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    Theater Critic Picks

    Dallas-Fort Worth theater critics bestow honors on 2015-16 standouts

    Lindsey Wilson
    Sep 6, 2016 | 5:16 pm

    Members of the Dallas-Fort Worth Theater Critics Forum convened on September 3 for their annual volley of voting, determining who deserves recognition for the 2015-16 season.

    In categories covering new works to stellar performances, the six critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites to pop up in those end-of-year lists.

    Dallas Theater Center had a stellar year, as did Stage West and Undermain Theatre. Some artists scored both on and off the stage, earning nods for their performances as well as directing and design contributions. Without further ado, here are the awards:

    Outstanding Direction

    • Akín Babatundé, Bootycandy, Stage West, and The Mountaintop, Dallas Theater Center
    • Emily Scott Banks, The Big Meal, WaterTower Theatre
    • David Lozano, Blood Wedding, Cara Mía Theatre Company
    • Katherine Owens, Long Day’s Journey Into Night, Undermain Theatre
    • Artie Olaisen, The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
    • Len Pfluger, Grand Hotel, Lyric Stage
    • Susan Sargeant, Play, WingSpan Theatre Company
    • Ryan Mathieu Smith, Trainspotting, L.I.P. Service
    • Garret Storms, The Nether, Stage West
    • Regina Washington, Harriet Jacobs, African American Repertory Theater

    Outstanding New Play or Musical

    • Clarkston by Samuel D. Hunter, Dallas Theater Center
    • Deferred Action by David Lozano and Lee Trull, Cara Mía Theatre Company and Dallas Theater Center
    • Faust by Michael Federico, Lydia Mackay, and Jeffrey Schmidt, The Drama Club
    • Stacy Has a Thing for Black Guys by Ruben Carrazana, The Tribe
    • Temple Spirit by Susan Felder, Echo Theatre

    Outstanding Touring Production

    • Alan Cumming Sings Sappy Songs, AT&T Performing Arts Center Off-Broadway on Flora Series
    • Beautiful: The Carole King Musical, AT&T Performing Arts Center Broadway Series
    • Eric Bogosian’s Bitter Honey: The Best of 100 (Monologues), AT&T Performing Arts Center Off-Broadway on Flora Series
    • Cabaret, AT&T Performing Arts Center Broadway Series
    • A Gentleman’s Guide to Love and Murder, AT&T Performing Arts Center Broadway Series
    • Ghost Quartet, AT&T Performing Arts Center Off-Broadway on Flora Series
    • The Sound of Music, Dallas Summer Musicals and Performing Arts Fort Worth

    Outstanding Performance by an Actor

    • Christopher J. Deaton, Grand Hotel, Lyric Stage
    • Bruce DuBose, The Night Alive, Undermain Theatre
    • Hassan El-Amin, A Christmas Carol, Dallas Theater Center, and The Mountaintop, Dallas Theater Center
    • Ivan Jasso, Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
    • Jason Leyva, The Whale, L.I.P. Service
    • Barry Nash, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
    • Alex Organ, Constellations, Dallas Theater Center
    • Brandon Potter, Richard III, Shakespeare Dallas and Shakespeare in the Bar
    • Garret Storms, The Big Meal, WaterTower Theatre
    • Terry Vandivort, The Fantasticks, Theatre Three

    Outstanding Performance by an Actress

    • Emily Scott Banks, Jacob Marley’s A Christmas Carol, Stage West
    • Jessica Cavanagh, Outside Mullingar, WaterTower Theatre
    • Amber Devlin, Picnic, Theatre Three
    • Frida Espinosa-Muller, Blood Wedding, Cara Mía Theatre Company and Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
    • Tiana Johnson, The Mountaintop, Dallas Theater Center
    • Jenny Ledel, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
    • Denise Lee, Lady Day at Emerson’s Bar and Grill, Jubilee Theatre
    • Janelle Lutz, End of the Rainbow, Uptown Players, and Miracle on 34th Street, Dallas Children’s Theater
    • Karen Parrish, Blackberry Winter, Kitchen Dog Theater
    • Allison Pistorius, Constellations, Dallas Theater Center
    • Joanna Schellenberg, Long Day’s Journey into Night, Undermain Theatre
    • Diane Worman, The Thrush and the Woodpecker, Kitchen Dog Theater

    Outstanding Performance by an Ensemble Cast

    • The Big Meal, WaterTower Theatre
    • Bootycandy, Stage West
    • Faust, The Drama Club
    • Grand Hotel, Lyric Stage
    • Long Day’s Journey into Night, Undermain Theatre
    • The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
    • The Nether, Stage West
    • Play, WingSpan Theatre Company
    • The Toxic Avenger, Uptown Players
    • Under the Skin, Circle Theatre

    Outstanding Design or Creative Contribution

    • Jeffrey Colangelo, fight choreography, Christina Valentine, fight assistant, and Bobby Garcia, martial arts consultant, Animal vs. Machine, PrismCo
    • Design team, Faust, The Drama Club
    • Design team, Jonah, Undermain Theatre
    • Jay Dias, musical direction and orchestration restoration, Anything Goes, Lyric Stage
    • John M. Flores, sound design, The Thrush and the Woodpecker, Kitchen Dog Theater
    • Richard Gwozdz, orchestra conducting, Women on the Verge of a Nervous Breakdown, Artes de la Rosa
    • Kyle Igneczi, puppet design and direction, Hershel and the Hanukkah Goblins, Amphibian Stage Productions
    • Benjamin Lutz and Dillon White, video design, Trainspotting, L.I.P. Service
    • Lynn Mauldin and Rebekka Koepke, properties design, The Adventures of Flo and Greg, Echo Theatre
    • Scott Osborne, set design, The Fantasticks, Theatre Three
    • Karen Perry, costume design, Dreamgirls, Dallas Theater Center
    • Gil Pritchett, musical direction, Harriet Jacobs, African American Repertory Theater
    • Ryan Rumery, original music and sound design, Constellations, Dallas Theater Center
    • Garret Storms and Nate Davis, set design, The Nether, Stage West

    Special Citations

    • Rose Pearson, co-founder of Circle Theatre, for a lifetime of visionary leadership of professional theater in Fort Worth and support of female theater artists.
    • Kurt Kleinmann, for his creation of Pegasus Theatre’s Living Black & White productions and 30 years as bumbling noir detective Harry Hunsacker.
    • Dallas Children’s Theater for providing sensory friendly performances for kids with special needs.

    Critics

    Lindsey Wilson, CultureMap
    Nancy Churnin, Dallas Morning News
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 50 or more productions per season (September 1-August 31) and are not practicing theater artists.

    The creepy cyber-thriller The Nether at Stage West won for best ensemble and best set.

    The Nether at Stage West
      
    Photo courtesy of Stage West
    The creepy cyber-thriller The Nether at Stage West won for best ensemble and best set.
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    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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