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    Theater Review

    Religious righteousness stifles Dallas theater company's intense play

    Lindsey Wilson
    Jan 19, 2016 | 8:59 am

    One or two hot-button issues can give a play intensity; four or five just feels overstuffed.

    The main controversy in Martyr is ostensibly religion versus tolerance, but that often gets pushed aside for sexual harassment, homophobia, bullying, toxic parenting, and condemnation of our education system. It's a lot to take in during 90 minutes, and Second Thought Theatre's production relies more on style than substance.

    The style is a complement, though, as Blake Hackler tightly directs his cast to balance passionate outbursts with presentational delivery. Roboticized moments highlight the utter ridiculousness of some of the show's statements, an effect that lands more than the screeching arguments that crop up every other scene.

    German playwright Marius von Mayenburg does have flashes of levity buried in his script, but so much of the story is past the point of absurd that it actually works against itself (Maja Zade's translation removes all hint of Germanic influence).

    Loner teenager Benjamin is suddenly obsessed with the Bible, preaching fire and brimstone to his divorced mother (adultery), biology teacher (won't accept creationism and teaches sex ed), and swim coach (allows female students to swim in bikinis). He takes each verse — nay, every word — literally, and refuses to adapt for modern society.

    But he's also a hormonal teenager, bursting with the sure shortsightedness that most his age rely on. Garret Storms fascinates as Benjamin, using his tall, gangly frame to impose when others are bent double with rage.

    Ruben Carranzana, as Benjamin's sidekick and fellow outcast, provides much-needed comic relief, but always with a hint of sadness. Thomas Ward takes what could be a throwaway role as the buffoonish school principal and makes each line cutting with its arrogance and stupidity. Lulu Ward relies too much on volume as Benjamin's mother, but she sure makes it easy to see why the boy might withdraw.

    Mikaela Krantz, as the schoolgirl who taunts Benjamin with her budding sexuality, and Andrews Cope, the gym teacher, are two actors who valiantly try to bring more to their roles than exists. Paul Taylor, as well, is wasted as the calm-voiced vicar whose religious studies curriculum falls short of the judgmental teachings Benjamin craves.

    Allison Pistorius is all of us as the biology teacher who is horrified at every turn. "You are all wrong!" she wails over and over, firmly trying to put in his place her casually sexist boss, patronizing boyfriend, and wild students. She can only say it so many times, though, before it's all just noise to us.

    ---

    Second Thought Theatre's Martyr runs through February 6.

    The cast of Martyr.

    Martyr at Second Thought Theatre in Dallas
      
    Photo by Karen Almond
    The cast of Martyr.
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    Gallery News

    PDNB Gallery leaves Dallas Design District for new location

    Teresa Gubbins
    May 30, 2025 | 4:00 pm
    Livermore, California, 1972, Suburbia series by Bill Owens
    Bill Owens
    Livermore, California, 1972, Suburbia series by Bill Owens

    An iconic Dallas Design District gallery is leaving the Design District after 30 years: Photographs Do Not Bend, aka PDNB Gallery, is leaving its location at 150 Manufacturing St. and relocating to Denton.

    The gallery is moving to downtown Denton on the historic County Courthouse Square. The new location is at 101 S. Locust St., #B07, inside the Wells Fargo Bank Building, in the basement suite.

    The move to Denton represents a return of sorts: In the early 1990’s, PDNB owners Burt & Missy Finger were private art and antique watch dealers, based in an office building on the Square. In 1995 they opened their photo-based art gallery in Dallas, the big city with a strong museum presence and a thriving art community.

    For 30 years PDNB flourished in the local, regional, national, and international art community. But the owners were still living in Denton.

    PDNB GalleryPDNB Gallery owners Burt and Missy Finger packing up. PDNB

    The Wells Fargo building is a 9-floor structure, a modest tan rectangle that was built in 1960. The building started out as First State Bank of Texas, which was based in Denton. Wells Fargo acquired the company in 2001. It was originally three stories tall, but five more floors were added in 1971. It currently has apartments and an event space on the 8th floor.

    According to a release, the new location will not only be more convenient for the couple's commute, it acknowledges that Denton has grown in recent years, with restaurants, wine bars, food trucks, music concerts, and art events.

    Denton is also home to two major universities — Texas Woman's University and the University of North Texas — which both have strong Fine Arts schools. During the tenure of Dean Robert Milnes, the couple opened a satellite art gallery on the Square, which continues to operate in their new location a block off of the Square.

    Denton also has the Greater Denton Arts Council’s Center for Visual Art, now the Patterson-Appleton Arts Center. PDNB looks forward to collaborating with all these institutions, as well as meeting local artists and art collectors.

    PDNB Gallery will host a group exhibition at the new space in June, followed by a special opening celebrating its 30th anniversary in September. Gallery hours will be announced once the move has completed.

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