Theater Critic Picks

Dallas-Fort Worth theater critics bestow honors on 2015-16 standouts

Members of the Dallas-Fort Worth Theater Critics Forum convened on September 3 for their annual volley of voting, determining who deserves recognition for the 2015-16 season.

In categories covering new works to stellar performances, the six critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites to pop up in those end-of-year lists.

Dallas Theater Center had a stellar year, as did Stage West and Undermain Theatre. Some artists scored both on and off the stage, earning nods for their performances as well as directing and design contributions. Without further ado, here are the awards:

Outstanding Direction

Akín Babatundé, Bootycandy, Stage West, and The Mountaintop, Dallas Theater Center
Emily Scott Banks, The Big Meal, WaterTower Theatre
David Lozano, Blood Wedding, Cara Mía Theatre Company
Katherine Owens, Long Day’s Journey Into Night, Undermain Theatre
Artie Olaisen, The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
Len Pfluger, Grand Hotel, Lyric Stage
Susan Sargeant, Play, WingSpan Theatre Company
Ryan Mathieu Smith, Trainspotting, L.I.P. Service
Garret Storms, The Nether, Stage West
Regina Washington, Harriet Jacobs, African American Repertory Theater

Outstanding New Play or Musical

Clarkston by Samuel D. Hunter, Dallas Theater Center
Deferred Action by David Lozano and Lee Trull, Cara Mía Theatre Company and Dallas Theater Center
Faust by Michael Federico, Lydia Mackay, and Jeffrey Schmidt, The Drama Club
Stacy Has a Thing for Black Guys by Ruben Carrazana, The Tribe
Temple Spirit by Susan Felder, Echo Theatre

Outstanding Touring Production

Alan Cumming Sings Sappy Songs, AT&T Performing Arts Center Off-Broadway on Flora Series
Beautiful: The Carole King Musical, AT&T Performing Arts Center Broadway Series
Eric Bogosian’s Bitter Honey: The Best of 100 (Monologues), AT&T Performing Arts Center Off-Broadway on Flora Series
Cabaret, AT&T Performing Arts Center Broadway Series
A Gentleman’s Guide to Love and Murder, AT&T Performing Arts Center Broadway Series
Ghost Quartet, AT&T Performing Arts Center Off-Broadway on Flora Series
The Sound of Music, Dallas Summer Musicals and Performing Arts Fort Worth

Outstanding Performance by an Actor

Christopher J. Deaton, Grand Hotel, Lyric Stage
Bruce DuBose, The Night Alive, Undermain Theatre
Hassan El-Amin, A Christmas Carol, Dallas Theater Center, and The Mountaintop, Dallas Theater Center
Ivan Jasso, Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
Jason Leyva, The Whale, L.I.P. Service
Barry Nash, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
Alex Organ, Constellations, Dallas Theater Center
Brandon Potter, Richard III, Shakespeare Dallas and Shakespeare in the Bar
Garret Storms, The Big Meal, WaterTower Theatre
Terry Vandivort, The Fantasticks, Theatre Three

Outstanding Performance by an Actress

Emily Scott Banks, Jacob Marley’s A Christmas Carol, Stage West
Jessica Cavanagh, Outside Mullingar, WaterTower Theatre
Amber Devlin, Picnic, Theatre Three
Frida Espinosa-Muller, Blood Wedding, Cara Mía Theatre Company and Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
Tiana Johnson, The Mountaintop, Dallas Theater Center
Jenny Ledel, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
Denise Lee, Lady Day at Emerson’s Bar and Grill, Jubilee Theatre
Janelle Lutz, End of the Rainbow, Uptown Players, and Miracle on 34th Street, Dallas Children’s Theater
Karen Parrish, Blackberry Winter, Kitchen Dog Theater
Allison Pistorius, Constellations, Dallas Theater Center
Joanna Schellenberg, Long Day’s Journey into Night, Undermain Theatre
Diane Worman, The Thrush and the Woodpecker, Kitchen Dog Theater

Outstanding Performance by an Ensemble Cast

The Big Meal, WaterTower Theatre
Bootycandy, Stage West
Faust, The Drama Club
Grand Hotel, Lyric Stage
Long Day’s Journey into Night, Undermain Theatre
The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
The Nether, Stage West
Play, WingSpan Theatre Company
The Toxic Avenger, Uptown Players
Under the Skin, Circle Theatre

Outstanding Design or Creative Contribution

Jeffrey Colangelo, fight choreography, Christina Valentine, fight assistant, and Bobby Garcia, martial arts consultant, Animal vs. Machine, PrismCo
Design team, Faust, The Drama Club
Design team, Jonah, Undermain Theatre
Jay Dias, musical direction and orchestration restoration, Anything Goes, Lyric Stage
John M. Flores, sound design, The Thrush and the Woodpecker, Kitchen Dog Theater
Richard Gwozdz, orchestra conducting, Women on the Verge of a Nervous Breakdown, Artes de la Rosa
Kyle Igneczi, puppet design and direction, Hershel and the Hanukkah Goblins, Amphibian Stage Productions
Benjamin Lutz and Dillon White, video design, Trainspotting, L.I.P. Service
Lynn Mauldin and Rebekka Koepke, properties design, The Adventures of Flo and Greg, Echo Theatre
Scott Osborne, set design, The Fantasticks, Theatre Three
Karen Perry, costume design, Dreamgirls, Dallas Theater Center
Gil Pritchett, musical direction, Harriet Jacobs, African American Repertory Theater
Ryan Rumery, original music and sound design, Constellations, Dallas Theater Center
Garret Storms and Nate Davis, set design, The Nether, Stage West

Special Citations

Rose Pearson, co-founder of Circle Theatre, for a lifetime of visionary leadership of professional theater in Fort Worth and support of female theater artists.
Kurt Kleinmann, for his creation of Pegasus Theatre’s Living Black & White productions and 30 years as bumbling noir detective Harry Hunsacker.
Dallas Children’s Theater for providing sensory friendly performances for kids with special needs.

Critics

Lindsey Wilson, CultureMap
Nancy Churnin, Dallas Morning News
Martha Heimberg, TheaterJones.com and Dallas Weekly
Arnold Wayne Jones, Dallas Voice
Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
Punch Shaw, Fort Worth Star-Telegram

Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 50 or more productions per season (September 1-August 31) and are not practicing theater artists.

The national tour of Cabaret was one of the best to come through town.

Photo by Joan Marcus

The national tour of Cabaret was one of the best to come through town.

theater awards

In Memoriam

Matthew Posey, founder of Dallas' Ochre House Theater, dies at 68

Ochre House Theater presents Dr. Bobaganush

Photo by Robert Hart

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Matthew Posey, the actor, director, and playwright who founded Ochre House Theater and was a founding father of Dallas' experimental theater scene, died at his home on October 2, 2026, the theater confirmed. He was 68.

In 2008, Posey opened Ochre House in Exposition Park near Fair Park. The 45-seat storefront venue became what the theater calls a legendary lab for raw, original art. Posey and his core company called themselves the "Pioneers of the Suavant-Garde," a name that promised surrealist, experimental performances delivered with a surprisingly sophisticated charm. The work was known for a deconstructed, musical-narrative style, built on live music, magic-realist imagery, and elaborate puppetry inspired by the Japanese Bunraku tradition.

Posey wrote, directed, and produced more than 40 plays there, including Morphing, Dr. Bobagonush, Moving Creatures, Mrs. Haggardly, Bill, Original Man, and Soft Noodle Map. Many began in his bound notebooks, which held more than a decade of original pieces. They examined love, family, class, addiction, violence, forgiveness, greed, and the search for one's place in the universe. He often staged them quickly enough that the theater reflected current social and political events as they unfolded (see: Moving Creatures, a politically charged satire about an evil and intolerable oligarch and his tyrannical rise to power). Ochre House also gave its core company of performers, designers, and musicians the chance to write and direct their own original work.

Posey also built a lasting bridge between Dallas and the flamenco world. For 15 years, he partnered with the Dallas-based Flame Foundation on original full-length plays featuring authentic flamenco. The collaboration brought international and local artists to stages in Dallas and New York.

Ochre House was not Posey's first venture in the city. After studying theater at Texas Tech University and interning at Houston's Alley Theater, he came to Deep Ellum and founded the Deep Ellum Theatre Garage. The venue hosted boundary-pushing work, including Sexual Mythology Part 1: The Underworld, a collaboration with another Dallas-based theater legend, Fred Curchack.

Posey later spent 12 years in Los Angeles, working in the film industry and ghostwriting, and he earned a master's degree in film from the American Film Institute. When he returned to Dallas, he joined the company at Undermain Theater before founding Ochre House.

In January 2017, Posey was shot in the face and thigh outside Cold Beer Company in Deep Ellum after leaving the bar with a friend. The attack came just days after previews began for his new musical Dr. Bobaganush, and that week's performances were canceled. But Dallas' arts community rallied around him with a benefit concert, and he returned to the Ochre House stage as the titular doctor that March.

Jerome Weeks, the former KERA and Dallas Morning News theater critic, recalled in an Oct. 3 Facebook post a story from that time. Weeks had reviewed Posey's first shows at the Deep Ellum Theatre Garage and ended up meeting his wife Sara, a member of Posey's first acting troupe, there. After the 2017 shooting, Weeks sent flowers to Posey's hospital room with an unsigned note: "This is what you get for introducing me to my wife." He knew Posey would appreciate the dark joke. Years later, Posey told him the flowers were the first public sign of what had happened, so when they reached the nurses' station, police grew suspicious of the sender. For a few hours that morning, Weeks was the chief suspect. The bullet had damaged Posey's teeth, cheek, and tongue, and, still groggy from anesthesia and painkillers, Posey could only gesture and mumble to the police that it was a joke — that the local theater critic had not tried to murder the artist. When Weeks learned of this long afterward, he was stunned and didn't know how to apologize. Posey, laughing, told him: "It was absolutely the only laugh I had that day."

Posey's career also reached well beyond Dallas. Over more than 35 years, he appeared in more than 60 major film and television productions, including Oliver Stone's JFK, the Oscar-winning No Country for Old Men, and The Magnificent Seven. On television, he appeared in Lonesome Dove, Rectify, AMC's The Son, and HBO's Love & Death. His recent work includes the independent film El Tonto Por Christo and a role in the Austin-set, Matthew McConaughey/Woody Harrelson series Brothers.

Matthew Posey was born July 31, 1958, in Houston, the youngest of five children of Marvin R. Posey and Mary Louise Wrba Posey. His family says his gift for performance appeared early, with him staging "interviews" with vegetable at age four. By his sophomore year at Coronado High School in Lubbock, he had found a bigger audience as the emcee Click Dark in a class play based on American Graffiti.

He was remembered as a beloved partner, brother, uncle, friend, and artistic father figure.

"He was a unique and unforgettable person whose humor, creativity, stories, and larger-than-life personality made an impression on everyone who knew him," the theater said in its obituary.

Posey was preceded in death by his parents. He is survived by his life partner, Suzanne Thomas. He is also survived by his sisters Marlis Hodges and Candis Posey, his brothers William Marvin Posey and Richard Daniel Posey, and numerous nieces and nephews, countless friends, and his cats Chet and Etta.

"His family will remember Matthew not only for the life he lived, but for the memories he created and the love he shared," says the theater's obituary. "His presence will be deeply missed, but his stories, his work, his humor, and the memories he gave to those who loved him will remain."

A celebration of life is being planned, and details have not yet been announced. In lieu of flowers, the family asks for donations to Ochre House Theater at OchreHouseTheater.org.

fair park theater obituary

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In Memoriam

Matthew Posey, founder of Dallas' Ochre House Theater, dies at 68

Dallas' 10 Best Dressed celebrate in final downtown Neiman Marcus fete

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Free Dallas job fair connects workers with over 3,000 'high-paying' jobs