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    Movie Review

    New Beauty and the Beast is no belle of the ball

    Alex Bentley
    Mar 16, 2017 | 4:17 pm
    New Beauty and the Beast is no belle of the ball
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    The idea of Disney producing “live action” remakes of their classic animated movies makes sense in general terms. Childhood nostalgia is a huge draw, and since Disney possesses the biggest back catalog of any animated film studio, they’d be throwing away money if they didn’t try to entice moviegoers with “new” versions of the films they know and love.

    However, the new product should also offer something substantially different, otherwise you run the risk of jilting the very fans for whom the film is being made. The updated Beauty and the Beast is certainly great to look at, but once you get beyond the superficiality of seeing animated characters as real or computer-generated, the movie contains very little that sets it apart from the original.

    Sure, they try to add in a few things to modernize the story. Belle (Emma Watson) has put her book smarts to practical use, creating a type of washing machine. A brief backstory for why her mother is no longer in the picture for her and her father (Kevin Kline) is introduced. And LeFou (Josh Gad), the right-hand man of Gaston (Luke Evans), is made more explicitly gay, though whether that’s an improvement is questionable.

    Despite that, the film feels like a fuzzy copy of the movie you know and love. The story still takes the exact same twists and turns, highlighted by the familiar songs that all seem just a touch off. And because there’s nothing surprising about anything in the film, it’s purely an exercise in hitting all the beats you need to hit in order to trigger the right memories.

    The most enjoyable part of the film ends up being the performances of the main three actors. Taken on their own, Watson, Dan Stevens as the Beast, and Evans are a pleasure to watch. Watson makes for an appealing Belle, and her history as Hermione in the Harry Potter films imbues a little something extra onto the character. Evans is as perfect a Gaston as you could imagine, making him the ideal foil for Belle and the Beast.

    But other choices take away from those performances. Having stars like Ian McKellen, Ewan McGregor, Emma Thompson, Stanley Tucci, and Audra McDonald voice the enchanted items at the Beast’s castle is fun in theory. But since they don’t appear in the flesh for 99 percent of the film, their presence is essentially useless.

    And then there’s the much ballyhooed/controversial idea of LeFou being undeniably gay, as opposed to the “wink wink” hints of the original. It’d be one thing if he were given a respectable side story to semi-explore that aspect. But he remains a buffoon, and the ham-handed scenes expressing the gayness of him and another character are so unsubtle and clichéd that they belong in an '80s sitcom, not a modern-day movie.

    The animated fare that Disney serves up year after year is still second-to-none, but Beauty and the Beast shows that they’re still very hit-and-miss when it comes to live action. You may think you want to go see it, but you’d be better off firing up the DVD of the animated version for the 100th time.

    Dan Stevens and Emma Watson in Beauty and the Beast.

    Dan Stevens and Emma Watson in Beauty and the Beast
    Photo courtesy of Walt Disney Studios
    Dan Stevens and Emma Watson in Beauty and the Beast.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

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    Five Nights at Freddy's 2 opens in theaters on December 5.

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