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    Stand up and deliver

    Comedian Russell Peters on cultural stereotypes, Hollywood cliques and Whataburger

    Meredith Rainey
    Meredith Rainey
    Feb 14, 2013 | 9:19 am

    If you are not familiar with Canadian comedian Russell Peters, you should be: He’s likely telling jokes about you. Well, maybe not you specifically, but he’s probably mercilessly poking fun at your race, nationality, class or culture.

    Peters says he may even make some observations about Texans when he stops in Dallas this weekend during his Notorious World Tour. “I’m a big fan of Texans,” Peters tells me. “You know what they really love is Whataburger. They can’t get enough Whataburger. Whataburger is the shit!”

    Peters prefers to think of his comedy as a celebration of different cultures, a celebration that yields laughter.

    By monetary measures (he’s been named to the Forbes list of top-earning comedians) and his ability to sell out arenas, Peters is one of the most successful standup comedians of his generation. He’s so beloved in his native Canada that he was inducted into Canada’s Walk of Fame in 2011. But after more than two decades doing standup, he still has a lot he’d like to accomplish, including becoming accepted in Hollywood (and figuring out Texans’ obsession with Whataburger).

    He grew up in the suburbs of Toronto with traditional Indian parents, and he has made a living by observing human behavior and pointing out the nuances that make each culture unique — and laughable. He says no culture, including his own, is off-limits, but he doesn’t touch religion. During some of the most memorable portions of his act, while re-creating moments from his childhood, he takes on the persona of his late father, using an exaggerated Indian accent.

    Peters says besides drawing from personal experience, he gathers a lot of his material while traveling around the world. “When I go to places, I see things through my skewed vision. And because it’s already there and it already exists, I’m not fabricating it. I just bring it to light.”

    That skewed vision grew out of always feeling like an outsider. “Being an Indian guy growing up in Canada made me feel like an outsider,” he says. “But then growing up in Canada you feel like an outsider again because you are just outside America. So I was double an outsider, which made me have a lot more perspective than some other people.”

    Peters says he believes it’s a similar outsider’s perspective that has allowed so many Canadian comedians to enjoy success stateside. “I think Canadians have more perspective on what’s going on, and we also get the best of both worlds. We understand the British sensibilities, and we’re basically British people with almost American accents,” he jokes.

    “Hollywood is like high school,” Peters says. “If you’re not in with the cool kids, you’re just gonna have to wait.”

    Part of the beauty of Peters’ comedic style is that you can’t help but laugh even when he’s making fun of you; he’d say it’s because he speaks truths. He says he doesn’t make up the stereotypes he portrays; he simply relays them, sometimes with extreme exaggeration and clever impersonations. Peters prefers to think of his comedy as a celebration of different cultures, a celebration that yields laughter. He says his audiences generally know the boundaries he pushes and rarely get offended.

    “If anyone is offended, it’s usually their own insecurities that are being brought to light at that point, because my intention is only to make them laugh. When people get upset or mad I get confused by it because I’m like, what are you getting mad at? You can tell that I’m obviously joking.”

    Peters says he’s always up for a new challenge, and a fairly recent development keeping him on his toes these days is fatherhood.

    “These kids man, you end up liking them a lot,” he says about his 2-year-old daughter. “It’s like yes, I have finally found somebody I would throw myself in front of a bus for.”

    In addition to his daddy duties and this year’s tour, Peters is also trying to enhance his acting resume. He has several small film roles lined up in 2013 and says he’d like to become a “legitimate actor” with larger roles. But he recognizes that may take time.

    “I’d like to be part of some big blockbuster film with a scene or two or even a nice juicy role, but that’s not up to me, that’s up to whoever makes those movies. Hollywood is like high school. If you’re not in with the cool kids, you’re just gonna have to wait.”

    ---

    While you wait to see him on the big screen in his next role, you can catch Russell Peters at Verizon Theatre in Grand Prairie February 17.

    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.

    Russell Peters
      
    Photo courtesy of Russell Peters
    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.
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    Movie Review

    Film sequel Jurassic World Rebirth: stillborn is more like it

    Alex Bentley
    Jul 2, 2025 | 11:49 am
    Scarlett Johannson in Jurassic World Rebirth
    Photo by Jasin Boland/Universal Pictures and Amblin Entertainment
    Scarlett Johannson in Jurassic World Rebirth.

    Given how successful the Jurassic Park / Jurassic World franchise has been at the box office, it’s no surprise that Universal Pictures will find any excuse to keep the gravy train rolling. So here comes Jurassic World Rebirth, a film with all new characters that only has a tangential relationship to the stories that have come before.

    And, man, does it have a lot of characters. Leading the way is Zora Bennett (Scarlett Johannson), a woman who is known for being able to procure hard-to-get things. She’s hired by Martin Krebs (Rupert Friend), who works for a medical company looking to get blood samples from giant dinosaurs to make a life-saving heart medicine. Naturally, they need a dinosaur expert, which they find in Dr. Henry Loomis (Jonathan Bailey), whose work at a natural history museum is coming to an end as the public seems to be growing tired of dinosaurs, five years after the events of Jurassic World Dominion.

    The dinosaurs they need can be found off the coast of Suriname, a subtropical environment that is one of the only hospitable areas left for the creatures. There Zora recruits boat captain Duncan Kincaid (Mahershala Ali), who comes with a crew of three mostly anonymous people. And for good measure, Reuben Delgado (Manuel Garcia-Rulfo) happens to be sailing nearby in the middle of an ocean voyage with his two daughters and his older daughter’s extremely lazy boyfriend.

    Given the recent pedigree of director Gareth Edwards (The Creator, Rogue One) and original Jurassic Park writer David Koepp (returning to the franchise for the first time since 1997’s The Lost World), the film should be an unmitigated success. Instead, the filmmakers and their team stumble blindly through any kind of character development. The fact that they’re trying to introduce no fewer than 11 different people should be a big flashing red light, but still they persist.

    Instead of making us care whether the people in the film live or die (spoiler alert: A lot of them die), Edwards and Koepp seem to lay all of their hopes on audiences being satisfied with yet-more dino mayhem. But dinosaurs rampaging or chomping people in half only works if the human component is compelling, which it is not. They try to gloss over this by having the characters encounter experimental cross-bred creatures, a story device that makes an impact with a monstrous one in the final act, but otherwise fails to land.

    The film also yada-yadas a lot of the plot points, including how Krebs’ company knows they need the blood of these particular dinosaurs when they’ve never had it before. They reference events from previous films in oblique ways, but they run into the same issue every Jurassic World film has had: Not being able to properly explain the main premise of their story, given that previous events should have stopped them from ever happening.

    Any film with an Oscar winner (Ali) and nominee (Johannson) at the top should be one worth watching, but it almost feels like neither actor knew what kind of film they were actually making. They each get by on charm, but even they can’t sell the nonsense they’re asked to say. Bailey, who played Fiyero in Wicked, is given a weird nothing part, while Friend plays the villain with little verve. We hardly get to know anyone else, but Audrina Miranda, who plays the youngest daughter on the sailboat, is super-cute and gets a couple of decent emotional moments.

    As with the Marvel movies, there is bound to come a time when the general moviegoing public gets tired of being served mediocre Jurassic movies. If any of the franchise’s movies deserves to be the stopping point, it’s this one, with a non-starter of a story and little to get excited about when it comes to the dinosaurs.

    ---

    Jurassic World Rebirth opens in theaters on July 2.

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