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    Movie Review

    George Clooney pours humor and heart into The Tender Bar

    Alex Bentley
    Dec 23, 2021 | 10:10 am
    George Clooney pours humor and heart into The Tender Bar
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    In the history of movies, there's no shortage of stories with deadbeat or inattentive fathers. For whatever reasons – patriarchy, jobs taking them away from their families, alcoholism – the idea of bad fathers has had a much larger place in storytelling than good fathers. Fortunately, there are also films like The Tender Bar where a bad father can be counteracted by other people in a child’s life.

    Based on the memoir by J.R. Moehringer, the film follows J.R. as both a child (Daniel Ranieri) and a teenager (Tye Sheridan) as he grows up on Long Island. He and his mother (Lily Rabe) live with his grandparents (Christopher Lloyd and Sondra James), who head a large tight-knit family that includes J.R.’s Uncle Charlie (Ben Affleck).

    Because J.R.’s father – known only as “The Voice” because he’s on the radio – rarely comes around, Charlie takes J.R. under his wing. Charlie owns a neighborhood bar, and he lets J.R. visit whenever he wants, resulting in a variety of lessons you’d never learn in school. But J.R. also excels at school, giving his family hope that he’ll escape the cycle that keeps them stuck on Long Island.

    Directed by George Clooney and written by William Monahan, the film contains some keenly observed storytelling that lets multiple characters shine even when they’re not the focus of attention. The film jumps back and forth in time on multiple occasions, but the structure of the scenes, the funny and insightful dialogue, and the performances by the actors combine to provide much depth to the various relationships.

    Most of that stems from the bond between J.R. and Charlie. Although the language they use with each other would raise more than a few eyebrows among polite society, Charlie is fiercely protective of J.R., and his unorthodox behavior is still leaps and bounds better than his actual father's. Clooney and his team nail every moment between the two of them, creating an indelible pair in the process.

    Although Clooney the actor has had big success through the years, Clooney the director has been hit-and-miss. But he finds his sweet spot here, pacing the film well and knowing when to push the emotion and when to hold back. The only slight misstep was including voiceover by the adult J.R. (Ron Livingston), something that comes off as more schmaltzy than it needed to be.

    The acting in the film is fantastic across the board. Affleck’s movie star roles and off-screen relationships have overshadowed what a good actor he is, something he’s shown on multiple occasions in the past two years. Sheridan has never been better, perhaps because it’s fun to compare and contrast him with the newcomer Ranieri, who’s impossibly cute. All of the supporting characters do great work, even people playing barflies.

    The Tender Bar is funny and heartwarming, but it rises above your typical feel-good kind of film. Not everyone will have the kind of relationship that J.R. and Charlie have in this film, but it’s great that a movie like this exists so we can share space with them, if only for a little while.

    ---

    The Tender Bar is now playing in select theaters; it will debut on Amazon Prime Video on January 7.

    Ben Affleck and Tye Sheridan in The Tender Bar.

    Ben Affleck and Tye Sheridan in The Tender Bar
    Photo by Claire Folger
    Ben Affleck and Tye Sheridan in The Tender Bar.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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