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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Apr 18, 2024 | 6:00 am

    Almost every event on the list this weekend around Dallas will have another one complementing it. There will be performances by three comedians, two local theater productions, two concerts, and two dance performances, one of which will take place alongside a symphony concert. The one outlier will be the return of a long-running film festival.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, April 18

    Roy Wood, Jr.: Happy To Be Here
    Comedian Roy Wood Jr. was one of the longest-serving correspondents in the history of Comedy Central's The Daily Show, appearing from 2015 to 2023. During his tenure, Wood used The Daily Show’s brand of satire to shed a light on serious issues like Chicago gun violence, police reform, LGBTQ+ discrimination, ICE deportations and PTSD in the Black community. His recent credits include guest starring roles in Netflix’s comedy series Space Force, AMC’s Better Call Saul, and The Last O.G. on TBS. He'll perform at House of Blues Dallas.

    54th Annual USA Film Festival
    The 54th annual USA Film Festival will feature 24 separate programs, including tributes to iconic actors and filmmakers, new feature films, and short film showcases. Among the highlights will be tributes to actors Martin Sheen and Billy Dee Williams, both of whom will be in attendance; a 40th anniversary screening of Footloose, with screenwriter/songwriter Dean Pitchford in attendance; actor John Magaro in attendance for his new film, LaRoy, Texas; and more. The main festival will be at Angelika Film Center in Dallas through Sunday, with the Billy Dee Williams tribute on April 26.

    WaterTower Theatre presents Satchmo at the Waldorf
    Satchmo at the Waldorf is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong’s playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York’s Waldorf-Astoria Hotel, where Armstrong performed in public for the last time. just four months before his death. The production runs through April 28 at WaterTower Theatre in Addison.

    Laufey in concert
    At just 24 years old, Icelandic-Chinese-American songwriter Laufey has already been dominating the charts with her first two albums of jazz, R&B, and pop tunes. Her second album, 2023's Bewitched, went all the way to No. 1 on the Billboard Jazz chart, and a respectable showing of No. 23 on the overall Billboard 200. She'll perform the second of two shows at Winspear Opera House, with support from Grace Enger.

    Majestic Theatre presents Amy Sedaris
    Amy Sedaris is a prolific actress, author, comedian, and rabbit educator who has appeared often on screen, both large and small. Her recent work includes movies like Ghosted and Somebody I Used to Know, and the Disney+ series The Mandalorian. On the heels of appearing at the Moontower Comedy Festival in Austin, she'll perform at Majestic Theatre.

    Friday, April 19

    NTPA Repertory Theatre presents The Producers
    In the musical The Producers, a down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers (all "little old ladies") out of millions of dollars. Only one thing goes awry: the show is a smash hit. The production runs through April 28 at North Texas Performing Arts in Plano.

    Dallas Black Dance Theatre presents Rising Excellence
    Audiences can get a glimpse into the future of dance with Dallas Black Dance Theatre's Encore company as they present Rising Excellence, which features innovative choreography and performances by some of the most talented emerging artists in the field. DBDT's internationally recognized company members embody the next generation of artistic greatness. There will be performances on both Friday and Saturday at Moody Performance Hall.

    Dallas Symphony Orchestra presents Troupe Vertigo
    Fusing together elements of cirque acrobatics, classical dance, and contemporary theater, Troupe Vertigo brings audiences on a spellbinding journey through the world of artistic movement. The Dallas Symphony Orchestra will perform a variety of pieces, including Holst's “Jupiter” from The Planets, music from the Pixar film Up, and excerpts from Close Encounters of the Third Kind, while the dancers perform. There will be three performances through Sunday at Meyerson Symphony Center.

    Desi Banks: The Purpose Chaser Tour
    Desi Banks is the ultimate triple threat – actor, stand-up comedian, and entrepreneur who's swiftly becoming a household name; known for his razor-sharp wit and hilarious comedic timing. He's toured with likes of Mike Epps, Deray Davis, Kountry Wayne, Gary Owens, Lavell Crawford, and more. He'll perform at Majestic Theatre.

    Saturday, April 20

    WaterTower Theatre presents Satchmo at the Waldorf
    Photo courtesy of WaterTower Theatre

    WaterTower Theatre in Addison presents Satchmo at the Waldorf through April 28.

    Blue October in concert
    Houston rock band Blue October rose from relative obscurity in the late '90s/early 2000s to become one of the bigger groups of their genre in the 2010s, scoring five top 5 albums from 2011-2018. Known best for songs like "Hate Me" and "Into the Ocean," they'll play at The Pavilion at Toyota Music Factory in Irving in support of their 2023 album, Spinning the Truth Around (Part II).

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    Movie Review

    Iranian film It Was Just an Accident is a thriller with deep meaning

    Alex Bentley
    Oct 31, 2025 | 2:02 pm
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident
    Photo courtesy of Neon
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident.

    American filmmakers, for the most part, enjoy luxury and freedoms when making movies in the United States that filmmakers in other countries could only dream of. Not only does Iranian writer/director Jafar Panahi not have millions of dollars with which to make his films, he also has to deal with a government that has previously arrested him for being critical of their policies.

    And yet he persists, returning to the screen with the taut It Was Just An Accident. The film begins with a kind of misdirect, showing Eghbal (Ebrahim Azizi) and his family driving home at night, during which they strike and kill a dog. That accident sends Eghbal into the orbit of Vahid (Vahid Mobasseri), who works at a business that helps repair Eghbal’s car.

    Recognizing the distinctive sound of Eghbal’s prosthetic leg, Vahid believes him to be the same man who kidnapped and tortured him and others in a recent government arrest spree. Desperate to confirm his suspicions, Vahid kidnaps Eghbal and takes him to a series of people who were also imprisoned under the man they named “Peg Leg,” including Shiva (Mariam Afshari), a wedding photographer; Golrokh (Hadis Pakbaten), the bride being photographed; and more.

    Most filmmakers have the ability to use sets and take as much time as they need - within reason - to get the shot they need. Panahi employs a type of guerrilla filmmaking rarely seen these days, stealing shots in broad daylight while trying not to gain the notice of Iranian authorities. The daring nature of the making of the movie infuses the story with an extra tension that elevates what is otherwise a relatively simple story.

    The film puts the audience directly in the shoes of the various characters as each of them wrestles with the complicated feelings arising from their actions. As they were all blindfolded while imprisoned, they can’t be 100 percent sure they have the right man, and debates/arguments between the characters keep viewers guessing as to who he is and what they will do with him. Even if he is who they think he is, will enacting some kind of revenge on him soothe their consciences?

    Through it all, the idea that a former political prisoner is making a film about former political prisoners who are engaging in conduct that could get them arrested again - just as Panahi is doing with his film - makes this meta filmmaking on another level. The simplicity of the story belies the complexity underscoring the entire film, and it delivers one of the most impactful endings of any recent movie.

    While a few of the actors have acted before, including in previous Panahi films, most of them are making their first appearance in a movie. Despite this lack of experience, each of them does well, especially Mobasseri and Afshari, who share a number of heated scenes that bring out the best in both of them.

    It Was Just an Accident is the type of film that constantly keeps the audience on their collective toes, never knowing where it will head next. And that’s even if you didn’t know the details of how and why it was made; once that is discovered, it becomes something much deeper and more important than most other movies that will be released in 2025.

    ---

    It Was Just an Accident is now playing in select theaters.

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