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    Theater Critic Picks

    Dallas-Fort Worth theater critics bestow honors on 2015-16 standouts

    Lindsey Wilson
    Sep 6, 2016 | 5:16 pm

    Members of the Dallas-Fort Worth Theater Critics Forum convened on September 3 for their annual volley of voting, determining who deserves recognition for the 2015-16 season.

     

    In categories covering new works to stellar performances, the six critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites to pop up in those end-of-year lists.

     

    Dallas Theater Center had a stellar year, as did Stage West and Undermain Theatre. Some artists scored both on and off the stage, earning nods for their performances as well as directing and design contributions. Without further ado, here are the awards:

     

     Outstanding Direction

     
       
    •  Akín Babatundé, Bootycandy, Stage West, and The Mountaintop, Dallas Theater Center
    •  
    •  Emily Scott Banks, The Big Meal, WaterTower Theatre
    •  
    •  David Lozano, Blood Wedding, Cara Mía Theatre Company
    •  
    •  Katherine Owens, Long Day’s Journey Into Night, Undermain Theatre
    •  
    •  Artie Olaisen, The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
    •  
    •  Len Pfluger, Grand Hotel, Lyric Stage
    •  
    •  Susan Sargeant, Play, WingSpan Theatre Company
    •  
    •  Ryan Mathieu Smith, Trainspotting, L.I.P. Service
    •  
    •  Garret Storms, The Nether, Stage West
    •  
    •  Regina Washington, Harriet Jacobs, African American Repertory Theater
    •  
     

     Outstanding New Play or Musical

     
       
    •  Clarkston by Samuel D. Hunter, Dallas Theater Center
    •  
    •  Deferred Action by David Lozano and Lee Trull, Cara Mía Theatre Company and Dallas Theater Center
    •  
    •  Faust by Michael Federico, Lydia Mackay, and Jeffrey Schmidt, The Drama Club
    •  
    •  Stacy Has a Thing for Black Guys by Ruben Carrazana, The Tribe
    •  
    •  Temple Spirit by Susan Felder, Echo Theatre
    •  
     

     Outstanding Touring Production

     
       
    •  Alan Cumming Sings Sappy Songs, AT&T Performing Arts Center Off-Broadway on Flora Series
    •  
    •  Beautiful: The Carole King Musical, AT&T Performing Arts Center Broadway Series
    •  
    •  Eric Bogosian’s Bitter Honey: The Best of 100 (Monologues), AT&T Performing Arts Center Off-Broadway on Flora Series
    •  
    •  Cabaret, AT&T Performing Arts Center Broadway Series
    •  
    •  A Gentleman’s Guide to Love and Murder, AT&T Performing Arts Center Broadway Series
    •  
    •  Ghost Quartet, AT&T Performing Arts Center Off-Broadway on Flora Series
    •  
    •  The Sound of Music, Dallas Summer Musicals and Performing Arts Fort Worth
    •  
     

     Outstanding Performance by an Actor

     
       
    •  Christopher J. Deaton, Grand Hotel, Lyric Stage
    •  
    •  Bruce DuBose, The Night Alive, Undermain Theatre
    •  
    •  Hassan El-Amin, A Christmas Carol, Dallas Theater Center, and The Mountaintop, Dallas Theater Center
    •  
    •  Ivan Jasso, Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
    •  
    •  Jason Leyva, The Whale, L.I.P. Service
    •  
    •  Barry Nash, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
    •  
    •  Alex Organ, Constellations, Dallas Theater Center
    •  
    •  Brandon Potter, Richard III, Shakespeare Dallas and Shakespeare in the Bar
    •  
    •  Garret Storms, The Big Meal, WaterTower Theatre
    •  
    •  Terry Vandivort, The Fantasticks, Theatre Three
    •  
     

     Outstanding Performance by an Actress

     
       
    •  Emily Scott Banks, Jacob Marley’s A Christmas Carol, Stage West
    •  
    •  Jessica Cavanagh, Outside Mullingar, WaterTower Theatre
    •  
    •  Amber Devlin, Picnic, Theatre Three
    •  
    •  Frida Espinosa-Muller, Blood Wedding, Cara Mía Theatre Company and Deferred Action, Cara Mía Theatre Company and Dallas Theater Center
    •  
    •  Tiana Johnson, The Mountaintop, Dallas Theater Center
    •  
    •  Jenny Ledel, I’m Gonna Pray for You So Hard, Kitchen Dog Theater
    •  
    •  Denise Lee, Lady Day at Emerson’s Bar and Grill, Jubilee Theatre
    •  
    •  Janelle Lutz, End of the Rainbow, Uptown Players, and Miracle on 34th Street, Dallas Children’s Theater
    •  
    •  Karen Parrish, Blackberry Winter, Kitchen Dog Theater
    •  
    •  Allison Pistorius, Constellations, Dallas Theater Center
    •  
    •  Joanna Schellenberg, Long Day’s Journey into Night, Undermain Theatre
    •  
    •  Diane Worman, The Thrush and the Woodpecker, Kitchen Dog Theater
    •  
     

     Outstanding Performance by an Ensemble Cast

     
       
    •  The Big Meal, WaterTower Theatre
    •  
    •  Bootycandy, Stage West
    •  
    •  Faust, The Drama Club
    •  
    •  Grand Hotel, Lyric Stage
    •  
    •  Long Day’s Journey into Night, Undermain Theatre
    •  
    •  The Miraculous Journey of Edward Tulane, Dallas Children’s Theater
    •  
    •  The Nether, Stage West
    •  
    •  Play, WingSpan Theatre Company
    •  
    •  The Toxic Avenger, Uptown Players
    •  
    •  Under the Skin, Circle Theatre
    •  
     

     Outstanding Design or Creative Contribution

     
       
    •  Jeffrey Colangelo, fight choreography, Christina Valentine, fight assistant, and Bobby Garcia, martial arts consultant, Animal vs. Machine, PrismCo
    •  
    •  Design team, Faust, The Drama Club
    •  
    •  Design team, Jonah, Undermain Theatre
    •  
    •  Jay Dias, musical direction and orchestration restoration, Anything Goes, Lyric Stage
    •  
    •  John M. Flores, sound design, The Thrush and the Woodpecker, Kitchen Dog Theater
    •  
    •  Richard Gwozdz, orchestra conducting, Women on the Verge of a Nervous Breakdown, Artes de la Rosa
    •  
    •  Kyle Igneczi, puppet design and direction, Hershel and the Hanukkah Goblins, Amphibian Stage Productions
    •  
    •  Benjamin Lutz and Dillon White, video design, Trainspotting, L.I.P. Service
    •  
    •  Lynn Mauldin and Rebekka Koepke, properties design, The Adventures of Flo and Greg, Echo Theatre
    •  
    •  Scott Osborne, set design, The Fantasticks, Theatre Three
    •  
    •  Karen Perry, costume design, Dreamgirls, Dallas Theater Center
    •  
    •  Gil Pritchett, musical direction, Harriet Jacobs, African American Repertory Theater
    •  
    •  Ryan Rumery, original music and sound design, Constellations, Dallas Theater Center
    •  
    •  Garret Storms and Nate Davis, set design, The Nether, Stage West
    •  
     

     Special Citations

     
       
    •  Rose Pearson, co-founder of Circle Theatre, for a lifetime of visionary leadership of professional theater in Fort Worth and support of female theater artists.
    •  
    •  Kurt Kleinmann, for his creation of Pegasus Theatre’s Living Black & White productions and 30 years as bumbling noir detective Harry Hunsacker.
    •  
    •  Dallas Children’s Theater for providing sensory friendly performances for kids with special needs.
    •  
     

     Critics

     

     Lindsey Wilson, CultureMap
     Nancy Churnin, Dallas Morning News
     Martha Heimberg, TheaterJones.com and Dallas Weekly
     Arnold Wayne Jones, Dallas Voice
     Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
     Punch Shaw, Fort Worth Star-Telegram

     

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 50 or more productions per season (September 1-August 31) and are not practicing theater artists.

    The national tour of Cabaret was one of the best to come through town.

    Cabaret Tour 2016 Broadway
      
    Photo by Joan Marcus
    The national tour of Cabaret was one of the best to come through town.
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    Theater Critic Picks

    From Wilde to 'The Wiz': 8 unmissable July shows in North Texas

    Lindsey Wilson
    Jul 2, 2025 | 10:18 am
    Second Thought Theatre presents Your Wife’s Dead Body
    Photo courtesy of Second Thought Theatre
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    Your instinct during the summer might be to hide out in an air-conditioned theater, and there are plenty of options to do exactly this month. But we would be remiss if we didn't remind you about a North Texas tradition: Shakespeare under the stars. Pack a picnic, bring a blanket, and watch The Bard (and this year Oscar Wilde) at Samuell-Grand Amphitheater with Shakespeare Dallas. Both shows opened in June, but continue through most of July.

    Here are eight shows local shows, listed in order of start date:

    The Importance of Being Earnest
    Shakespeare Dallas, through July 18 extended to July 26
    This witty romantic comedy by Oscar Wilde, first performed in 1895, tells the story of two men who assume the identities of a fictional man named Ernest. This leads them to each fall in love and encounter an assortment of comical problems along the way.

    Othello
    Shakespeare Dallas, through July 20
    In this Shakespearean tragedy, Othello is at the peak of his powers: not only Venice's greatest general but also husband to the noble and beautiful Desdemona. But he does not know that in passing over his servant Iago for promotion, he has created a deadly but brilliant enemy. This production is set in an alternate-history version of the 1990s in which the Venetian empire is the predominant political, military, and economic power.

    King Kirby
    American Chronicle Theatre Co., July 4-12
    This is the story of Jack "King of Comics" Kirby. The play follows him from the tough Jewish ghetto of Hell’s Kitchen in New York, to the harrowing battlefields of Normandy during WWII, to tense Senate hearings in the 1950s. Watch as he creates some of the most iconic heroes in pop culture: Captain America, Thor, the Fantastic Four, the X-Men, Iron Man, the New Gods, and countless others.

    Your Wife’s Dead Body
    Second Thought Theatre, July 9-26
    Written by Second Though Theatre artistic associate Jenny Ledel in her playwriting premiere, the play takes place in the near future, as Jane takes advantage of a new AI technology that would extend her lifespan ... even if she's not around to see it for herself.

    The Wiz
    Broadway at the Bass, July 15-20
    This all-new production of the groundbreaking, Tony Award-winning musical returns “home” in an all-new pre-Broadway tour, the first one in 40 years. The groundbreaking twist on The Wizard of Oz changed the face of Broadway, from its iconic score packed with soul, gospel, rock, and finger-snapping '70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.

    Noises Off
    Mainstage Irving-Las Colinas, July 18-August 2
    This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Playwright Michael Frayn gives a window into the inner workings of theatre behind-the-scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance.

    Everybody's Talking About Jamie
    Uptown Players, July 18-August 3
    Inspired by true events, this musical tells the inspiring story of Jamie New, a 16-year-old boy from Sheffield who dreams of becoming a drag queen. His loving mom showers him with endless support but it's not all rainbows for Jamie as his deadbeat dad and some ignorant school kids attempt to rain on his sensational aspirations.

    Shucked
    Broadway at the Bass, July 29-August 3
    This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

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