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    Theater Critic Picks

    Dallas-Fort Worth theater critics applaud the best of 2016-17 season

    Lindsey Wilson
    Sep 12, 2017 | 8:29 am

    Bucking the national trend of diminishing arts coverage, attendance at the annual Dallas-Fort Worth Theater Critics Forum was actually up this year. Nine professional critics gathered to nominate, vote for, and debate our favorites from the 2016-17 season — and was there ever debate.

    In categories spanning new works to stellar performances, the nine critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites not included here to pop up in those end-of-year lists.

    It was a strong year for women, with female directors earning six of the eight nods (way up from last year's four out of 10). Kitchen Dog Theater had a stellar showing, as did Stage West and Dallas Theater Center, and the majority of theaters stepped up their community involvement thanks to the pioneering spirit of performer, producer, and activist Denise Lee. Some artists scored both on and off the stage, earning nods for their performances as well as directing and/or design contributions.

    Without further ado, here are the awards:

    Outstanding Direction

    • Robin Armstrong, Ripcord, Circle Theatre
    • Emily Scott Banks, Stupid Fucking Bird, Stage West; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord, WaterTower​ Theatre
    • Cheryl Denson, Angels in America, Part One: Millennium Approaches, Uptown Players
    • Marianne Galloway, Stiff, Risk Theater Initiative (Festival of Independent Theatres)
    • Kevin Moriarty, Electra, The Tempest, and Inherit the Wind, Dallas Theater Center
    • Jeffrey Schmidt, The Minotaur, Theatre Three
    • Joanie Schultz, Hit the Wall, WaterTower Theatre
    • Christie Vela, 'night, Mother, Echo Theatre; Straight White Men, Second Thought Theatre

    Outstanding New Play or Musical

    • Br'er Cotton by Tearrance Arvelle Chisholm, Kitchen Dog Theater
    • Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn
    • The Necessities, by Blake Hackler, Second Thought Theatre
    • Stiff by Sherry Jo Ward, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Touring Production

    • An American in Paris, Dallas Summer Musicals and Performing Arts Fort Worth
    • The Curious Incident of the Dog in the Night-Time, AT&T Performing Arts Center Broadway Series
    • Hedwig and the Angry Inch, AT&T Performing Arts Center Broadway Series
    • Into the Woods, AT&T Performing Arts Center Broadway Series
    • Tina Packer's Women of Will, Eisemann Center Presents

    Outstanding Performance by an Actor

    • Christopher Carlos, Paper Flowers, Kitchen Dog Theater
    • Cameron Cobb, Trevor, Kitchen Dog Theater
    • Blake Hackler, Richard III and Measure for Measure, Trinity Shakespeare Festival; so go the ghosts of méxico, part one: a brave woman in méxico, Undermain Theatre
    • Selmore Haines III, Thurgood, Jubilee Theatre
    • Max Hartman, Trevor, Kitchen Dog Theater
    • Bob Hess, La Cage aux Folles, Uptown Players
    • Alex Organ, The Tempest, Dallas Theater Center
    • Randy Pearlman, Funnyman, Circle Theatre
    • Thomas Ward, Straight White Men, Second Thought Theatre

    Outstanding Performance by an Actress

    • Deborah Brown, Ripcord, Circle Theatre
    • Whitney LaTrice Coulter, The Submission, Proper Hijinx Productions
    • Steph Garrett, The Great Dictator, Audacity Theatre Lab (Festival of Independent​ Theatres); Waiting for Lefty, Upstart Productions
    • Julie Johnson, Mame, Lyric Stage
    • Jenny Ledel, Grounded, Second Thought Theatre
    • Kelsey Milbourn, Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Sally Nystuen Vahle, Electra and A Christmas Carol, Dallas Theater Center
    • Christie Vela, Paper Flowers, Kitchen Dog Theater; The Necessities, Second Thought Theatre
    • Sherry Jo Ward, Stiff, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Performance by an Ensemble Cast

    • Angels in America, Part One: Millennium Approaches, Uptown Players
    • Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Inherit the Wind, Dallas Theater Center
    • 'night, Mother, Echo Theatre
    • Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Stupid Fucking Bird, Stage West

    Outstanding Design or Creative Contribution

    • Design team, Br'er Cotton, Kitchen Dog Theater
    • Stefany Cambra, properties design, Feathers and Teeth, Kitchen Dog Theater
    • Jay Dias, music direction, Camelot, Lyric Stage
    • John M. Flores, sound design, Feathers and Teeth, Kitchen Dog Theater
    • Pam Holcomb-McLain, musical direction, The Light in the Piazza, Brick Road Theatre
    • Design team, Jesus Christ Superstar, Casa Mañana
    • Brian McDonald, set and sound design, Grounded, Second Thought Theatre
    • Aaron Johansen, lighting design, Grounded, Second Thought Theatre
    • Michael B. Moore, wigs and makeup design, La Cage aux Folles, Uptown Players
    • Lauren Morgan, a season of costume design for Stolen Shakespeare Guild
    • James Ortiz, puppet design, Stefano Brancato, associate puppet design, Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Design team, Trinity Shakespeare Festival
    • Sean J. Smith and Rhonda Jones, choreography, Fly, African American Repertory Theater
    • Trigg Watson, magic consultation, Midas, Prism Movement Theater

    Special Citations

    • Dallas Theater Center, for engaging the city with its Public Works production of The Tempest, which used 200 members of the community in its cast, and for committing to continue the program in future seasons.
    • Denise Lee, for starting Community Conversation, following the Dallas Police shootings, as an ongoing, free, inclusive program that gives theater audiences an opportunity to discuss tense issues and create fellowship across different cultures, races, orientations, and/or social-economic statuses in a safe, judgment-free setting. The program is held every fourth Monday at Dallas Children's Theater, alternates every other month at Circle Theatre and Stage West in Fort Worth, and has been offered after Second Thought Theatre's Straight White Men, Kitchen Dog Theater's Br'er Cotton, and WaterTower Theatre's Hit the Wall.

    Participating Critics
    Lindsey Wilson, CultureMap
    Alexandra Bonifield, CriticalRant.com
    Nancy Churnin, Dallas Morning News
    Jan Farrington, TheaterJones.com
    Janice Franklin, TheaterJones.com
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 45 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.

    Kieran Connolly, Liz Mikel, and Ace Anderson in Dallas Theater Center's Inherit the Wind
    Photo by Karen Almond
    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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