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    Theater Critic Picks

    The 16 must-see shows in Dallas-Fort Worth theater for February

    Lindsey Wilson
    Feb 3, 2025 | 5:19 pm
    Broadway in Love
    Real-life married couple Libby Servais and Stephan Stubbins sing "Broadway in Love" at the Coppell Arts Center.
    Photo by Man Overboard

    February is a short month, but it's not short on performing arts options. From world-premiere plays to big touring musicals, Broadway concerts, and even a sketch comedy revue, the choices are vast and varied.

    In order of start date, here are 16 local shows to watch this month:

    Charlie and the Chocolate Factory
    Casa Mañana, through February 16
    Based on the beloved novel by Roald Dahl, Charlie and the Chocolate Factory follows Charlie Bucket and the other lucky golden ticket winners through Willy Wonka’s marvelous and mysterious chocolate factory. Audiences can journey through Wonka’s world of pure imagination and find out who will become heir to the most famous chocolate empire in the world.

    Wakey Wakey
    Kitchen Dog Theater, February 6-23
    "Is it now? I thought I had more time." These first words in Will Eno's play are spoken by Guy, a man who knows — like all of us, on some level — that he is about to die. The play questions why we are here and the journeys that everyone takes to eventually get to the same place. The production takes place at Expo Park, as part of KDT's final nomad season.

    we are continuous
    Uptown Players, February 7-23
    In Harrison David Rivers' gripping play, the dynamics between a mother, her son, and his husband are explored as they navigate the perplexities of their interconnected lives. Simon, a gay Black man, and his devout Christian mother, Ora, have always been close. Despite knowing Simon is gay, Ora has avoided discussing his sexuality since he came out at 16. Through richly drawn characters and evocative storytelling, Rivers crafts a narrative that resonates with universal themes of human connection and the ever-evolving nature of family.

    Broadway in Love
    Coppell Arts Center, February 8
    Real-life married Broadway couple Libby Servais (Glinda from Wicked) and Stephan Stubbins (Mary Poppins) weave together an experience of laughter, tears, and magical moments. Featuring songs from Moulin Rouge, Jersey Boys, Wicked, The Phantom of the Opera, and more, the concert is a celebration of love thanks to the magic and music of Broadway.

    Fate Complete
    Ochre House Theater, February 8-March 1
    Set in the 1960s, Evelyn Forsyth is a war child who made it big in the movie industry, then gave up her rocketing career as the studio's top movie star to be with the love of her life, William Forsyth, a well-established movie executive. By all appearances, William and Evelyn had the ideal life, but beneath the surface, an abusive cycle is exposed, and Evelyn is left with difficult choices.

    Tina's Journey
    Cara Mia Theatre, February 8-23
    Follow a young girl, her family, and her ancestors who hope to cross the U.S.-Mexico border before the Day of the Dead holidays. For safe-keeping, Tina takes a piece of her native land in her pocket and her personal history in her heart. She also leaves a trail of marigolds for her ancestors to safely follow her family across the border. However, Tina’s new reality in the United States makes her ill to the edge of death. Performed in contemporary and Mexican folk masks, Tina’s Journey is a joyful and accessible way for young people to learn about the migration of children into the United States.

    Ain't Too Proud - The Life and Times of the Temptations
    Broadway at the Bass, February 11-16
    Nominated for 12 Tony Awards and the winner of the 2019 Tony Award for Best Choreography, this Broadway musical follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. Set to the beat of the group’s treasured hits, including "My Girl," "Just My Imagination," "Get Ready," and "Papa Was a Rolling Stone," Ain’t Too Proud is a thrilling story of brotherhood, family, loyalty, and betrayal during a decade of civil unrest in America.

    We've Only Just Begun: The Music of The Carpenters
    Casa Mañana, February 11-22
    With Karen's distinctive voice at the forefront, the Carpenters personified the velvety sound of the ‘70s soft rock era. We've Only Just Begun features their classic songs sung by Broadway’s best, including “Close to You,” “Rainy Days and Mondays,” “Top of the World,” “We've Only Just Begun," and more.

    Phantom: In Concert
    WaterTower Theatre, February 13-16
    Adapted from Gaston Leroux’s novel The Phantom of the Opera, Kopit and Yeston’s Phantom tells the poignant story of Erik, a disfigured musical genius who lives beneath the Paris Opera House. When the Opera is taken over by an untalented diva, Erik discovers Christine Daaé, a young soprano with an astonishing voice, and he is captivated by her talent and spirit.

    A Broadway Valentine
    Plano Symphony Orchestra, February 15
    Some of the best-known love ballads of Broadway will be sung by Alli Mauzey (Kimberly Akimbo), LaKisha Jones (a top four finalist from American Idol 2007), and Jason Forbach (Into the Woods alongside Sara Barielles). Selections for the concert include "Begin the Beguine," "I Could Have Danced All Night," "The Impossible Dream," "Defying Gravity," "All I Ask of You," and more.

    The Stamped Project
    Bishop Arts Theater Center, February 20-March 2
    This fourth annual banned books festival features a collection of short plays inspired by Jason Reynold's searing book Stamped: Racism, Antiracism, and You. The book is adapted from the work of Dr. Ibram X. Kendi, who will be in attendance at the event. Participating playwrights will include Camika Spencer, Ashley White, Aaron Zilbermann, Maryam Baig, Straton Rushing, and Calvin Walker.

    Most Likely Forever Yours
    Eleven 11 Productions/AT&T Elevator Project, February 21-23
    This laugh-a-minute, Second City-style sketch comedy revue explores the indescribable joy, pain, and fear of loving and being loved. The show will be created by Dallas writers and performers who trained at legendary comedy venues like The Second City, The Groundlings, I.O. Chicago, and The Annoyance.

    The Best of Broadway
    Irving Symphony Orchestra, February 22
    Tony, Emmy, and SAG Award nominee Norm Lewis has performed in many noteworthy roles on both television and Broadway, making history as The Phantom of the Opera’s first African American Phantom on Broadway.

    Hadestown
    Broadway Dallas, February 25-March 2
    Winner of eight 2019 Tony Awards, Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites the audience on a hell-raising journey to the underworld and back. Singer-songwriter Anaïs Mitchell’s beguiling melodies and director Rachel Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love.

    Primary Trust
    Dallas Theater Center, February 27-March

    The co-production with Stage West transfers to Bryant Hall, next to the Kalita Humphreys Theater. Kenneth lives in a small town in upstate New York. By day, he works at a local bookstore. By night, he sips Mai Tais at his favorite bar with his best friend Bert. But when Kenneth is unexpectedly laid off, the quiet life he knows is thrown into a tailspin, as he sets out on a journey of self-discovery.

    Box
    Undermain Theatre, February 27-March 23
    Part magic show, part historical speculation, part romantic drama, Box explores the harrowing story of Henry Box Brown, the abolitionist lecturer and early magician who escaped slavery by mailing himself to freedom and went on to become a famed magician on the London stage. Using actual magic, this world premiere imagines an unwritten chapter in the story of one of history’s most overlooked folk heroes.

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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