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    Weekend Event Planner

    These are the 9 best things to do in Dallas on New Year's weekend

    Alex Bentley
    Dec 30, 2021 | 6:00 am

    You might think that with New Year's Eve falling on a weekend this year, events celebrating the new year would push everything else aside. While there are plenty of options on that end, there are a lot of other events as well, including concerts, national and local theater productions, comedy, a huge college football bowl game, and more.

    Still looking for New Year's Eve dinner plans? That list is here. Want one more weekend of Christmas light-viewing before they go dark for another year? That list is here.

    Thursday, December 30

    Last call for holiday events
    If you somehow haven't made it out to one of the many holiday events in the area, this weekend is your last chance to do so. Among the events taking their final bow for the season are The Trains at NorthPark, Dallas Arboretum's Holiday at the Arboretum, The Elf On the Shelf Magical Holiday Journey, Dallas Zoo Lights, Enchant Christmas presents The Great Search, Grand Prairie Parks, Arts and Recreation presents Prairie Lights, and Radiance! featuring Frozen in Frisco.

    Lights All Night
    Electronic dance music fans have a great way to bring in the new year with Lights All Night, a two-day music festival at Dallas Market Hall celebrating the end of 2021 featuring some of the biggest names in the genre. There will be performances by Deadmau5, Malaa, Illenium, 1788-L, Above & Beyond, Black Tiger Sex Machine, Cheyenne Giles, DJ Snake, Madeon, Subtronics, and more.

    AT&T Performing Arts Center presents Mannheim Steamroller
    Mannheim Steamroller will bring their annual holiday tour to Dallas. While 2020 was the first year the group was unable to tour in 35 years, 2021 will reunite the No. 1 Christmas music artist in history with its legion of long-time fans. Guests can experience the music that has become the hallmark of the holidays and a tradition for multi-generational families. The concert will be at Winspear Opera House.

    Dallas Summer Musicals presents Jersey Boys
    Jersey Boys goes behind the music and inside the story of Frankie Valli and The Four Seasons, telling the story of four guys who went from the streets of New Jersey to the Rock and Roll Hall of Fame. The production, playing at the Music Hall at Fair Park through January 9, features hits like “Sherry,” “Big Girls Don’t Cry,” “Walk Like A Man,” “Can’t Take My Eyes Off You,” and “December, 1963 (Oh What A Night).”

    Pegasus Theatre presents Prime Time for Murder!
    Pegasus Theatre will present the world premiere of the 21st Harry Hunsacker adventure, Prime Time for Murder! The play, running through January 16 at Eisemann Center for the Performing Arts in Richardson, takes place in a television studio where the program Mystery Theater is broadcast live. Harry, Nigel, and Lt. Foster have been invited to the studio to be consultants on the show. But when bodies start turning up, the trio will have to defend one of their own and find the real killer before it’s too late.

    Gary Owen's DFW NYE Takeover V
    Comedian Gary Owen will preside over a two-night comedy event celebrating the end of 2021. Night one on December 30 will feature performances by Owen, Kountry Wayne, and Lavell Crawford. Night two on December 31 will feature performances by Owen, Cedric "The Entertainer," J.J. Williamson, and Malik S. The event takes place at Texas Trust CU Theatre at Grand Prairie.

    Friday, December 31

    Goodyear Cotton Bowl Classic: Alabama vs. Cincinnati
    This year's Goodyear Cotton Bowl Classic will be extra special as it serves as a semifinal game in the College Football Playoff. As long as COVID doesn't interfere, it will feature a matchup between the No. 1 (and perennial favorite) Alabama Crimson Tide and the upstart No. 4 Cincinnati Bearcats, the first team outside of the Power 5 conferences (and the independent Notre Dame) that has made the playoffs. The game will be at AT&T Stadium in Arlington.

    Saturday, January 1

    Vogel Alcove presents Day 1 DFW
    Day 1 DFW is being hosted by Main Event at all seven Dallas-Fort Worth locations. Tickets grant all-access to Main Event activities from 9 am to 2 am on New Year’s Day, plus bowling shoe rental and a $10 fun card for games. Each location also features its own extra activities like magic shows, balloon artists, animal shows, and more. Participants can end the evening at 7 pm at one of two fireworks shows set to children's music at Toyota Stadium in Frisco or Dickies Arena in Fort Worth. Proceeds benefit Vogel Alcove, a nonprofit serving homeless families.

    Sunday, January 2

    Dallas Arts District exhibition closings
    Each of the three big art museums in the Dallas Arts Districts will close exhibitions on Sunday. The Crow Museum of Asian Art's "Carolyn Brown and Palmyra: An Ancient City Through the Lens" showcases 12 of Brown's large-scale photographs documenting Palmyra (located in present-day Syria) from her travels 32 years ago. Nasher Sculpture Center's Betye Saar: "Call and Response" is the first exhibition to examine the relationship between Saar’s sketchbooks, which she has kept since the late 1960s, and her finished works. And the Dallas Museum of Art has two exhibitions closing: "Devoted: Art and Spirituality in Mexico and New Mexico" features devotional works drawn from the DMA’s Latin American collection, and "Focus on: Henry Ossawa Tanner" pairs two works by the acclaimed painter that underwent a comprehensive conservation treatment and technical study by the DMA.

    Dallas Summer Musicals presents Jersey Boys at the Music Hall at Fair Park through January 9.

    Touring company of Jersey Boys
    Photo by Joan Marcus
    Dallas Summer Musicals presents Jersey Boys at the Music Hall at Fair Park through January 9.
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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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