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    Power With Words

    Innovative Dallas film project engages locals to bring JFK's Unspoken Speech to life

    Jonathan Rienstra
    Sep 6, 2013 | 3:33 pm

    To commemorate the 50th anniversary of President John F. Kennedy’s death, Cliff Simms and Peter Wood are enlisting Dallas citizens to help them complete a seven-part film series focusing on Kennedy’s Unspoken Speech, which was to be delivered at the Dallas Trade Mart on November 22, 1963.

    The two Brits were initially drawn to the Unspoken Speech when Wood’s colleague told him about the 500 hand-made books that Stanley Marcus commissioned of the speech. It piqued Wood’s interest in typography and lettering, but the JFK angle also resonated with him.

    “I remember standing in class in Scotland when I heard Kennedy had been killed,” he says. “Being brought up a Catholic, even though he was American, we were immensely proud of him.”

    Project co-founders Cliff Simms and Peter Wood want people around the world to recognize how the people of Dallas remembered JFK 50 years later.

    The Unspoken Speech stuck with Wood. By 2007, he was in Dallas as a creative director, but it wasn’t until a talk with Simms in April 2012, after a meeting at their firm, Resident Alien, that the project began to take shape.

    The original idea was to give citizens a card with one word from the speech on it, to spell out the more than 2,500 words. They quickly realized that would result in a 40-minute video. Instead, Simms and Wood took seven passages from the speech that they felt were still relevant in today’s world.

    The first video, Words Alone, which the pair directed, features 85 Dallas citizens doing a pared-down version of Wood’s original vision. The second short, Only An America, features Dallas civil rights activist Clarence Broadnax delivering lines from the speech regarding equal rights.

    “A lot of the speech is of the period, and some of it isn’t relevant,” Simms says. “But there are parts that, when extracted, are still very powerful statements.”

    In addition to issues of civil rights, the Unspoken Speech touches on military involvement abroad; promoting a healthy, singular Union; and Texas’ contributions to American innovation. The pair says that the films are designed to incorporate North Texas citizens to help memorialize JFK in a permanent way that can be seen outside of Dallas. They believe the city’s commemoration of the 50th anniversary misses the mark.

    “The city’s commemoration doesn’t feature people from Dallas,” Simms says. “The choir isn’t from Dallas, the people speaking aren’t from Dallas. It’s a little interesting and kind of disappointing that the city has elected to import the commemoration and doesn’t feel comfortable utilizing talent within city confines.

    “Considering they’re trying to push the Arts District and the opera house, it’s kind of a little shameful, to be honest, to not use them for a commemoration to a worldwide event and the most significant event in the city’s history. If you want to flip it, New York City or London wouldn’t do that. If you aspire to be on that level, you have to walk the walk.”

    The pair intends to have the films, which have been directed by area talent such as Tom Hussey and Stewart Cohen, finished in time to premiere at a gallery somewhere in Dallas on November 22, to show Dallas people breathing life into the speech they were robbed of 50 years ago.

    The next filming takes place Saturday, September 7, at Union Coffee near SMU, from 9 am to 5 pm. The film, Dissident Voices, is part of a partnership with Texas Woman’s University photographers to create a book featuring Kennedy’s words. Simms and Wood invite anyone interested in the project to stop by and spend five minutes being filmed reading the book.

    Above all, Simms and Wood want people around the world to recognize how the people of Dallas remembered JFK 50 years later.

    “The flyover and tolling of the bells and the plaque in the ground are all good and well if you’re here,” Simms says. “But if you’re not here to see what Dallas did to commemorate the momentous event, that won’t be left on the 23rd. Our hope is that a day, a week, a month after, people will find these films and know what Dallas did to remember.”

    JFK's Unspoken Speech was to be given at the Dallas Trade Mart on the day of his assassination, November 22, 1963.

    JFK, The University of Texas at Arlington Library
    Photo courtesy of Fort Worth Star-Telegram Collection, Special Collections, The University of Texas at Arlington Library
    JFK's Unspoken Speech was to be given at the Dallas Trade Mart on the day of his assassination, November 22, 1963.
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    Movie Review

    Great acting and directing drive The Christophers to artistic heights

    Alex Bentley
    Apr 17, 2026 | 1:59 pm
    Michaela Coel and Ian McKellen in The Christophers
    Photo by Claudette Barius
    Michaela Coel and Ian McKellen in The Christophers.

    Director Steven Soderbergh is one of those filmmakers who — aside from the Ocean’s series — never seems to make the same kind of movie twice. He is somehow able to adapt his abilities to all sorts of different stories, making each of them as compelling as any other. His latest masterclass is in the London-set film, The Christophers.

    Lori Butler (Michaela Coel), who restores art for a living, is approached by brother and sister Sallie and Barnaby Sklar (Jessica Gunning and James Corden) with a scheme. They want her to become the new assistant for their aging father, Julian (Ian McKellen), a famous artist known for a series called “The Christophers,” in order to gain access to unfinished paintings from the series and complete them herself.

    Lori accepts the deal despite having some uneasy feelings about Julian, with whom she had a bad interaction years ago. Julian is just as wary, both because he knows of his children’s interest in the unfinished works, and because he would prefer to be left in peace. Although the trepidation on both sides continues for the bulk of the story, a grudging respect arises between two artists who know skill when they see it.

    Directed by Soderbergh and written by Ed Solomon, who last collaborated on No Sudden Move, the film is astonishing in its ability to be compelling with such a small story. Much of the film is spent inside Julian’s multi-story home as Julian and Lori have low-level confrontations about a variety of things, including the meaning of his art, her abilities, the fate of the remaining “Christophers,” and more. Each conversation brings out more detail about their worldviews and their thoughts about their lot in life.

    Much of the success of the film lies in the performances of McKellen and Coel. The 86-year-old McKellen has not lost his ability to astonish with the spoken word, and the monologues he delivers are engrossing even when they’re about mundane things. Coel, best known for the 2020 HBO show I May Destroy You, is a great foil for McKellen, never backing down from his challenges and giving her own unique takes on her lines.

    While the film can be enjoyable for non-art lovers, those who appreciate the vagaries of the art world will have a lot to chew on. Soderbergh and Solomon debate a lot of aspects of art, including whether it’s possible to separate the art from the person making it, why some art is valued more than others, the ethics of forgery, and more. Because the film is about a fictional artist, it gives the filmmakers a bit more freedom in their criticisms.

    Aside from McKellen and Coel, Gunning (Baby Reindeer) and Corden are the only other two people who get significant screen time in the film. Both of them are, let’s say, acquired tastes, and each gives an elevated performance that matches the energy of their respective characters. Tilly Botsford makes a nice impression in a small role as Julian’s masseuse.

    Soderbergh’s last three films — Presence, Black Bag, and now The Christophers — have nothing in common other than the expert filmmaker helming all of them. When you can make a ghost story, a spy film, and a small film about artists equally interesting, you know you’re doing something right.

    ---

    The Christophers is now playing in theaters.

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