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    The Terrorists Didn't Win

    Alamo Drafthouse can show Sony's The Interview on Christmas Day after all

    Alex Bentley
    Dec 23, 2014 | 12:06 pm

    After some back-and-forth in the public arena, The Interview is back on for Christmas Day, and Alamo Drafthouse in Richardson is one of the independent theaters on the list to premiere the controversial film.

    "We have never given up on releasing The Interview, and we're excited our movie will be in a number of theaters on Christmas Day," said Michael Lynton, Sony Entertainment chairman and CEO, in a statement released on December 23.

    Alamo head honcho Tim League tweeted out the news, stating that Sony had authorized screenings on Christmas Day. Alamo was one of the entities that joined a petition on December 22, asking the studio to permit release of the film, stating, "The independent exhibitors of America are willing to stand up for freedom ... the freedom to show R-rated buddy comedies with abundant dick jokes."

    The film is a stoner comedy starring Seth Rogen and James Franco as journalists who somehow land an interview with North Korean leader Kim Jong Un, and who are then enlisted by the CIA to try to kill him. It was pulled from theaters after threats from hackers, igniting such a storm of controversy that even President Barack Obama weighed in, saying that he thought that pulling the movie was a mistake.

    According to the Alamo showtimes, this won't be a Christmas-only thing. The theater has at least two screenings scheduled every day through January 1, though it surely will add more times and dates if the movie proves popular. While Alamo is the most high-profile Texas theater to show The Interview, Look Cinemas in North Dallas and Texas Theatre in Dallas will also screen the film.

    A jubilant Seth Rogen took to twitter, proclaiming, "The people have spoken! Freedom has prevailed! Sony didn't give up!"

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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