Supporting acts on the bill will include Shovels & Rope, Deltron 3030, Polyphonic Spree, Cayucas, Metz and Jamestown Revival, with more bands to be announced soon.
The location has also been revealed: Gilley's Dallas. The festival takes place on November 1. Pre-sale tickets are available now through Prekindle.
Untapped began in 2012 as a small festival celebrating craft beer, with a side of local music. The first festival was in September 2012, and took place on a patch of land in West Dallas, not far from what is now Trinity Groves. The most recent event took place in March in Fort Worth.
It has grown along with the local craft beer movement to a degree that it became an appealing acquisition for the Dallas Morning News; CrowdSource, the DMN's event marketing arm, acquired it in June.
With a headliner as big as Cake, this year's lineup would seem to show an increased emphasis on the music side of the event, although beer will be well-represented, with more than 70 breweries doling out samples of over 200 beers.
Ticket prices range from $30 for just the music only; $36 for concert plus beer; and $59 for VIP which guarantees early entry and access to limited-quantity beers. Those are pre-sale prices, so you'll want to grab your tickets now before they shoot up to normal prices on July 22.
Cake is one of the headliners at the upcoming Untapped festival in Dallas.
Photo courtesy of Cake
Cake is one of the headliners at the upcoming Untapped festival in Dallas.
Stories featuring ordinary people faced with extreme situations have proven to be popular in film history. They range from Hitchcock movies like Rear Window to Brian De Palma’s Blow Out to the Coen Brothers’ Fargo. Recent films like Nobody and Love Hurts have put a twist on the sub-genre, featuring protagonists whose mild personas and everyman looks hide violent abilities.
The new film Novocaine is a further twist, as the ordinary man at its center has an ability that he’s never fully tapped before. Nate Caine (Jack Quaid) is a mild-mannered assistant bank manager whose life is boring by design, as he has a disorder called Congenital Insensitivity to Pain. Being unable to feel pain, traumatic events that would stop most people in their tracks don’t faze him at all, sometimes to his detriment.
Soon after making a rare connection with another bank employee, Sherry (Amber Midthunder), the bank is robbed and Sherry is kidnapped. Nate decides to pursue the kidnappers to try to rescue Sherry, setting in motion a series of events that a person without his condition would find unbearable. However, his inability to feel pain turns him into a kind of unstoppable machine, determined to do whatever it takes to achieve his goal.
That synopsis of the film, directed by Dan Berk and Robert Olsen and written by Lars Jacobsen, makes it sound like a serious action film, but it’s actually an action comedy that finds a unique angle for its hero. The filmmakers portray Nate’s condition, if not completely accurately, then with an air of plausible realism. The laughs come not at his expense, but in reaction to how he repeatedly uses his ability to his advantage.
The result is a violently graphic film that rivals ones like John Wick in what it showcases. Knowing he can’t get hurt, Nate has no issue putting himself in harm’s way, whether it’s burns, gunshot wounds, impalements, and more. The amount of damage done to him could make the film into a kind of live-action Looney Tunes, but the filmmakers manage to walk the line between hilariously ridiculous and eye-rollingly stupid.
The romance between Nate and Sherry provides a nice through-line for the story, with a few good twists and turns along the way. The lone big misstep of the film is Nate’s friendship with Roscoe (Jacob Batalon), one developed through online gaming that turns into real life by necessity. It takes a long time for them to get any scenes together, with their interactions ultimately feeling unnecessary.
Quaid seems to be hitting his stride as an actor, starring in The Boys on Prime Video and in the recent Companion. He does a great job of never overplaying this role, keeping Nate as a regular person despite what he’s able to do. Midthunder is hit-and-miss, as the story takes her character through a yo-yo arc. Betty Gabriel and Matt Walsh do serviceable work as detectives tracking Nate, delivering exactly what’s expected of them.
Novocaine is much better than it probably had a right to be, with some solid storytelling, some intense action, and a fantastic lead performance by Quaid. Humor and graphic violence don’t always go hand-in-hand, but this film finds a way to combine them in memorable ways.