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    Theater Critic Picks

    Dallas-Fort Worth theater critics applaud the best of 2016-17 season

    Lindsey Wilson
    Sep 12, 2017 | 8:29 am

    Bucking the national trend of diminishing arts coverage, attendance at the annual Dallas-Fort Worth Theater Critics Forum was actually up this year. Nine professional critics gathered to nominate, vote for, and debate our favorites from the 2016-17 season — and was there ever debate.

    In categories spanning new works to stellar performances, the nine critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites not included here to pop up in those end-of-year lists.

    It was a strong year for women, with female directors earning six of the eight nods (way up from last year's four out of 10). Kitchen Dog Theater had a stellar showing, as did Stage West and Dallas Theater Center, and the majority of theaters stepped up their community involvement thanks to the pioneering spirit of performer, producer, and activist Denise Lee. Some artists scored both on and off the stage, earning nods for their performances as well as directing and/or design contributions.

    Without further ado, here are the awards:

    Outstanding Direction

    • Robin Armstrong, Ripcord, Circle Theatre
    • Emily Scott Banks, Stupid Fucking Bird, Stage West; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord, WaterTower​ Theatre
    • Cheryl Denson, Angels in America, Part One: Millennium Approaches, Uptown Players
    • Marianne Galloway, Stiff, Risk Theater Initiative (Festival of Independent Theatres)
    • Kevin Moriarty, Electra, The Tempest, and Inherit the Wind, Dallas Theater Center
    • Jeffrey Schmidt, The Minotaur, Theatre Three
    • Joanie Schultz, Hit the Wall, WaterTower Theatre
    • Christie Vela, 'night, Mother, Echo Theatre; Straight White Men, Second Thought Theatre

    Outstanding New Play or Musical

    • Br'er Cotton by Tearrance Arvelle Chisholm, Kitchen Dog Theater
    • Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn
    • The Necessities, by Blake Hackler, Second Thought Theatre
    • Stiff by Sherry Jo Ward, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Touring Production

    • An American in Paris, Dallas Summer Musicals and Performing Arts Fort Worth
    • The Curious Incident of the Dog in the Night-Time, AT&T Performing Arts Center Broadway Series
    • Hedwig and the Angry Inch, AT&T Performing Arts Center Broadway Series
    • Into the Woods, AT&T Performing Arts Center Broadway Series
    • Tina Packer's Women of Will, Eisemann Center Presents

    Outstanding Performance by an Actor

    • Christopher Carlos, Paper Flowers, Kitchen Dog Theater
    • Cameron Cobb, Trevor, Kitchen Dog Theater
    • Blake Hackler, Richard III and Measure for Measure, Trinity Shakespeare Festival; so go the ghosts of méxico, part one: a brave woman in méxico, Undermain Theatre
    • Selmore Haines III, Thurgood, Jubilee Theatre
    • Max Hartman, Trevor, Kitchen Dog Theater
    • Bob Hess, La Cage aux Folles, Uptown Players
    • Alex Organ, The Tempest, Dallas Theater Center
    • Randy Pearlman, Funnyman, Circle Theatre
    • Thomas Ward, Straight White Men, Second Thought Theatre

    Outstanding Performance by an Actress

    • Deborah Brown, Ripcord, Circle Theatre
    • Whitney LaTrice Coulter, The Submission, Proper Hijinx Productions
    • Steph Garrett, The Great Dictator, Audacity Theatre Lab (Festival of Independent​ Theatres); Waiting for Lefty, Upstart Productions
    • Julie Johnson, Mame, Lyric Stage
    • Jenny Ledel, Grounded, Second Thought Theatre
    • Kelsey Milbourn, Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Sally Nystuen Vahle, Electra and A Christmas Carol, Dallas Theater Center
    • Christie Vela, Paper Flowers, Kitchen Dog Theater; The Necessities, Second Thought Theatre
    • Sherry Jo Ward, Stiff, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Performance by an Ensemble Cast

    • Angels in America, Part One: Millennium Approaches, Uptown Players
    • Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Inherit the Wind, Dallas Theater Center
    • 'night, Mother, Echo Theatre
    • Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Stupid Fucking Bird, Stage West

    Outstanding Design or Creative Contribution

    • Design team, Br'er Cotton, Kitchen Dog Theater
    • Stefany Cambra, properties design, Feathers and Teeth, Kitchen Dog Theater
    • Jay Dias, music direction, Camelot, Lyric Stage
    • John M. Flores, sound design, Feathers and Teeth, Kitchen Dog Theater
    • Pam Holcomb-McLain, musical direction, The Light in the Piazza, Brick Road Theatre
    • Design team, Jesus Christ Superstar, Casa Mañana
    • Brian McDonald, set and sound design, Grounded, Second Thought Theatre
    • Aaron Johansen, lighting design, Grounded, Second Thought Theatre
    • Michael B. Moore, wigs and makeup design, La Cage aux Folles, Uptown Players
    • Lauren Morgan, a season of costume design for Stolen Shakespeare Guild
    • James Ortiz, puppet design, Stefano Brancato, associate puppet design, Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Design team, Trinity Shakespeare Festival
    • Sean J. Smith and Rhonda Jones, choreography, Fly, African American Repertory Theater
    • Trigg Watson, magic consultation, Midas, Prism Movement Theater

    Special Citations

    • Dallas Theater Center, for engaging the city with its Public Works production of The Tempest, which used 200 members of the community in its cast, and for committing to continue the program in future seasons.
    • Denise Lee, for starting Community Conversation, following the Dallas Police shootings, as an ongoing, free, inclusive program that gives theater audiences an opportunity to discuss tense issues and create fellowship across different cultures, races, orientations, and/or social-economic statuses in a safe, judgment-free setting. The program is held every fourth Monday at Dallas Children's Theater, alternates every other month at Circle Theatre and Stage West in Fort Worth, and has been offered after Second Thought Theatre's Straight White Men, Kitchen Dog Theater's Br'er Cotton, and WaterTower Theatre's Hit the Wall.

    Participating Critics
    Lindsey Wilson, CultureMap
    Alexandra Bonifield, CriticalRant.com
    Nancy Churnin, Dallas Morning News
    Jan Farrington, TheaterJones.com
    Janice Franklin, TheaterJones.com
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 45 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    The national tour of An American in Paris charmed both Dallas and Fort Worth.

    An American in Paris touring company production
    Photo by Matthew Murphy
    The national tour of An American in Paris charmed both Dallas and Fort Worth.
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    Theater Critic Picks

    Spooky thrills and clever comedy take over Dallas stages in October

    Lindsey Wilson
    Oct 2, 2025 | 4:53 pm
    Lyric Stage presents The Rocky Horror Show
    Photo courtesy of Lyric Stage
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    October is here and it's spooky season onstage, with productions that include the cult classic Rocky Horror Show, The Addams Family, a piece inspired by Alfred Hitchcock, and a play about the trading of Luka Doncic away from the Mavericks — that's the scariest of all!

    Here are 12 shows appearing in Dallas-Fort Worth theaters in September, listed in order of start date:

    Latinidades Festival
    Cara Mia Theatre, October 2-12
    Dallas’s largest international Latino theatre festival is back for its sixth year with six mainstage productions and various second-stage performances spanning theater, dance, music, and poetry to highlight diverse Latin American voices. Also returning is the Arts Symposium: "How Our Arts Will Thrive in Times of Change." For a full schedule of events, go to the festival website.

    cleaVage
    MusicalWriters.com Productions & Lakeside Community Theatre, October 3-18
    It's the world premiere of this a laugh-out-loud new musical comedy about the rise, fall, and rebound of silicone gel breast implants. Conceived by Dallas plastic surgeon Dr. Ron Friedman and co-written with Laura Goodenow, cleaVage has been described as “Hamilton with breasts” by Texas Monthly.

    Noises Off
    Dallas Theater Company, October 3-26
    Michael Frayn’s uproarious classic British comedy is a play-within-a-play that plunges the audience into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors.

    King Hedley II
    Soul Rep Theatre Company & Bishop Arts Theatre Center, October 9-26
    Set in 1985 Pittsburgh, August Wilson's King Hedley II follows an ex-convict's fight to rebuild his life and reclaim his future amid hardship, hope, and the weight of the past.

    Mac Beth
    Circle Theatre, October 9-November 1
    After school‭, ‬seven teenage girls convene in an abandoned lot‭. ‬They drop their backpacks‭, ‬transform their uniforms‭, ‬and dive into a DIY retelling of Macbeth‭. As the girls conjure‭ ‬kings‭, ‬warriors‭, ‬and witches‭, ‬Shakespeare’s bloody tale seeps into their reality‭.

    The Trade: A Tragedy in Four Quarters
    Theatre Three, October 9-November 2
    In this fast-paced, highly unauthorized, foam middle-fingered satire, the Dallas Mavericks are on the brink of greatness — so naturally, Nico slams the self-destruct button. With a Greek chorus narrating the tragic downfall, a Kiss Cam, “Luka Doncic,” “Mark Cuban,” and a cameo from “Anthony Davis’ Hernia,” The Trade skewers the madness behind the moves, the myth that millionaires and billionaires must know what they’re doing, and the heartbreak of loving something that doesn’t love you back. In Dallas, tragedy wears Nikes.

    The Rocky Horror Show
    Lyric Stage, October 10-26
    In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” Complete with sass from the audience, cascading toilet paper, and an array of other audience participation props, this deliberately kitschy rock ’n’ roll sci-fi gothic musical is more fun than ever.

    Incarnate
    Second Thought Theatre, October 15-November 1
    Incarnate, by STT’s own Parker Davis Gray, is a horror/thriller that follows two artists over the course of a year in their seemingly pointless pursuit of creation while suffering under great grief. Trapped in her cell, Rosamund is hellbent on escaping her fate while the Man who kidnapped her struggles with the consequences of what grief can do, and how far he will go to escape it. Can they live with themselves? Or, more importantly, who else is living with them?

    Ride the Cyclone
    Stage West, October 16-November 2
    In this critically acclaimed cult musical, a freak roller coaster accident derails the lives of the entire St. Cassian High School chamber choir. Now dead, trapped in carnival limbo, they’re greeted by a mechanical fortune teller who proposes a talent show. The prize? One lucky winner will return to life.

    The Birds
    Amphibian Stage, October 17-November 9
    Based on Daphne du Maurier’s story (the inspiration for Hitchcock’s famous film), The Birds brings a chilling and suspenseful look at human nature in the face of societal collapse. When killer birds start attacking, three strangers seek shelter in an isolated house. But as paranoia creeps in, they realize the biggest threat might not be coming from outside.

    The Addams Family
    Broadway at the Bass, October 24-26
    Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before: keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.

    A Beautiful Noise: The Neil Diamond Musical
    Broadway at the Bass, October 28-November 2
    This is the untold true story of a Brooklyn kid who became a chart-busting, show-stopping, award-winning American icon, created in collaboration with Neil Diamond himself.

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