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    Movie Review

    Coming 2 America offers fun nostalgia trip but little else

    Alex Bentley
    Mar 5, 2021 | 12:24 pm
    Coming 2 America offers fun nostalgia trip but little else
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    The nostalgia for everything related to the 1980s has been in high gear in recent years, popping up in everything from Netflix’s Stranger Things, Steven Spielberg’s Ready Player One, and reboots of multiple ‘80s properties. Now, on the heels of the return to the Bill & Ted franchise with the original actors, comes the long-awaited sequel to Coming to America, appropriately titled Coming 2 America.

    Thirty-three years after the original, Prince Akeem (Eddie Murphy) of Zamunda is still married to Lisa (Shari Headley), and he now has three daughters, Meeka (Kiki Layne), Omma (Bella Murphy), and Tinashe (Akiley Love), which puts a crimp in the tradition of having a male heir inherit the throne. Akeem’s ailing father, King Jaffe Joffer (James Earl Jones), surprisingly informs him that he conceived a son during his initial trip to America, sending him on a trip back to Queens to find his son and bring him back to his rightful home.

    While the plot involving the son, Lavelle Junson (Jermaine Fowler), starts off promising enough with hilarious introductions of Lavelle’s mom (Leslie Jones) and uncle (Tracy Morgan), things devolve upon the return to Zamunda. Fans of the original film will find some striking similarities in the two films' plots, with Lavelle traveling almost exactly the same road as Akeem, but in reverse.

    Directed by Craig Brewer, who also helmed Murphy’s Dolemite is My Name, and written by Barry W. Blaustein, David Sheffield, and Kenya Barris, the film offers plenty of callbacks to the first film but little of substance for the sequel to stand on its own. Instead of finding an interesting way to involve Akeem’s three daughters, the story falls back on most of the same jokes that it made the first time around.

    That’s not to say that those things aren’t funny, but there’s only so much pleasure to be had out of rehashing McDowell’s/McDonald’s jokes or seeing Murphy and Arsenio Hall pull quadruple duty as multiple characters. They do some things right, though, including giving Jones and Morgan room to roam, a lavish scene that involves cameos by Morgan Freeman, En Vogue, Salt-N-Pepa, and Gladys Knight, and multiple appearances by Trevor Noah as a Zamundan newscaster.

    But those pleasurable moments are few and far between, with most scenes sticking to elements that involve very little effort for either the filmmakers or the audience. On the plot side, it seems like the filmmakers want to have their cake and eat it too, giving lip service to Meeka and her ambitions while still focusing on the antiquated story about Lavelle. Lavelle is shown to be conflicted about his new role, but the approach of the film never sells this aspect.

    Murphy (and, to a lesser degree, Hall) is obviously the main draw, and much like the film as a whole, his presence is enjoyable but not impactful. Akeem is not as over-the-top as some of his other roles, and seeing him as a dad makes him recede even more. The filmmakers missed a real opportunity in not giving Layne, who impressed in both If Beale Street Could Talk and The Old Guard, more to do, as she’s much more dynamic than Fowler.

    Coming 2 America is far from a disaster, but it doesn’t deliver anything more than surface fun for those who still remember and love the original film. Nostalgia has its place, but it needs to be complemented by something new and meaningful, and that part is all but missing here.

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    Coming 2 America is streaming exclusively on Amazon Prime Video.

    Arsenio Hall and Eddie Murphy in Coming 2 America.

    Arsenio Hall and Eddie Murphy in Coming 2 America
    Photo by Quantrell D. Colbert/Amazon Studios
    Arsenio Hall and Eddie Murphy in Coming 2 America.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

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    Marty Supreme opens in theaters on December 25.

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