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    Theater Critic Picks

    Dallas-Fort Worth theater critics applaud the best of 2016-17 season

    Lindsey Wilson
    Sep 12, 2017 | 8:29 am

    Bucking the national trend of diminishing arts coverage, attendance at the annual Dallas-Fort Worth Theater Critics Forum was actually up this year. Nine professional critics gathered to nominate, vote for, and debate our favorites from the 2016-17 season — and was there ever debate.

    In categories spanning new works to stellar performances, the nine critics fought for their favorites. Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production, so look out for personal favorites not included here to pop up in those end-of-year lists.

    It was a strong year for women, with female directors earning six of the eight nods (way up from last year's four out of 10). Kitchen Dog Theater had a stellar showing, as did Stage West and Dallas Theater Center, and the majority of theaters stepped up their community involvement thanks to the pioneering spirit of performer, producer, and activist Denise Lee. Some artists scored both on and off the stage, earning nods for their performances as well as directing and/or design contributions.

    Without further ado, here are the awards:

    Outstanding Direction

    • Robin Armstrong, Ripcord, Circle Theatre
    • Emily Scott Banks, Stupid Fucking Bird, Stage West; The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord, WaterTower​ Theatre
    • Cheryl Denson, Angels in America, Part One: Millennium Approaches, Uptown Players
    • Marianne Galloway, Stiff, Risk Theater Initiative (Festival of Independent Theatres)
    • Kevin Moriarty, Electra, The Tempest, and Inherit the Wind, Dallas Theater Center
    • Jeffrey Schmidt, The Minotaur, Theatre Three
    • Joanie Schultz, Hit the Wall, WaterTower Theatre
    • Christie Vela, 'night, Mother, Echo Theatre; Straight White Men, Second Thought Theatre

    Outstanding New Play or Musical

    • Br'er Cotton by Tearrance Arvelle Chisholm, Kitchen Dog Theater
    • Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn
    • The Necessities, by Blake Hackler, Second Thought Theatre
    • Stiff by Sherry Jo Ward, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Touring Production

    • An American in Paris, Dallas Summer Musicals and Performing Arts Fort Worth
    • The Curious Incident of the Dog in the Night-Time, AT&T Performing Arts Center Broadway Series
    • Hedwig and the Angry Inch, AT&T Performing Arts Center Broadway Series
    • Into the Woods, AT&T Performing Arts Center Broadway Series
    • Tina Packer's Women of Will, Eisemann Center Presents

    Outstanding Performance by an Actor

    • Christopher Carlos, Paper Flowers, Kitchen Dog Theater
    • Cameron Cobb, Trevor, Kitchen Dog Theater
    • Blake Hackler, Richard III and Measure for Measure, Trinity Shakespeare Festival; so go the ghosts of méxico, part one: a brave woman in méxico, Undermain Theatre
    • Selmore Haines III, Thurgood, Jubilee Theatre
    • Max Hartman, Trevor, Kitchen Dog Theater
    • Bob Hess, La Cage aux Folles, Uptown Players
    • Alex Organ, The Tempest, Dallas Theater Center
    • Randy Pearlman, Funnyman, Circle Theatre
    • Thomas Ward, Straight White Men, Second Thought Theatre

    Outstanding Performance by an Actress

    • Deborah Brown, Ripcord, Circle Theatre
    • Whitney LaTrice Coulter, The Submission, Proper Hijinx Productions
    • Steph Garrett, The Great Dictator, Audacity Theatre Lab (Festival of Independent​ Theatres); Waiting for Lefty, Upstart Productions
    • Julie Johnson, Mame, Lyric Stage
    • Jenny Ledel, Grounded, Second Thought Theatre
    • Kelsey Milbourn, Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Sally Nystuen Vahle, Electra and A Christmas Carol, Dallas Theater Center
    • Christie Vela, Paper Flowers, Kitchen Dog Theater; The Necessities, Second Thought Theatre
    • Sherry Jo Ward, Stiff, Risk Theater Initiative (Festival of Independent Theatres)

    Outstanding Performance by an Ensemble Cast

    • Angels in America, Part One: Millennium Approaches, Uptown Players
    • Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Inherit the Wind, Dallas Theater Center
    • 'night, Mother, Echo Theatre
    • Richard III and Measure for Measure, Trinity Shakespeare Festival
    • Stupid Fucking Bird, Stage West

    Outstanding Design or Creative Contribution

    • Design team, Br'er Cotton, Kitchen Dog Theater
    • Stefany Cambra, properties design, Feathers and Teeth, Kitchen Dog Theater
    • Jay Dias, music direction, Camelot, Lyric Stage
    • John M. Flores, sound design, Feathers and Teeth, Kitchen Dog Theater
    • Pam Holcomb-McLain, musical direction, The Light in the Piazza, Brick Road Theatre
    • Design team, Jesus Christ Superstar, Casa Mañana
    • Brian McDonald, set and sound design, Grounded, Second Thought Theatre
    • Aaron Johansen, lighting design, Grounded, Second Thought Theatre
    • Michael B. Moore, wigs and makeup design, La Cage aux Folles, Uptown Players
    • Lauren Morgan, a season of costume design for Stolen Shakespeare Guild
    • James Ortiz, puppet design, Stefano Brancato, associate puppet design, Hood: The Robin Hood Musical Adventure, Dallas Theater Center
    • Design team, Trinity Shakespeare Festival
    • Sean J. Smith and Rhonda Jones, choreography, Fly, African American Repertory Theater
    • Trigg Watson, magic consultation, Midas, Prism Movement Theater

    Special Citations

    • Dallas Theater Center, for engaging the city with its Public Works production of The Tempest, which used 200 members of the community in its cast, and for committing to continue the program in future seasons.
    • Denise Lee, for starting Community Conversation, following the Dallas Police shootings, as an ongoing, free, inclusive program that gives theater audiences an opportunity to discuss tense issues and create fellowship across different cultures, races, orientations, and/or social-economic statuses in a safe, judgment-free setting. The program is held every fourth Monday at Dallas Children's Theater, alternates every other month at Circle Theatre and Stage West in Fort Worth, and has been offered after Second Thought Theatre's Straight White Men, Kitchen Dog Theater's Br'er Cotton, and WaterTower Theatre's Hit the Wall.

    Participating Critics
    Lindsey Wilson, CultureMap
    Alexandra Bonifield, CriticalRant.com
    Nancy Churnin, Dallas Morning News
    Jan Farrington, TheaterJones.com
    Janice Franklin, TheaterJones.com
    Martha Heimberg, TheaterJones.com and Dallas Weekly
    Arnold Wayne Jones, Dallas Voice
    Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    Punch Shaw, Fort Worth Star-Telegram

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 45 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.

    Kieran Connolly, Liz Mikel, and Ace Anderson in Dallas Theater Center's Inherit the Wind
    Photo by Karen Almond
    Kevin Moriarty was recognized for directing three outstanding Dallas Theater Center shows, including Inherit the Wind.
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    Piano competition news

    Cliburn piano competition locks in 20-year commitment to Dallas and SMU

    Stephanie Allmon Merry
    Mar 5, 2026 | 10:00 am
    Shuan Hern Lee at 2019 Cliburn International Junior Piano Competition and Festival
    Photo by Ralph Lauer
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    The Fort Worth-based Cliburn is crossing county lines and making a long-term commitment to Dallas: The arts organization is entering a 20-year partnership with Southern Methodist University and the Dallas Symphony Orchestra for the next five editions of its Cliburn International Competition for Young Pianists.

    The next one will be contested June 10-19, 2027, in Dallas.

    Formerly the Cliburn International Junior Piano Competition and Festival, the contest welcomes top pianists aged 13 to 17 from around the world for both fierce competition and educational enrichment. The Dallas partnership will include an in-residence fellowship program on the campus of SMU consisting of masterclasses, workshops, artist conversations, performance opportunities, and other scheduled activities, a release says.

    “As the Cliburn continues to encourage the futures of the amazing young artists who participate in the Cliburn International Competition for Young Pianists, we must also invest in the future of the communities that make events like this possible,” says Cliburn president and CEO Jacques Marquis in the release. “By cementing the partnership with SMU and the Dallas Symphony Orchestra - true pillars of the Dallas artistic community - for the next 20 years, we are telling the people of Dallas that the Cliburn is here, and that we are committed to the development of the next generation of great artists.”

    'Cliburn Junior' history
    The inaugural Cliburn International Junior Piano Competition and Festival was held in June 2015 at Texas Christian University, with the Fort Worth Symphony Orchestra accompanying the finalists. The top three finishers in 2015 were from Kazakhstan, Russia, and China.

    Cliburn Junior Competition winners Cliburn Junior 2023 winner Seokyoung Hong (center) with second-place Yifan Wu (left), and third-place Jan Schulmeister. Photo by Ralph Lauer

    The competition for teens moved to Dallas and partnered with SMU and the DSO for the 2019 edition, attracting a new audience of piano enthusiasts on the east side of the Metroplex. (The Cliburn-experts at CultureMap Fort Worth published a guide to getting the most out of the competition in Dallas.)

    The move to Dallas marked the first time the organization, a crown jewel of Fort Worth culture, staged a major program outside namesake Van Cliburn’s adopted hometown since Cliburn competitions began in 1962.

    At the time, Marquis explained that, "One key to continuing the Cliburn’s strategic advancement is to continuously reach a broader community, both around the world and in our own backyard."

    The junior competition was held in Dallas again in 2023; Seokyoung Hong, a 15-year-old phenom from South Korea, took home the top prize.

    A few "Cliburn Junior" laureates have gone on to compete in the Van Cliburn International Piano Competition; notably, Tony Yike Yang, a Canadian pianist who competed in both the 2015 Cliburn junior and the 2017 Cliburn International, where he earned a spot in the semifinals. And Clayton Stephenson, who competed in the 2015 Cliburn Junior and returned for the 2022 Cliburn International, where he was a fan-favorite finalist (and brought the house down in Bass Hall with a performance of the Gershwin Piano Concerto.)

    Clayton Stephenson, 23, of the United States Clayton Stephenson competed in the 2015 Cliburn Junior Competition and returned for the 2022 Cliburn International Competition, where he was a finalist. Photo courtesy of The Cliburn

    The Cliburn also just announced its further stretch, to Houston, where the inaugural Cliburn International Competition for Conductors will take place in June 2028.

    Looking ahead to 2027
    For the 2027 young pianists' competition, per tradition, the Preliminary and Semifinal Rounds will be hosted on the campus of SMU, where participants will also reside throughout their time in Dallas.

    The Final Round will move to the Meyerson Symphony Center, where six young pianists will perform one concerto movement with the Dallas Symphony Orchestra under the direction of Maurice Cohn, music director of the West Virginia Symphony Orchestra and former assistant conductor of the Dallas Symphony Orchestra.

    The 2027 competition jury will be chaired by Sa Chen, the 2005 Van Cliburn International Piano Competition bronze medalist. Additional jurors will include:

    • Kenny Broberg, USA (2017 Cliburn silver medalist)
    • Lucille Chung, Canada/USA
    • Alessandro Deljavan, Italy (2009 & 2013 Cliburn jury prize winner who returns to DFW frequently for concerts)
    • Marie-Josèphe Jude, France
    • Alexander Korsantia, Georgia/USA
    • Alessandro Mazzamuto, Italy
    • Noriko Ogawa, Japan
    • Steven Osborne, Scotland

    Alessandro Deljavan Italian pianist and Cliburn alum Alessandro Deljavan will serve on the jury. Photo courtesy of Chamber Music Society of Fort Worth

    Pianists aged 13 to 17 are invited to apply by November 17, 2026. The Cliburn will invite 38 artists to participate as Piano Fellows; from this group, 24 pianists will be selected to compete for prizes. All applicants must have been born on or after June 7, 2010, and before June 19, 2014.

    More information can be found at the competition's website.

    dallas symphony orchestrasmuvan cliburn competitionpianocliburnCliburn
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