book, his mother visits the local library to discuss “appropriate” reading material with the librarian. However, their reasonable discussion quickly turns into a heated confrontation, sparking a dramatic chain reaction of unexpected consequences. With both heartbreak and humor, playwright Sharyn Rothstein offers compassion and empathy as an antidote to the deep debates that divide us. Part of Kitchen Dog Theater's Staged Reading Series, the production will be at Kitchen Dog Theater's new location in Expo Park.

    City of Carrollton presents TEXFest
    The 10th annual TEXFest is a celebration of Texas Independence Day. The Texas-sized festival features craft beer, good grub, and local artists performing Texas music. Visitors can ride on a mechanical bull, participate in two-stepping and lawn games, and more. The festival takes place in Historic Downtown Carrollton.

    Sunday, March 2

    Longhorn Jubilee featuring Toadies
    To celebrate Longhorn Ballroom’s 75th anniversary, the venue will host a series of events to honor the iconic room's past, present, and future. Dubbed the Longhorn Jubilee, the all-genre-encompassing events will unfold both inside the Ballroom and outside in the Courtyard combining music with food trucks, local vendors, brand activations, and more. The inaugural event takes on Texas Independence Day, featuring performances by Toadies, The Band of Heathens, Bob Wills’ Texas Playboys, and more.

    Cast of national tour of Hadestown
    Photo by Evan Zimmerman for MurphyMade

    Hadestown will play at the Music Hall at Fair Park through March 2.

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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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