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All the Culture

CultureMap critics' guide to Dallas arts & culture events in fall 2024

Alex Bentley
Lindsey Wilson
Teresa Gubbins
Aug 14, 2024 | 2:38 pm
Wicked Part One

Still from Wicked: Part One, coming to theaters in November.

Wicked

Fall is (almost) here and it's time to make plans. Dallas is a large metropolis with lots to do — and we're here to cull it down to the best bets in arts, culture, theater, music, and dining.

Our team of experts weeded through the key entertainment categories to narrow down five primary picks for each: major film releases, the biggest concerts coming to town, top theater productions, must-see museum & gallery shows, and the five hottest restaurants opening soon.

Nobody can do it all, but you can surely do these. At the very least, you're in the know.

Here's our list of arts, culture, theater, music, and dining for fall 2024, starting in late August and running right up to the holidays.

MOVIES
These five films include a highly anticipated sequel, a director's passion project, a star-studded comic book musical, a pop-culture biographical comedy, and a long-awaited Broadway musical adaptation.

Beetlejuice Beetlejuice September 6
It's been 36 years since director Tim Burton first introduced audiences to the weird and wild world of Beetlejuice, and now he's back with the highly anticipated sequel featuring original stars Michael Keaton, Winona Ryder, and Catherine O'Hara. They'll be joined by rising star Jenna Ortega in the latest attempt to turn nostalgia for one-off '80s movies into a franchise.

Megalopolis September 27
The name Francis Ford Coppola still carries a lot of clout despite the fact that this writer/director's output has slowed to a trickle and he hasn't made a universally well-received movie since 1997's The Rainmaker. Initial word on this film, which stars Adam Driver, is less-than-promising, but hope springs eternal that the 85-year-old filmmaker can give the world one last masterpiece.

Joker: Folie à Deux October 4
What better way to make a sequel for 2019's Joker than to make it a jukebox musical co-starring Lady Gaga and give it a weird French subtitle? Star Joaquin Phoenix and director Todd Phillips are back from the original film, and given that movie's massive box office - over $1 billion - and the thirst of comic book fans for movies featuring one of that world's best known villains, those who doubt do so at their own peril.

Saturday Night October 11
Forty-nine years to the day after TV show Saturday Night Live premiered on NBC (they couldn't wait one more year for an even 50?), writer/director Jason Reitman will release a dramatization of what was happening behind-the-scenes leading up to that first episode. The iconic nature of the show, not to mention the people who brought it to life, might make it a tough sell for some, but the intrigue of how the cast of young actors will portray the famous comedians makes it a strong draw.

Wicked: Part One November 22
Movie adaptations of Broadway musicals have a hit-and-miss record - sometimes they win Best Picture, sometimes they completely bomb. But Wicked, which is finally hitting big screens over 20 years after its debut, seems to be one of those no-doubters, even if the studio made the odd decision to not only split the film into two parts, but space them a year apart. With Cynthia Erivo and Ariana Grande in the lead roles, can the Tony-winning musical defy gravity once more?

PinkPink in concert Photo courtesy of Pink

MUSIC
These five concerts include a rare solo outing for a female rapper, a three-night R&B superstar residency, a massive woman-headlined tour, a pop-punk retro bill, and a holiday chestnut.

Green Day September 11
Pop-punk act stops at Globe Life Field in Arlington — part of their Saviors Tour crossing the U.S. this fall in support of their new album of the same name. It's a bit of a deja vu as it's the same venue they played back in 2021 with Fall Out Boy and Weezer. This time they're joined by fellow retro acts Smashing Pumpkins, Rancid, and The Linda Lindas.

Nicki Minaj September 17
Rapper Nicki Minaj may not go out on tour alone much - this concert is part of her first solo tour in eight years - but she sure does love the color pink. Her new album, Pink Friday 2, joins a discography that also includes Pink Friday (2010), Pink Friday: Roman Reloaded (2012), and The Pinkprint (2014), with 2018's Queen the only outlier. Minaj, the first woman to score 100 Billboard Hot 100 hits, will perform for the second time this year at American Airlines Center.

Usher October 3-5
It's been a big year for Usher, who headlined the halftime show at Super Bowl LVIII in February. But he capitalized on that massive exposure by announcing a new album and a huge tour in support of that album. The response from his fans proved to be overwhelming, as what was supposed to be just one concert at American Airlines Center turned into three. The tour will also celebrate the 30th anniversary of his 1994 self-titled debut album.

Pink November 6
There will be even more Pink in town when the singer who gave herself that name brings her Summer Carnival Tour to Globe Life Field in Arlington. The artist formerly known as Alecia Moore is now nine albums deep into her career, including her latest - Trustfall - from 2023. Appropriately for the larger venue, the concert will also include a set by special guest Sheryl Crow, as well as warm-up DJ KidCutUp.

Mariah Carey November 21
The holiday season isn't complete without Mariah Carey's "All I Want for Christmas is You," and the iconic singer will give fans a chance to enjoy that song live when she brings her Christmas Time tour to American Airlines Center in Dallas. The tour will celebrate the 30th anniversary of her 1994 album Merry Christmas and feature Carey's holiday classics alongside fan-favorite chart-toppers.

Domodomo hand rollHand roll by Domodomo, coming this fall.Domodomo

RESTAURANTS
These five restaurants include a hotly-anticipated chef-driven doughnut shop, a buzzy omakase spot from N.Y., a breezy new rosé spot downtown, an all-day hipster hang in Deep Ellum, and a home-cooking East Dallas treasure.

La Rue Doughnuts
New doughnut shop at Trinity Groves is from acclaimed chef team Casey and Amy LaRue, who previously owned Carte Blanche, the award-winning restaurant-bakery they closed in June. La Rue Doughnuts takes the doughnuts they made in small quantities at their former bakery and spins it into a dedicated doughnut shop that is going to blow our doughnut socks off. They'll focus on doughnuts only (you can stop asking if they're doing croissants), with a variety of styles: brioche, cake doughnuts, old-fashioned, and their signature crullers. Opening August 29.

Domodomo
Chef-driven dock-to-table concept coming to The Quad — the just-renovated mixed-use development in Uptown Dallas — is by Brian Kim, a Culinary Institute of America graduate who opened the original location in New York where it is recognized not only for its hand rolls but also for its ever-changing, inventive "domokase" menu – an attainably-priced, omakase-inspired menu offering best-in-class sushi alongside hot and cold dishes. Opening in November.

The Hampton Social
East Coast-style hangout with lobster rolls and rosé is coming to downtown Dallas, taking over the former Iron Cactus at 1520 Main St. The concept is from Parker Hospitality, a Chicago-based restaurant group that debuted the concept in 2015 with shareable dishes, large-format drinks, and a "rosé all day" theme with a dozen-plus by the glass. The menu skews towards seafood with oysters, a seafood tower, and fish tacos. But there's also a smashburger, chicken sandwich, and steak frites. Opening in fall.

Kanpai Coffee + Beer Garden
Day-to-night concept opening in Deep Ellum in the former Mama Tried space is from a team that includes acclaimed Austin chef Michael Carranza Kanpai and will serve as a relaxed meeting place with a focus on quality coffee, food, and drinks for a reasonable price. The Asian-inspired menu will take its cues from some of Carranza's other restaurants such the innovative hand rolls from his Austin restaurant Texas Sushiko, as well as his past experience working for restaurants such as Uchi, Musashino, and Minamoto. Opening mid-August.

Be Home Soon
New concept opening at Casa Linda Plaza in East Dallas will serve a highly personal twist on home cooking. The restaurant is from Madison King, Dallas musician-turned-chef who envisions a warm, comfortable restaurant with a full bar and menu of home cooking, "no matter where you're from": soups, salads, and sandwiches for lunch, with blue plate specials for dinner — your basic "meat and three style," which they'll change every week. It'll also serve as home to Munchbox, King's snacks board concept, operating as a ghost kitchen out of the restaurant. Opening late 2024.

Al SatterwhiteSurf Wagon, St. Petersburg Beach, FL, 1964, by Al SatterwhitePDNB

MUSEUMS & GALLERIES
These five exhibits include a Frida revisit, a surprising Jewish community, an unconventional video piece, an epic American photographer, and a memorial to a local professor and critic.

Frida: Beyond the Myth, Dallas Museum of Art, August 18-November 17, 2024
You might think you know all about Mexican artist Frida Kahlo, but here's the chance to see her through her own eyes. Composed of 60 works across media — paintings, drawings, prints, and photographs — the chronological exhibition explores the defining moments of the enigmatic painter's life.

Hidden History: Recounting the Shanghai Jewish Story, Dallas Holocaust and Human Rights Museum, August 9-February 16, 2025
American photojournalist Arthur Rothstein was working for the U.N. at the end of World War II when he encountered a community of Jewish refugees living in Shanghai, China — an unexpected safe haven at a time when Jews were being turned away by most countries. This exhibit, featuring artifacts, survivor stories, and photos, was previously at the Holocaust Museum L.A. in 2022.

Parent Trap by Eileen Maxson, at Keijsers Koning, August 24-September 28
Frst solo exhibition at the Design District gallery for Houston artist Eileen Maxson is a video work that hovers between experimental documentary, family relationships, American Zeitgeist, and a polygraph exam. Maxson uses a lie detector on her parents to tackle topics like politics that would otherwise be too polarizing. The work is presented on three screens, each dedicated to one character, making the viewer feel like they are part of a kitchen table conversation.

Al Satterwhite, a Retrospective, at PDNB Gallery, August 24-November 9
For its first exhibition of the fall art gallery season, PDNB Gallery presents a solo show of photographs by Al Satterwhite (b. 1944, Biloxi, Mississippi), who shot for Life, Newsweek, Sports Illustrated, Fortune, and Car & Driver; worked in the advertising world on campaigns with American Express, Coca Cola, Eastman Kodak, Oldsmobile, and Sony; then worked in the Hollywood film industry. His photographs are in major museum collections including the Smithsonian National Portrait Gallery, the Museum of Fine Arts Houston, and the Santa Barbara Museum of Art.

Honoring Frances Colpitt (1952-2022), Barry Whistler Gallery, August 31-September 28
TCU professor, scholar, critic, and author who published two books on American art, plus essays, articles, and book reviews, passed away in 2022, after having influenced a generation of young artists and arts professionals during her lifetime. Exhibit spotlights nine artists Colpitt supported including Michael Miller, John Pomara, Allison V. Smith, and John Wilcox.

ShuckedBroadway cast of ShuckedShucked

THEATER
These five shows incorporate the Olympics, Latin theater & dance, Russian folk music, and the wonders of corn.

Jet Fuel, Bishop Arts Theatre Center, September 12-22
Olympics fever doesn't have to end in August. Inspired by the extraordinary tale of South African Olympic sprinter Caster Semenya, who has faced years of legal battles related to her gender and naturally occurring testosterone levels, this captivating production casts a brilliant spotlight on the intricate intersections of gender, race identity, and the quest for fairness in the realm of athletics.

Company - The Musical, Winspear Opera House, September 25-29
A gender-bending twist defines this revival of the classic '70s musical about the famously single protagonist and their quest to find somebody to love who makes them feel alive. Stephen Sondheim's famous score includes the hopeful "Marry Me a Little" and delightful "Not Getting Married Today."

Latinidades Festival, Cara Mía Theatre, September 26-October 13
Back for its fifth year, this international festival brings together artists from Colombia, Spain, Mexico, Puerto Rico, California, Florida, and Dallas for two-plus weeks of theater, dance, and music. New this year is the arts symposium, October 3-5, with topics like audience building, collaborations, community as a campus, working with your city government, and how funders can partner with artists and arts organizations.

Natasha, Pierre, and the Great Comet of 1912, Theatre Three, November 29-December 29
The regional premiere of Dave Malloy's ingenious interpretation of part of Tolstoy's War and Peace will seem right at home in Theatre Three's in-the-round performance space, as the musical's productions both on and off Broadway were famously immersive. Get ready for a Russian romp through love, marriage, betrayal, and Bolsheviks with an electro-pop score influenced by Russian folk music.

Shucked, Broadway Dallas, December 3-15
Those with long memories may have a vague recollection of Moonshine: That Hee Haw Musical at Dallas Theater Center in 2015. It was retooled, renamed, and returned to the stage in 2022 as Broadway's surprise hit Shucked, about a corn-loving community that rallies together to save its No. 1 crop. Even the internet's favorite "Corn Kid" gave the show his stamp of approval, and now the national tour pops up in Dallas.

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Texas will always love you

Superstar Dolly Parton dies at 80, with a legacy that includes Texas

Associated Press
Brianna Caleri
Aug 25, 2026 | 5:07 pm
Washington Commanders v Dallas Cowboys
Photo by Ron Jenkins/Getty Images
Dolly Parton performed in a Dallas Cowboys Cheerleaders uniform for the Cowboys' 2023 Thanksgiving Day halftime show in Arlington.

NASHVILLE, Tenn. (AP) — Dolly Parton, the country music icon whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, has died. She was 80 years old.

Parton died peacefully Tuesday in Nashville, Tennessee, her publicist said in a statement. A cause of death was not disclosed.

Known for her curvy physique, massive blond wigs and skin-tight outfits that served her self-deprecating wit, she was among the most beloved personalities in music and beyond — the rare celebrity whose appeal transcended generations, geography and politics.

She wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that totaled more than 100 million worldwide sales and more than 1 billion online streams. Parton, who plucked bejeweled banjos, guitar and dulcimers with her long fingernails during performances, was a generous philanthropist and successful businesswoman whose projects included a theme park in the Smoky Mountain foothills near her birthplace.

Her career was forever influenced by her upbringing as one of 12 children born into what she called a “dirt poor” Tennessee family. She started her education nonprofit, Imagination Library, to send free books to children in Tennessee because her father, who quit school to work on the farm, struggled to learn to read.

Parton's first musical performances were in church, where her grandfather was a preacher. By age 10, she was learning guitar and singing on local television shows. At 13, she appeared on the Grand Ole Opry in Nashville, where Johnny Cash introduced her as “a little girl here from up in East Tennessee.”

With a suitcase of songs, she followed her uncle, Bill Owens, also a songwriter, to Nashville after graduating high school in 1964. Fred Foster, who produced Roy Orbison, Willie Nelson and more, saw her potential and got her songs cut by other artists, as well as recording and releasing Parton singing her own material. By the mid-1970s, Parton was a Nashville queen.

Parton's partnership with Porter Wagoner, a pencil-thin pompadoured star with flashy rhinestone outfits, was key to her career. She honed her acting skills on his syndicated TV show and he advocated for her to get a record deal at RCA. Their first duet, “The Last Thing On My Mind,” was released in 1967, the same year she started her own publishing company.

She got her first No. 1 solo single with “Joshua,” and reached the Top 5 with the ballad “Coat of Many Colors,” about how her mother sewed together scraps of clothes to make a coat Parton wore “so proudly” even as her peers mocked her for being poor. The song, with its Biblical references and ode to maternal love, was later made into a children’s book and a TV movie.

In 1973, she had the hit that made her career — “Jolene,” a country music standard with its steady, churning rhythm and Parton's repeated delivery of the title as she pleads for the woman not to steal her man.

A pop crossover star
She followed “Jolene” with a huge hit in 1974, “I Will Always Love You,” an ode and farewell to Wagoner that helped her win the Country Music Association’s female vocalist of the year back-to-back in 1975 and 1976. She famously turned down Elvis Presley, who wanted to record it, because she would not share publishing rights.

Decades later, Whitney Houston’s version of “I Will Always Love You” became a smash for the soundtrack of her 1992 film “The Bodyguard,” and broke sales records. Houston won a Grammy for her performance in 1994, presented to her by Parton.

“Here You Come Again,” a pop crossover hit and one of the few she didn’t write, further established Parton as a multi-genre entertainer and brought her first Grammy Award in 1979.

“A lot of people thought I had totally lost my mind,” she told The Associated Press in 1979 of changing her singing style. “But I had no fear of change. I expected success, but I was braced for failure. I didn’t care if people thought I was wrong. In my own heart, I knew I was doing the right thing.”

Parton's other crossover hits included the title song from “9 to 5,” the 1980 comedy starring Parton, Jane Fonda and Lily Tomlin; and her duet with longtime friend Kenny Rogers, “Islands in the Stream,” written by brothers Barry, Maurice and Robin Gibb of the Bee Gees. In 1987, she collaborated with Linda Ronstadt and Emmylou Harris on the million-selling “Trio” album.

Down home charm
For millions of fans, she was simply “Dolly,” a mixture of Southern charm, humor and glamour. But she was also considered a feminist role model for holding the reins of her own career, writing her own songs, owning her content and looking after her finances in an entertainment world dominated by men.

Parton was open to making fun of herself; when she hosted “Saturday Night Live” in 1989 she told the writers that her only restrictions were she wouldn’t curse and she wouldn’t make fun of Jesus. She regularly joked about her breasts or her dumb blonde appearance, but with a wink that she was the one controlling the laughs.

Throughout her career, she embraced her glamorous style, often wearing custom curve-hugging rhinestone dresses and bodysuits even if they drew tsk-tsks from others in the industry. Her look was always a part of her larger musical business plan.

“I knew my songs were good even if I had been ugly as sin,” she told the AP in 2014. “So I thought, ‘Well, I would have probably chose to look this way even if I had been a waitress.’ I mean, this is my look. I mean, I like a lot of makeup. I like a lot of hair. I like flashy clothes. I like to show it off. But that’s just who I am.”

She married Carl Dean, an asphalt paving contractor, in the mid-1960s; they were together until his death in 2025 at the age of 82. Though rarely seen in public, he was an influence on her career. She told NPR that she wrote “Jolene” about a flirty bank teller who seemed to take an interest in Dean.

‘9 to 5’ to Hollywood and Broadway
In her first major film role, Parton played alongside Fonda and Tomlin as office workers who rebel against their tyrannical boss in “9 to 5.” Critic Roger Ebert called her a “natural-born movie star” and the title song earned her two Grammy Awards and a ranking of 78 on the American Film Institute's list of top 100 movie songs. Starring roles in “The Best Little Whorehouse In Texas” and “Steel Magnolias” followed.

Her love affair with TV and film continued for decades, with appearances alongside her goddaughter Miley Cyrus on “Hannah Montana” and adaptations of her music for Christmas specials, films and streaming series. She also became an author, her books ranging from the memoir “Dolly” to a bestselling novel co-authored by James Patterson, “Run, Rose, Run."

The stage adaptation “9 to 5: The Musical” debuted in 2009, and “DOLLY: A True Original Musical” is set to open Jan. 19, 2027, on what would have been her 81st birthday.

United States of Dolly
Beyond her music, Parton’s most lasting legacy might be her generosity and broad appeal.

When a deadly wildfire swept through the Smokies in 2016, she held an all-star telethon and set up a foundation that sent monthly checks to residents whose homes were damaged or destroyed.

She opened up her Dollywood theme park in East Tennessee, a major economic driver in Appalachia that draws tourists from around the country, and established the Dollywood Foundation. She wrote books and memoirs, was inducted into the Country Music Hall of Fame and was given a lifetime achievement award by the Recording Academy. She was selected for the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2025.

With 55 Grammy nominations and 10 wins, Parton is the third-most nominated woman in Grammy history, only behind Beyoncé and Taylor Swift.

Parton spanned social and political divides, through multiple generations of fans, urban and rural and in between. In tumultuous election years, it wasn't uncommon to see “Dolly for President” shirts. But she was strict in not voicing her own political beliefs.

When the Rock & Roll Hall of Fame Foundation sent out a ballot in 2022 with her name on it, though she said she felt she hadn't earned it, the voters answered with a “Hello, Dolly." Parton showed up to the induction ceremony, performed and then put out a rock album.

Ties to Texas
Though Parton didn't live in Texas, it was more than her Southern charm that tied her to the Lone Star State. Her campy persona and many ties to the state endeared her to Texans. The most famous was her lead appearance in the 1982 musical comedy film, The Best Little Whorehouse in Texas, which took place in a fictional town but was filmed on location around Austin.

But with such a long career — in which she was active until her death — there are plenty more Texas connections to look back on.

She co-wrote and filmed the 1991 TV movie Wild Texas Wind at the historic Broken Spoke in Austin. In 2016, she looked back fondly on "[all] the wonderful people in Austin and what a good time we had living there during that period."

"It was just a wonderful time," Parton said. "It was a sad ass story as you know. Gary Busey played an abusive husband. But we really had a lot of fun, and I was proud to be part of that.”

Parton also had a close relationship with Texas country music icon Willie Nelson. The two met in Nashville, and the two country singers later collaborated on some tunes, including their first duet, "From Here to the Moon and Back," in 1982. More than 50 years after their time in Nashville, Parton spoke on the relationship after winning the prestigious Willie Nelson Lifetime Achievement Award at the 2016 CMA Awards Show.

Parton had many appearances in Dallas-Fort Worth, including as co-host (with Garth Brooks) of the ACM Awards in Frisco in 2023. During the broadcast, Parton sang rock 'n' roll, wheeled a goat on stage, and Facetime'd with Willie Nelson.

In one of her last and most memorable Texas appearances, Parton headlined the 2023 halftime show between the Dallas Cowboys and the Washington Commanders at AT&T Stadium in Arlington.

Her performance became as buzzed-about for her wardrobe choice - the iconic, skimpy Dallas Cowboys Cheerleaders uniform - as it did for her musical delivery. "Well, hello, Dallas! Dolly does Dallas. You like my outfit?" she asked the adoring crowd from the stage.

Her appearance even got its own segment, appropriately titled "9 to 5," in the hit Netflix docu-series America's Sweethearts: Dallas Cowboys Cheerleaders.

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Stephanie Allmon Merry contributed to this report.

"Well, I love Willie as much as I love anybody outside of my own family, and he feels like family to me," said Parton. "... We used to sit out in the same building and write songs for the same publishing company and record for the same record label, and we've known each other for a long time."

The pair collaborated on a 1977 tour

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