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    Unheroic Unbroken

    Angelina Jolie's Unbroken fails to do justice to Louis Zamperini's life story

    Alex Bentley
    Dec 25, 2014 | 9:07 am
    Angelina Jolie's Unbroken fails to do justice to Louis Zamperini's life story
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    If ever there was a true story that deserved big-screen treatment, it’s the life of Louis Zamperini. He packed a lifetime’s worth of events into just about 10 years, running in the 1936 Berlin Olympics, joining the military for World War II, surviving 47 days at sea after a plane crash and then enduring years of torture as a prisoner-of-war in Japan.

    It’s a story so rich, in fact, that it could probably only be told adequately in book form, which Laura Hillenbrand did masterfully in the 2010 biography, Unbroken. Angelina Jolie has used the same title for her sophomore directorial effort, and even though she does her level best to pay equal tribute to Zamperini, who died earlier this year at age 97, she just can’t quite do his story justice.

    Unbroken is far from a bad movie, but when you have a story such as Zamperini’s, you really want it to soar off the screen from minute one.

    Jolie, working from a script by Joel Coen, Ethan Coen, Richard LaGravenese and William Nicholson, starts the film with Zamperini (Jack O’Connell) already at war as a bombardier flying missions over the Pacific Ocean. She then uses flashbacks to take us to his childhood, the Olympics and other significant pre-war moments.

    From the start, the tone of the film just feels a bit off. One can sense the feelings Jolie is trying to evoke, but the way she stages scenes never really works. For instance, the opening sequence has Zamperini’s plane in the middle of a ferocious air battle, but there is a curious shortage of suspense.

    Often that lack of drama seems to stem from the actors’ failing to use the right inflection to elicit the appropriate emotion. But that’s not the result of bad acting but rather a deficiency in their lines.

    Other times Jolie pushes too hard for dramatic elements instead of letting them evolve naturally, an unfortunate consequence of adapting a story like this into a movie; a director just don’t have the time to give the full background for certain events. Regardless of the constraints of filmmaking, the first half of the film just never gels.

    It’s not until Zamperini and his pilot, Russell Phillips (Domhnall Gleeson), arrive at Japanese prison camps that the film captures the essence of the story. Perhaps it’s the visceral nature of the beatings Zamperini takes from guard Mutsushiro Watanabe (Takamasa Ishihara) or his ability to commiserate/conspire with fellow POWs, but the film feels most alive as Zamperini is struggling to survive in Japan.

    Just as the film gets better as it goes along, so too does O’Connell’s performance. The English actor ultimately finds a way to make the role his own, showing that we can expect big things from him in the future. Gleeson, Ishihara, Jai Courtney and Garrett Hedlund all deliver solid supporting turns.

    Unbroken is far from a bad movie, but when you have a story such as Zamperini’s, you really want it to soar off the screen from minute one. Even though it doesn’t, Jolie finds a way to make a winning film in the end.

    Jack O'Connell plays Louis Zamperini in Unbroken.

    Jack O'Connell in Unbroken
    Photo courtesy of Universal Pictures
    Jack O'Connell plays Louis Zamperini in Unbroken.
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    Movie Review

    The Devil Wears Prada 2 fashions glam Runway comeback with underdressed story

    Alex Bentley
    Apr 30, 2026 | 1:42 pm
    Meryl Streep and Anne Hathaway in The Devil Wears Prada 2
    Photo by Macall Polay
    Meryl Streep and Anne Hathaway in The Devil Wears Prada 2.

    When The Devil Wears Prada came out 20 years ago, it was a sensation for essentially two reasons: The showcase of the glamour of the fashion industry, and the performance of Meryl Streep as Miranda Priestly. Streep’s withering glares, disdain shown toward Priestly’s subordinates, and delivery of several instantly iconic lines rightfully earned her an Oscar nomination.

    Two decades later, the gang has come back together for The Devil Wears Prada 2, trying to recapture some of that magic. Andi Sachs (Anne Hathaway), freshly fired from her job at the fictional New York Mirror, is brought back into the fold at Runway magazine to be their features editor. Miranda is still in charge and as standoffish as ever, but Nigel (Stanley Tucci) welcomes her back with open arms.

    Like everything else, Runway has had to change with the times, going mostly digital and having to kowtow to advertisers to keep the money flowing. That includes sucking up to Miranda’s former assistant, Emily (Emily Blunt), who’s now the head of the New York branch of Christian Dior. However, even Andi’s incisive writing and Miranda’s keen eye for the next fashion trend may not be enough to keep the magazine afloat.

    The filmmaking team of director David Frankel and screenwriter Aline Brosh McKenna have also returned, and they have done a good job of keeping the tone of the original film without relying too much on nostalgia. Most of the main characters have aged/changed in reasonable and appropriate ways, and it’s initially fun to see them all interacting again. The fashion side of things keeps the film feeling high-class, even if most regular people can’t afford most of what’s on display.

    The filmmakers have lots of ideas on how to update the characters for the modern world, but the follow-through on those ideas is not as great. Because there is no longer the same power dynamic between Andi and Miranda, Frankel and McKenna go in search of other conflicts, none of which work as well. The two-hour film ends up feeling like a bunch of individual scenes that are tenuously held together by the barest thread of a story.

    Strangest of all, though, is the film’s treatment of Miranda. She remains somewhat imperious, but her influence has diminished in multiple ways. In trying to make her change with the times, including bowing to politically correct terminology, the film has neutered what made her such a great character. There is rarely a point where she feels in charge, and the story choices made because of that weaken the film overall.

    In 2006, Hathaway was just barely out of her Princess Diaries phase, and she has gone on to become a major, Oscar-winning star with no fewer than five different films coming out in 2026. She remains the heart and soul of this film, and she elevates every scene she’s in. Streep is hamstrung by the changes in her character, but she still brings her unique presence to the role. Tucci remains a delight and has great chemistry with Hathaway, but Blunt is underserved by a role that keeps her apart from the others for large stretches and tethered to an annoying character played by Justin Theroux.

    As with many sequels, The Devil Wears Prada 2 is enjoyable just because it allows fans to spend time with some favorite characters again. Even though the filmmakers don’t utilize those characters in ways that are as memorable as the first time around, the film is still a fun time at the theater that gives moviegoers a glimpse at a world many can only dream to be in.

    ---

    The Devil Wears Prada 2 opens in theaters on May 1.

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