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    Movie Review

    Searching makes smart use of technology for modern mystery

    Alex Bentley
    Aug 30, 2018 | 2:21 pm
    Searching makes smart use of technology for modern mystery
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    At first glance, the filmmaking technique of Searching seems to be an unnecessarily distancing one. Literally every second of the film is viewed as if looking at a computer screen, so that none of the actors ever appear to be acting for the camera. It’s the same technique utilized by the Unfriended horror movie series, which is produced by the same company, Bazelevs Production.

    This time, instead of trying to scare the audience, they’ve turned to a mystery, with arguably much better results. John Cho plays David Kim, who, along with his daughter, Margot (Michelle La), is struggling to get by after the untimely death of his wife, Pamela (Sara Sohn). The struggle gets even more difficult when Margot goes missing after a late-night study group.

    Desperate to find his daughter, David tries to track her movements using the best resources available — her computer and the Internet. With the help of the detective assigned to the case, Rosemary Vick (Debra Messing), he doggedly pursues every clue he can find, often coming up with answers to questions he didn’t know he should have.

    Perhaps it’s the ubiquitousness of being on a computer or a smartphone every day, but after a settling-in period, the film seems to give the audience a perceived sense of control. Writer/director Aneesh Chaganty, along with co-writer Sev Ohanian, do an amazing job of making the act of clicking around and typing on a computer seem as compelling as any traditional narrative could be.

    They’re helped by a variety of video options available, most notably Facetime. Although slightly unbelievable — does anyone actually use Facetime on a computer? — its usage allows the filmmakers to give the characters just enough, well, face time so that the story retains the requisite emotion.

    The believability factor is upped even more by the film, with one notable exception, using real websites and devices instead of fake ones like many other movies do. It’s much easier to put yourself in the shoes of the characters when they’re using Google or scrolling through Facebook and Instagram on their Macbook or iPhone.

    Best of all, though, the filmmakers don’t let the gimmick of the film get in the way of telling a good story. The twists and turns it takes throughout the course of its 102-minute running time are as surprising and effective as any conventional film, and perhaps even more so given the setting.

    Much has been made about the all-Asian cast of Crazy Rich Asians, but there’s something even more notable about having an Asian family at the center of a movie like this. Their ethnicity is a minor but still important element of the film, and thanks to the performances of Cho, La, and Sohn, the situations they experience are as close to universal as you can get.

    Though it might not age well given the speed that the world changes, Searching is an of-the-moment film, one that makes great use of modern-day technology to tell an enthralling story.

    John Cho in Searching.

    John Cho in Searching
    Photo by Sebastian Baron
    John Cho in Searching.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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