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This Week's Hot Headlines

New boomtowns zoom into this week's 5 hottest Dallas headlines

Stephanie Allmon Merry
Nov 13, 2021 | 10:00 am

Editor's note: A lot happened this week, so here's your chance to get caught up. Read on for the week's most popular headlines.

1. 2 Dallas neighbors zoom onto list of America’s biggest boomtowns. The Dallas area is booming, and a new study from personal finance website SmartAsset ranks two fast-growing nearby cities — Denton and McKinney — among the nation’s top 50 boomtowns. To come up with its list, SmartAsset evaluated data for 500 of the largest U.S. cities. Denton and McKinney zoom onto the list, ranking, respectively, No. 36 and No. 39 in the U.S.

2. Sweetest restaurant Sugar Factory opens in Dallas with red-carpet hoo-ha. The sweetness has arrived: Sugar Factory American Brasserie, the restaurant known for over-the-top sweets and must-try cocktails, opened its first location in Texas in Dallas, at 1900 Cedar Springs Rd., in a former Ruth's Chris. It opened on November 5 with a celebrity appearance and some red-carpet pizzazz.

3. Indie film house takes over Magnolia theater at Dallas' West Village. There's a cool new movie theater concept coming to Dallas. Called Violet Crown, it's an Austin-based indie-theater chain, and will open in a prominent location: the former Magnolia Theatre in West Village, which closed in March due to COVID-19. The new theater will open in spring 2022, bringing a moviegoing experience back to the West Village.

4. Absurdity reigns in the new Princess Diana gobsmacker Spencer. In her shocking 1992 tell-all Diana: Her True Story, Princess Diana (secretly, through author Andrew Morton) laid bare all her sins and secrets from behind palace walls. To make the new film Spencer, it seems director Pablo Larrain and writer Steven Knight threw daggers at that book, landed on their favorite naughty bits and negative traits, piled them all onto the princess, and shoved them into one imaginary holiday weekend horror show.

5. Hipster Austin restaurant Loro opens 2nd Dallas location in Addison. A hipster restaurant from Austin is opening in Addison: Loro, the Asian smokehouse and bar from Aaron Franklin (Franklin Barbecue) and chef Tyson Cole (Uchi), will open a location in Addison at 14999 Montfort Dr., IE the old Flying Saucer, which closed in December 2020. According to a release, it'll open in fall 2022.

Denton's got it going on.

Denton Square
Photo courtesy of Denton Main St Association
Denton's got it going on.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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