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    Movie Review

    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale

    Alex Bentley
    Dec 18, 2019 | 10:56 am
    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale
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    For more than 40 years, the specter of Star Wars has hung over the movie landscape like no other franchise. It has influenced countless filmmakers, showing up in big and small ways in multiple other works of art. Now, characters new and old are getting one last chance to add to the series' legacy with Star Wars: The Rise of Skywalker.

    Without getting into spoiler specifics, the Resistance — led by Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac), Chewbacca (Joonas Suatamo), and General Leia Organa (Carrie Fisher) — are still facing the threat of the First Order, led by Supreme Leader Kylo Ren (Adam Driver). But a new danger has emerged, one that divides the focus of the Resistance and may also usurp the power of the First Order.

    The previous film, The Last Jedi, was a divisive effort because of new elements that writer/director Rian Johnson introduced to the series. J.J. Abrams, who directed and co-wrote The Force Awakens, is back for Episode XI, and he brings with him both the familiar and unfamiliar.

    There are plenty of recognizable settings and characters from previous movies to trigger nostalgia, but enough is different so as to not seem simply like a retread of things that have been done before. He also introduces some heretofore unseen elements that may have some purists crying foul.

    That said, a lot of retconning is done to make sure plot points that were introduced in the previous two films fall into place. Some of them feel organic to an ever-evolving plot, but there are more than a few that come off as shoehorned in, putting a round peg in a square hole just to provide some sort of answer.

    Unfortunately, one of the biggest of these is the presence of Leia in the film. Abrams and his team used footage from Fisher's work on The Force Awakens to make her a part of the plot, and a series of perfunctory lines fail to do justice for either the character or the actor, who died in 2016. Because of Leia's relationships with other characters, emotions do come, but they don't feel fully earned.

    The connection between Rey and Kylo Ren was the overarching part of the first two films, and that bond comes to a head in The Rise of Skywalker. Abrams and Johnson have tried to make this relationship on par with that of Luke Skywalker and Darth Vader, but it's never had that depth of feeling. Still, they do engage in some epic battles, and the way their story is wrapped up is fully satisfying.

    Poe and Finn are crucial to the plot of the film, but neither feels as important as Rey. They spend most of their time ensconced with the rest of the Resistance, and their efforts are more part of the team than as individuals. They do get some fun and exciting moments, but nothing that makes them truly stand out.

    Part of the reason for this is because the new characters in this trilogy have never been able to move out of the shadow of the characters from the first trilogy. The old characters are revered or reviled by the new characters for good reason, but the attention paid to them has prevented these new films from ever being able to establish their own identity.

    Star Wars: The Rise of Skywalker is a finale that is both enthralling and frustrating, feelings that could change in either direction on repeat viewings. One can only hope that, now that the Skywalker saga is finished, future Star Wars films can explore whatever direction they please without being as beholden to the legacy that came before.

    The cast of Star Wars: The Rise of Skywalker.

    The cast of Star Wars: The Rise of Skywalker
    Photo courtesy of Walt Disney Studios
    The cast of Star Wars: The Rise of Skywalker.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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