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    Power With Words

    Innovative Dallas film project engages locals to bring JFK's Unspoken Speech to life

    Jonathan Rienstra
    Sep 6, 2013 | 3:33 pm

    To commemorate the 50th anniversary of President John F. Kennedy’s death, Cliff Simms and Peter Wood are enlisting Dallas citizens to help them complete a seven-part film series focusing on Kennedy’s Unspoken Speech, which was to be delivered at the Dallas Trade Mart on November 22, 1963.

    The two Brits were initially drawn to the Unspoken Speech when Wood’s colleague told him about the 500 hand-made books that Stanley Marcus commissioned of the speech. It piqued Wood’s interest in typography and lettering, but the JFK angle also resonated with him.

    “I remember standing in class in Scotland when I heard Kennedy had been killed,” he says. “Being brought up a Catholic, even though he was American, we were immensely proud of him.”

    Project co-founders Cliff Simms and Peter Wood want people around the world to recognize how the people of Dallas remembered JFK 50 years later.

    The Unspoken Speech stuck with Wood. By 2007, he was in Dallas as a creative director, but it wasn’t until a talk with Simms in April 2012, after a meeting at their firm, Resident Alien, that the project began to take shape.

    The original idea was to give citizens a card with one word from the speech on it, to spell out the more than 2,500 words. They quickly realized that would result in a 40-minute video. Instead, Simms and Wood took seven passages from the speech that they felt were still relevant in today’s world.

    The first video, Words Alone, which the pair directed, features 85 Dallas citizens doing a pared-down version of Wood’s original vision. The second short, Only An America, features Dallas civil rights activist Clarence Broadnax delivering lines from the speech regarding equal rights.

    “A lot of the speech is of the period, and some of it isn’t relevant,” Simms says. “But there are parts that, when extracted, are still very powerful statements.”

    In addition to issues of civil rights, the Unspoken Speech touches on military involvement abroad; promoting a healthy, singular Union; and Texas’ contributions to American innovation. The pair says that the films are designed to incorporate North Texas citizens to help memorialize JFK in a permanent way that can be seen outside of Dallas. They believe the city’s commemoration of the 50th anniversary misses the mark.

    “The city’s commemoration doesn’t feature people from Dallas,” Simms says. “The choir isn’t from Dallas, the people speaking aren’t from Dallas. It’s a little interesting and kind of disappointing that the city has elected to import the commemoration and doesn’t feel comfortable utilizing talent within city confines.

    “Considering they’re trying to push the Arts District and the opera house, it’s kind of a little shameful, to be honest, to not use them for a commemoration to a worldwide event and the most significant event in the city’s history. If you want to flip it, New York City or London wouldn’t do that. If you aspire to be on that level, you have to walk the walk.”

    The pair intends to have the films, which have been directed by area talent such as Tom Hussey and Stewart Cohen, finished in time to premiere at a gallery somewhere in Dallas on November 22, to show Dallas people breathing life into the speech they were robbed of 50 years ago.

    The next filming takes place Saturday, September 7, at Union Coffee near SMU, from 9 am to 5 pm. The film, Dissident Voices, is part of a partnership with Texas Woman’s University photographers to create a book featuring Kennedy’s words. Simms and Wood invite anyone interested in the project to stop by and spend five minutes being filmed reading the book.

    Above all, Simms and Wood want people around the world to recognize how the people of Dallas remembered JFK 50 years later.

    “The flyover and tolling of the bells and the plaque in the ground are all good and well if you’re here,” Simms says. “But if you’re not here to see what Dallas did to commemorate the momentous event, that won’t be left on the 23rd. Our hope is that a day, a week, a month after, people will find these films and know what Dallas did to remember.”

    JFK's Unspoken Speech was to be given at the Dallas Trade Mart on the day of his assassination, November 22, 1963.

    JFK, The University of Texas at Arlington Library
    Photo courtesy of Fort Worth Star-Telegram Collection, Special Collections, The University of Texas at Arlington Library
    JFK's Unspoken Speech was to be given at the Dallas Trade Mart on the day of his assassination, November 22, 1963.
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    Movie Review

    Alexander Skarsgård commands the bold, offbeat drama Pillion

    Alex Bentley
    Feb 20, 2026 | 11:45 am
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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