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    Movie Review

    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale

    Alex Bentley
    Dec 18, 2019 | 10:56 am
    Star Wars: The Rise of Skywalker enthralls and frustrates in series finale
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    For more than 40 years, the specter of Star Wars has hung over the movie landscape like no other franchise. It has influenced countless filmmakers, showing up in big and small ways in multiple other works of art. Now, characters new and old are getting one last chance to add to the series' legacy with Star Wars: The Rise of Skywalker.

    Without getting into spoiler specifics, the Resistance — led by Rey (Daisy Ridley), Finn (John Boyega), Poe (Oscar Isaac), Chewbacca (Joonas Suatamo), and General Leia Organa (Carrie Fisher) — are still facing the threat of the First Order, led by Supreme Leader Kylo Ren (Adam Driver). But a new danger has emerged, one that divides the focus of the Resistance and may also usurp the power of the First Order.

    The previous film, The Last Jedi, was a divisive effort because of new elements that writer/director Rian Johnson introduced to the series. J.J. Abrams, who directed and co-wrote The Force Awakens, is back for Episode XI, and he brings with him both the familiar and unfamiliar.

    There are plenty of recognizable settings and characters from previous movies to trigger nostalgia, but enough is different so as to not seem simply like a retread of things that have been done before. He also introduces some heretofore unseen elements that may have some purists crying foul.

    That said, a lot of retconning is done to make sure plot points that were introduced in the previous two films fall into place. Some of them feel organic to an ever-evolving plot, but there are more than a few that come off as shoehorned in, putting a round peg in a square hole just to provide some sort of answer.

    Unfortunately, one of the biggest of these is the presence of Leia in the film. Abrams and his team used footage from Fisher's work on The Force Awakens to make her a part of the plot, and a series of perfunctory lines fail to do justice for either the character or the actor, who died in 2016. Because of Leia's relationships with other characters, emotions do come, but they don't feel fully earned.

    The connection between Rey and Kylo Ren was the overarching part of the first two films, and that bond comes to a head in The Rise of Skywalker. Abrams and Johnson have tried to make this relationship on par with that of Luke Skywalker and Darth Vader, but it's never had that depth of feeling. Still, they do engage in some epic battles, and the way their story is wrapped up is fully satisfying.

    Poe and Finn are crucial to the plot of the film, but neither feels as important as Rey. They spend most of their time ensconced with the rest of the Resistance, and their efforts are more part of the team than as individuals. They do get some fun and exciting moments, but nothing that makes them truly stand out.

    Part of the reason for this is because the new characters in this trilogy have never been able to move out of the shadow of the characters from the first trilogy. The old characters are revered or reviled by the new characters for good reason, but the attention paid to them has prevented these new films from ever being able to establish their own identity.

    Star Wars: The Rise of Skywalker is a finale that is both enthralling and frustrating, feelings that could change in either direction on repeat viewings. One can only hope that, now that the Skywalker saga is finished, future Star Wars films can explore whatever direction they please without being as beholden to the legacy that came before.

    The cast of Star Wars: The Rise of Skywalker.

    The cast of Star Wars: The Rise of Skywalker
    Photo courtesy of Walt Disney Studios
    The cast of Star Wars: The Rise of Skywalker.
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    Movie Review

    Dallas gets showcased in witchy new movie Forbidden Fruits

    Alex Bentley
    Mar 26, 2026 | 3:24 pm
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits
    Photo courtesy of IFC
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits.

    There was a time when Dallas was a prime location for movies, whether it was for films set in and around the city, like Tender Mercies, or ones that used it to stand in for other locations, like Robocop. Dallas is getting its first notable shoutout in a long time thanks to the new film, Forbidden Fruits.

    Set mostly in a NorthPark Center-like location called Highland Place Mall, the film centers on a group of young women known as the Fruits. Apple (Lili Reinhart), Cherry (Victoria Perfetti), and Fig (Alexandra Shipp) all work at a clothing store called Free Eden, with the three of them essentially lording over everyone else in the mall. That includes Pumpkin (Lola Tung), who works at the pretzel store Sister Salt’s and who wants to join their group.

    Pumpkin soon discovers that, apart from being an entitled clique, the group also claims to be a coven of witches, with Apple especially using their combined power to get back at anyone who’s wronged them. When Pumpkin starts noticing Cherry and Fig going astray of the group’s code, she uses this knowledge to get in tighter with Apple, although she’s unprepared for how far Apple will go to protect her interests.

    Written and directed by Meredith Alloway (who grew up in Dallas and graduated from both Lake Highlands High School and SMU) and co-written by Lily Houghton, the film seems to have the aim of combining movies like Mean Girls and The Craft. The peer pressure of being part of an exclusive group is evident from the start, as Apple essentially forces the others to live by her code or be ostracized (or worse).

    One of the biggest problems the film runs into, though, is that any conflict comes from within the group itself. With no pressure coming from other friends, family, or co-workers, the group has to create its own drama. The story quickly gets redundant and stagnant, with almost no plot movement until the final act of the film, when it’s almost too late.

    Alloway is clearly aiming for a campy vibe with the film, but the execution leaves something to be desired. The four characters are established in a perfunctory manner, and even as they get fleshed out as the film goes along, there’s nothing to compare them with, so it’s as if they’re just acting off-the-wall in a vacuum.

    Those who know the Dallas area well will enjoy the local references (the women hail from Plano, Irving, Grapevine, and Highland Park), and Alloway makes sure to include the looming threat of a tornado into the plot. But since the film was actually filmed in Toronto, there are no visuals that make it feel like Texas, and so any goodwill she gets from setting the film in the city is muted by that lack.

    While Reinhart (Riverdale) and Shipp (Storm in X-Men movies) have been around longer, both Pedretti (You) and Tung (The Summer I Turned Pretty) have made big impressions on streaming shows in recent years. The foursome play off each other well even when the story is not that compelling.

    If there was a message in Forbidden Fruits that Alloway wanted to get across, she didn’t communicate it clearly enough. Her solid cast can only do so much to sell a story that doesn’t have enough on the bone to be filling. It would have been nice for the movie to be filmed in Dallas, but such is the way of the world in modern Hollywood.

    ---

    Forbidden Fruits opens in theaters on March 27.

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