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    Theater Critic Picks

    Here are the 16 must-see shows in Dallas-Fort Worth theater for October

    Lindsey Wilson
    Oct 1, 2024 | 1:33 pm
    Reunion '85

    Travel back to the 1980s for "Reunion '85."

    Photo courtesy of ATTPAC

    Yes, I know, 13 shows would have been better but there's just too much great theater happening right now in DFW (plus, look forward to another theater round-up that's strictly spooky, coming soon).

    From big musical tours like Company and Beetlejuice to local shows about wrestling, the Constitution, and the unusual folks you encounter during late-night grocery runs, there's a lot going on.

    In order of start date, here are 16 local shows to watch this month:

    Home
    Jubilee Theatre, through October 27
    Set in the rural South during the civil rights era, the play follows Cephus Miles, a young African American man who leaves his hometown in search of adventure and opportunity, only to discover that home is where the heart truly lies.

    Company
    Broadway at the Bass, October 1-6
    It’s Bobbie’s 35th birthday party, and all her friends keep asking, “Why isn’t she married? Why can’t she find the right man, and isn’t it time to settle down and start a family?” As Bobbie searches for answers in this Stephen Sondheim and George Furth musical, she discovers why being single, being married, and being alive in the 21st-century could drive a person crazy.

    The Elaborate Entrance of Chad Deity
    Circle Theatre, October 3-26
    Macedonio Guerra (“Mace”), a Puerto Rican wrestling fanatic (and “jobber” in the ring), finds himself teamed up with Vigneshwar Paduar (“VP”), a Brooklynite of Indian descent. The two have found a unique bond and ambition to fight together, wrestling for fun and for funds. In an electrifying turn of events, they are picked up and cast as “terrorists” in the ring. The crowd revels in this narrative, forcing audience members to pick up the pieces.

    Carrie the Musical
    Theatre Three, October 3-November 3
    Based on the novel by Stephen King and adapted from the cult classic film of the same name, Carrie the Musical features a powerful score and dramatic storytelling in its exploration of vengeance, empowerment, and the supernatural. A co-production with SMU Meadows School of the Arts.

    Hazards
    ATTPAC Elevator Project, October 11-13
    Artists Sans Frontières unveils the harrowing journeys of refugees, asylum-seekers, and individuals forcibly displaced by conflict, violence, and natural disasters through filmic vignettes of compelling choreography, dynamic visual projection, and cinematic music composition.

    Tales from Late Night Kroger
    Pegasus Theatre, October 11-26
    Based on a series of Facebook posts by the late Bruce R. Coleman, this play is about his encounters with a motley bunch of characters when he would shop late at night at the Oak Lawn Kroger.

    Rodgers & Hammerstein's Cinderella
    Casa Mañana, October 11-27
    The musical adaptation of the classic fairy tale includes music, an enchanted pumpkin, and a glass slipper or two. When her wicked stepmother forbids it, Cinderella must find a way to attend the ball and meet Prince Charming; luckily, her Fairy Godmother has plenty of spells up her sleeve.

    The Amazing, Fabulous, and Spectacular Untruths of Juan Garcia
    Amphibian Stage, October 11-November 3
    He’s got looks that kill, charm for days, and absolutely no grip on reality. Juan Garcia has returned to his hometown of Oaxaca, armed with grand tales and big dreams of becoming the city’s biggest celebrity. Watch as he weaves a tapestry of tall tales and misadventures, aiming to impress (and possibly confuse) everyone, particularly the lady of his misguided affections. As bills pile up and tired servants reach their limit, the stage is set for a comedy of errors that even Juan can’t lie his way out of.

    Dracula: A Comedy of Terrors
    Dallas Theater Center, October 11-November 3
    This laugh-out-loud, gender-bending romp is what happens when you take Bram Stoker’s legendary story and put it into a blender with Mel Brooks, Monty Python, and The 39 Steps.

    Metamorphosis
    Hip Pocket Theatre, October 11-November 3
    The theater's season ends with a true classic from the mind of Franz Kafka. Break free from your stone-built sarcophagus, crawl amongst the carcasses, and watch restless dreams turn to waking nightmares.

    Hang
    Second Thought Theatre, October 16-November 2
    A crime has been committed. The victim has a choice to make. The criminal is waiting. Hang is a shattering new play about one woman’s unspeakable decision.

    What the Constitution Means to Me
    Stage West, October 17-November 3
    Earnest and polite high-schooler Heidi put herself through college by winning debates about the Constitution. Now an adult, she revisits her teenage self to trace the generational impact America’s founding document has had on her life. Civic duty is on full display as this witty and interactive new play builds to a live debate between Heidi and an actual teen, allowing “we the people” to decide how to move forward.

    Patches: A Black Gay Man's Journey to the Moon
    Bishop Arts Theatre Center, October 18-27
    This captivating theatrical experience seamlessly blends poetry, music, performance, and storytelling to take audiences through a day-long date between two black men, exploring deep and heartfelt conversations about race, identity, sexual orientation, love, and intimacy.

    Khan!!! The Musical! A Parody Trek-tacular
    MusicalWriters.com, October 24-November 3
    In 2366, Data the android presents his musical comedy version of The Wrath of Khan with a cast of virtual actors on the Holodeck. A campy show-within-a-show ensues where the bloodthirsty Khan vows revenge on a washed-up James T. Kirk, and Data, portraying multiple roles, learns a thing or two about life along the way.

    Reunion '85
    AT&T Performing Arts Center, October 23-27
    Welcome to your reunion: Choose a name tag, grab a drink, and let the good times rock ‘n’ roll as you reunite with old "classmates" in a nostalgic celebration filled with comedy, scrunchies, dancing, shoulder pads, and a bodacious live band playing the gnarliest chart-topping hits of the 1980s.

    Beetlejuice
    Broadway at the Bass, October 29-November 3
    Based on Tim Burton’s dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in the Cedars District: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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