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    TV Hot Take

    Bravo cuts off Real Housewives of Dallas' 'Jesus juice' after 5 overserved seasons

    Stephanie Allmon Merry
    Aug 23, 2021 | 5:02 pm

    The Real Housewives of Dallas are cordially uninvited back to the party. Bravo has switched off the show after five seasons.

    "There are currently no plans to bring The Real Housewives of Dallas back next year, and beyond that, nothing official has been decided," Bravo said in a statement.

    That leaves the door slightly cracked for a return, perhaps to stream on NBC's Peacock, as The Real Housewives of Miami is doing after being canceled in 2013.

    But as Newsweek points out, even a return in the digitalsphere would likely take a fan campaign, which — with a paltry 337,000 viewers for the Season 5 premiere and 578,000 for the season finale in May, one-quarter of the show's New York and Atlanta franchise viewership — isn’t likely to happen. Especially not in Dallas, which pretty universally face-palmed the show, or flipped it the bird altogether.

    CultureMap was all in when RHOD launched in spring 2016 as buzzy bubble-gum TV — turn off your brain, grab your favorite carbs and a bottle of wine, and spend an hour spotting DFW hot spots and laughing as the rich Dallas women dissed Plano. In the first few episodes, we learned the fun new terms “Jesus juice” (white wine) and “charity world” and raised a Botoxed eyebrow or two at the amount of childish “poop and pee” talk we were subjected to. (Pour more Jesus juice! We’re having a good time!)

    Despite low ratings, RHOD got another season, then another and another. Cast members came and went. On screen, they fought like cats and accused each other’s husbands of cheating like dogs; threw parties and threw glasses; drank too much and refused to eat weird food; took trips to Austin and trips to Mexico.

    Off screen, the Dallas “Bravo-lebrities” launched beauty products and jewelry lines, and even a brand of pink dog food.

    There were some beautiful and meaningful moments, like LeeAnne Locken’s State Fair proposal and glittery but heartfelt wedding. Stephanie Hollman shared her gut-wrenching experiences with suicidal ideation. Brandi Redmond let viewers along on her infertility and adoption journeys.

    But by the final season — filmed and aired amid the COVID-19 pandemic, economic crisis, racial reckonings, and deeply divided political landscape — the show had gone off the rails in ways it couldn’t really recover from.

    In a world experiencing so many harsh realities, this reality TV show didn’t provide the fun, carb-loaded, Jesus juiced-up distraction it could have. Instead it became a laborious exercise in who could out-"racism" and "non-racism" and "anti-racism" who, which carried over from the screen to social media.

    In a year when nonprofits in the Dallas “charity world” were desperate for funds and local businesses were desperate for shoppers, the show threw one long, indulgent birthday party for one cast member and had the women stupidly spanking each other with charcuterie boards on a shopping expedition to a local business.

    And in an economy where so many workers lost jobs and struggled to care for their kids at all, viewers were expected to sympathize with a doctor-"housewife," who is married to a kajillionaire, about the guilt she felt for wanting to stay home more so she could take her kids to the family’s hotel for tea parties.

    Viewers were practically screaming, "Look, lady. Stay home or don't stay home. Make up your mind. You have a choice, K? BRB, headed to the food bank for pickup."

    And then: So. Much. Fighting.

    Mother-daughter fighting, tequila-shot fighting, dim-sum fighting, who's-the-bigger-bully fighting, who's-the-better-Christian fighting, secret-crickets-on-pizza fighting, you-insulted-Bigfoot-hunter fighting ... fighting is as much a part of Real Housewives franchises as designer bags, but for the love of Birkin, there'd already been enough fighting on the nearby cable news stations every night since early 2020. During the pandemic-slash-election season, they could have zipped their unmasked lips and done something interesting.

    It seemed, more and more, like this once-fun, fancy-Dallas-people "fantasy" was just fake drama being put forth as throwaway entertainment in a world — and a city — that had moved on to more valuable investments. By the last season, RHOD wasn't a feel-good escape; it was a cringey crash-and-burn.

    So, raise a glass of Jesus juice to the fun that was the first few episodes, and hope the next Dallas-set show treats charcuterie boards with a bit more kindness.

    A vintage photo from Season 1, way back in 2016.

    Real Housewives of Dallas cast
    Photo courtesy of Bravo
    A vintage photo from Season 1, way back in 2016.
    tvmediareal-housewives
    news/entertainment

    Movie Review

    Jodie Foster brings depth and wit to French thriller A Private Life

    Alex Bentley
    Jan 30, 2026 | 9:41 am
    Jodie Foster in A Private Life
    Photo by Georges Lechaptois
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    Jodie Foster has been a member of the Hollywood community for almost 60 years, first as a child actor on TV, and then branching out into movies. She earned an Oscar nomination at the tender age of 14 for her role in Taxi Driver, and she’s gone on to be nominated five times, winning twice. Now, at age 63, she’s showing she’s still capable of surprises by fluently speaking another language in the French film, A Private Life.

    Foster plays Lilian Steiner, a psychiatrist who sees patients out of her Parisian apartment. When she learns of the death of one of her patients, Paula (Virginie Efira), she’s sad but otherwise unaffected until a few suspicious things start happening. This includes the robbery of her apartment, in which a recording of Paula’s last session with Lilian goes missing.

    With the help of her ex-husband, Gabriel (Daniel Auteuil), Lilian becomes an amateur private detective, tracking the movements of Paula’s husband, Simon (Mathieu Amalric), whom she increasingly suspects of murder. At the same time, Lilian must navigate a tense relationship with her son, Julien (Vincent Lacoste), along with an unexpected rekindling of romance with Gabriel.

    Written and directed by Rebecca Zlotowski, and co-written by Anne Berest, it is a psychological thriller that at times feels like an Inspector Clouseau movie. With little to go on but her own perhaps misguided suspicions, Lilian digs herself deeper into a situation of her own making. And she further clouds her mind by indulging in a tryst with Gabriel, who’s all too eager to help Lilian pursue her criminal theories. While the film is not a comedy, there are elements of humor that pop in to keep the story light.

    Zlotowski plays with the competing tones of the story well, keeping viewers on Lilian’s side even as she indulges in things that might not be the healthiest for her. Lilian’s various eccentricities - an adherence to recording on old-fashioned mini discs instead of fully digital, keeping an emotional distance from her son and grandson - make her a fascinating character whose vacillating motivations keep viewers guessing as to what she’ll do next.

    In a lot of ways, the film is a study of how Lilian needs to try to find ways to heal herself. The possibility of Paula being murdered wakes Lilian up to the idea that she has not been as attentive a doctor as she should be. The sessions with different patients that Zlotowski shows give the impression that there’s a general level of dissatisfaction with her, with one patient outright breaking up with her.

    Foster is no less compelling speaking mostly in French than she is in English language movies. Her fluency is never in doubt, and she fits in seamlessly with the actual French actors in the film. Auteuil is a fun counterpart for Foster, showing an unexpected chemistry with her that keeps their scenes crackling with energy. Amalric, a Wes Anderson favorite, has a relatively small role but still stands out when he gets a chance.

    A Private Life is not the type of thriller that American audiences might be used to, but its slow, methodical storytelling and subtle humor make it an interesting watch from beginning to end. The film is not up for any awards, but Foster’s performance shows she remains a top-tier actor.

    ---

    A Private Life is now playing in select theaters.

    film
    news/entertainment

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